The Cannes Film Festival is set to screen two Xizang-related films peddling separatism under the guise of spirituality and ethics. Are these films what they claim to be? Who are the people behind these productions? Have they actually been to Xizang, also known as Tibet, and seen it with their own eyes? What do those who live in Xizang today say about their lives, those who have no voice in the star-studded halls and alleyways of the French Riviera?