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Memory, lost conversations and almost-fathers-and sons in Ben Lerner's Transcription; children divided by the throw of a dice, and that's just the start of it, in Steve Toltz's A Rising of the Lights; no such thing as unskilled labour, in Siân Hughes' No Such Thing as Monday, where a woman works as a drycleaner, trying desperately to rid herself of the stains of her childhood; new crime releases, and an Australian in Hollywood is reconsidered. Kate and Cassie with reviewers Michael Robotham and Geordie Williamson.
BOOKS
Ben Lerner, Transcription, Granta
Steve Toltz, A Rising of the Lights, Penguin
Siân Hughes, No Such Thing as Monday, Penguin
Tana French, The Keeper, Viking Penguin
Candice Fox, Redbelly Crossing, Penguin
Patricia A. O'Brien, Errol Flynn: The true story of Australia's Hollywood Icon, Allen & Unwin
[Keep scrolling for other books and writers mentioned in the discussion]
GUESTS
Michael Robotham is an internationally-acclaimed crime writer whose books include the Joseph O'Loughlan and Evie Cormac series. His latest novel is The White Crow — and his next one, Tell Me Something True, will be his first to be set in Australia
Geordie Wiliamson is a literary critic, writer and publisher at Picador, whose books include a critical study of Alexis Wright in the Black Inc Writers on Writers series; and The Burning Library — on neglected Australian writers
Other books mentioned in the discussion
Karl Ove Knausgård, works
Rachel Cusk, works
W G Sebald, works
Alexander Kluge, works
David Foster Wallace, works
Jonathan Franzen, works
Wallace Stevens, works
Les Murray, works
Saul Bellow, works
Philip Roth, works
P D James, works
Agatha Christie, works
Sam Twyford-Moore, Cast Mates: Australian Actors in Hollywood and at Home
CREDITS
What does it mean to write using an 'ethical imagination'? Colum McCann onstage with Kate Evans at the 2025 Melbourne Writers Festival, on his novels Twist, Apeirogon, TransAtlantic, Let the Great World Spin and many more; and his work with the social justice storytelling movement, Narrative Four.
This week The Bookshelf revisits the Trojan War from the ground up in Yann Martel’s Son of Nobody, moves through friendship and loss in Debra Adelaide’s When I Am Sixty‑Four, and dives into queer Sydney in the 1940s with Fiona Kelly McGregor’s The Trap.
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A rich mix of voices and stories in short fiction from acclaimed Native American writer Louise Erdrich; essays and memories from two‑time Miles Franklin Award winner Alex Miller; bleakly funny childhood tales by English author Mark Haddon; and, from Michael Winkler, a surreal and darkly comic story about a man who decides he’d rather be the family dog.
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What if the most talked‑about streaming show of the moment was a mirror reflecting your most private fears and failures? That unnerving question sits at the heart of John Lanchester’s Look What You Made Me Do, a sharp novel about resentment, revenge, money, class and generational unease. Plus: the art of the short story, as Hannah Kent reads and reflects on Lauren Groff’s new collection Brawler; and a woman’s inner life rendered with quiet and devastating precision in Mary Costello’s A Beautiful Loan.
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A Bookshelf festival special featuring Kate Evans onstage with writers Jock Serong and Emily Maguire on historical fiction, from the 2025 Sydney Writers Festival.
GUESTS
CREDITS
Statues come alive and London is re-imagined in Francis Spufford's Nonesuch, and surprising parallels in two Australian novels of secrets, shame, land and time in M L Stedman's A Far-Flung Life and Eva Hornung's The Minstrels. Kate Evans, Cassie McCullagh, Michael Robotham and Roanna Gonsalves - to help you decide what to read next.
BOOKS
Francis Spufford, Nonesuch, Faber
Eva Hornung, The Minstrels, Text
M L Stedman, A Far-Flung Life, Penguin
GUESTS
Michael Robotham, internationally acclaimed crime writer – whose books include the Joe O’Loughlin series, the Cyrus Haven/ Evie Cormac series, and his latest – featuring Philomena MCcCarthy, The White Crow. His first Australian-based novel is out later this year
Roanna Gonsalves, writer whose collection of short stories is The Permanent Resident, and whose first novel (The Servants) will be published later this year. She is also one of the hosts of a monthly book club at the State Library of NSW
Other books mentioned:
Phillippa McGuiness and Richard Neville (eds) The Library that Made Me (you can write your own stories about libraries that have shaped you right here)
Anita Heiss, Bila Yarrudhanggalangdhuray: River of Dreams
Emily St John Mandel, Station Eleven
Cormac McCarthy, The Road
Rashida Murphy’s Old Ghosts and Karleah Olson’s Bloodwood (forthcoming)
Michelle de Kretser, The Hamilton Case
Natasha Brown, Assembly, Universality
Charlotte McConaghy, Wild Dark Shore
Don Winslow, The Power of the Dog, The Death and Life of Bobby Z, The Final Score [stories]
In this episode, we travel from the Swiss Alps to the quiet strangeness of Danish suburbia and the fierce edges of American literary drama. We begin with the visceral intensity of Gabriel Tallent’s latest novel, Crux, where characters cling to passion and survival with bloodied fingertips. Claire Thomas reflects on art, ambition, and the lure of towering peaks in On Not Climbing Mountains, and Helle Helle's They, a delicately surreal portrait of mothers, daughters, and the lives lived between silences.
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Emerald Fennell's film adaptation of Wuthering Heights has been marketed as "the greatest love story ever told", which is not typically the description given to the original novel. What does this adaptation achieve, and what does it sacrifice in the process?
The Bookshelf's Kate Evans and Radio National's Arts Hour's Sky Kirkham discuss what they felt did and didn't work in this film and, in an expanded podcast extra edition, they also discussed the film adaptation of Maggie O'Farrell's Hamnet
Kate and Cassie read Kin, the latest novel from Tayari Jones — the acclaimed American novelist behind An American Marriage, a book that resonated with both critics and readers alike. Her work sits alongside a bold mix of stories in this episode, from a vampiric love story to speed‑dating slasher fiction, and South African writer Nadia Davids adds her own unsettling brilliance, taking us into the life of a furious yet outwardly obedient domestic servant in a mysterious house on a hill in Cape Fever.
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