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Kate Evans is joined by Bernadette Brennan and Beejay Silcox to talk three striking new releases: Doireann Ní Ghríofa’s Said the Dead, a haunting, archive-rich exploration of a derelict Irish asylum; Chloe Wilson’s The Thornbacks, a darkly comic debut of morticians, dating apps and unsettling female entanglements; and Deborah Levy’s My Year in Paris with Gertrude Stein, a playful meditation on literary life in Paris.
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The Bookshelf comes to you from a sold out session at Sydney Writers’ Festival, for a conversation that brings together an exceptional line-up: acclaimed novelist and poet Tony Birch, Miles Franklin Award-winning author Siang Lu, and internationally celebrated writer Lily King. Together, with Cassie, Kate and special guest Claire Nichols from The Book Show, they mark the launch of ABC Radio National’s 2026 Top 100 Books countdown, this year turning the spotlight on the very best of Australian writing, fiction and non-fiction, across all time.
~ ABC RADIO NATIONAL TOP 100 AUSTRALIAN BOOKS COUNTDOWN
https://www.abc.net.au/listen/radionational/top-100-books-2026/106621398~ BOOKS MENTIONED BY LILY KING
~ BOOKS MENTIONED BY TONY BIRCH
~ BOOKS MENTIONED BY SIANG LU
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We head by rackety ferry to Scotland in John of John, the latest, quietly devastating novel from Shuggie Bain author Douglas Stuart. Henry Lawson reimagined - brawling poets, strange tunnels, time loops, and a warped tussle between city and bush in Wayne Marshall’s Henry Goes Bush, reviewed by You Am I's Tim Rogers. From there, novelist Madeleine Gray turns her eye to Lena Dunham’s sharp, self‑aware memoir Famesick, before moving to Ellena Savage’s The Ruiners, which shifts between a Melbourne lobster shack and a smoke‑wreathed Greek island.
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This week’s Bookshelf features the latest from Elizabeth Strout, creator of Olive Kitteridge and Lucy Barton, returning with a stand‑alone novel called The Things We Never Say. We’re also reading an ambitious, genre‑bending novel that moves from 1980s gaming culture to far‑future space travel, and Daniel Kehlmann’s The Director, a German novel in translation that explores film, power and propaganda. Joining us to review are Geordie Williamson - critic, publisher and writer; and Robert Forster - singer‑songwriter, founding member of The Go‑Betweens, memoirist and brand new novelist with Songwriters on the Run.
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In this episode, superstar reviewer Hannah Kent tackles the rugged terrain of a journey that edges towards the Tibetan border in Deepa Anappara's The Last of Earth, and theatre writer Tom Wright ponders extraterrestrial encounters in Amanda Lohrey's new one, Capture. Plus, Kate and Cassie take a look at two titles on the International Booker Prize shortlist, from France and Bulgaria, one follows a not‑very‑successful witch who weeps tears of blood; and the other is the story of a woman in Albania who switches genders through an ancient ritual.
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This week The Bookshelf leans into the wild as Kate Evans and guests are circled by stories of wolves, wild boar and witches, along with the final year of celebrated poet Sylvia Plath and a sensual story of food and obsession from Japan. Kate is joined by regular guests, the novelist, poet and Professor of Australian literature Tony Birch; and critic Beejay Silcox, who arrives fresh from the U.K. ready to talk literary pilgrimages and bookish souvenirs. Plus, a bonus discussion on this year's Stella Prize shortlist.
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~ 2026 Stella Prize shortlist
NOTE: the winner will be announced on 13 May
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In this episode, Kate and Cassie are joined by celebrated novelist Madeleine Gray and rock icon Tim Rogers for a wide-ranging discussion looking at three works of contemporary fiction: Indian writer Amitav Ghosh’s Ghost Eye, a meditation on reincarnation and climate change; Australian writer and musician Edwina Preston’s Sororicidal, a sharp novel of sisterhood and rivalry; and English stylist Gwendoline Riley’s The Palm House, a disquieting portrait of modern life in London.
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Memory, lost conversations and almost-fathers-and sons in Ben Lerner's Transcription; children divided by the throw of a dice, and that's just the start of it, in Steve Toltz's A Rising of the Lights; no such thing as unskilled labour, in Siân Hughes' No Such Thing as Monday, where a woman works as a drycleaner, trying desperately to rid herself of the stains of her childhood; new crime releases, and an Australian in Hollywood is reconsidered. Kate and Cassie with reviewers Michael Robotham and Geordie Williamson.
BOOKS
Ben Lerner, Transcription, Granta
Steve Toltz, A Rising of the Lights, Penguin
Siân Hughes, No Such Thing as Monday, Penguin
Tana French, The Keeper, Viking Penguin
Candice Fox, Redbelly Crossing, Penguin
Patricia A. O'Brien, Errol Flynn: The true story of Australia's Hollywood Icon, Allen & Unwin
[Keep scrolling for other books and writers mentioned in the discussion]
GUESTS
Michael Robotham is an internationally-acclaimed crime writer whose books include the Joseph O'Loughlan and Evie Cormac series. His latest novel is The White Crow — and his next one, Tell Me Something True, will be his first to be set in Australia
Geordie Wiliamson is a literary critic, writer and publisher at Picador, whose books include a critical study of Alexis Wright in the Black Inc Writers on Writers series; and The Burning Library — on neglected Australian writers
Other books mentioned in the discussion
Karl Ove Knausgård, works
Rachel Cusk, works
W G Sebald, works
Alexander Kluge, works
David Foster Wallace, works
Jonathan Franzen, works
Wallace Stevens, works
Les Murray, works
Saul Bellow, works
Philip Roth, works
P D James, works
Agatha Christie, works
Sam Twyford-Moore, Cast Mates: Australian Actors in Hollywood and at Home
CREDITS
What does it mean to write using an 'ethical imagination'? Colum McCann onstage with Kate Evans at the 2025 Melbourne Writers Festival, on his novels Twist, Apeirogon, TransAtlantic, Let the Great World Spin and many more; and his work with the social justice storytelling movement, Narrative Four.
This week The Bookshelf revisits the Trojan War from the ground up in Yann Martel’s Son of Nobody, moves through friendship and loss in Debra Adelaide’s When I Am Sixty‑Four, and dives into queer Sydney in the 1940s with Fiona Kelly McGregor’s The Trap.
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