The Extra Credits

Kelsi and Trey examine the 30-year project of David Fincher's movies and how his most recent film 'The Killer' (no spoilers) adds to the mind games of his filmography. Also, Michael Fassbender is back as David from Prometheus, so that's sick.

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Kelsi and Trey explore Martin Scorsese's Killers of the Flower Moon as a semi-successful epic portrait of the systematic attacks on the Osage Nation and the racist robbery of their oil-induced wealth in 1920s Oklahoma. When the audience is shown this terror through Mollie’s (Lily Gladstone) eyes, the movie triumphs. However, when the film turns into a misplaced internal battle of white guilt in courtrooms and jail cells between Earnest (Leonardo DiCaprio) and Hale (Robert De Niro) with mostly no Osage people in sight, the movie suffers. 

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Interview with Christopher Cote

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Is this the most divisive movie of the 21st century? We talk about the wildly different interpretations of Martin Scorsese's bookend to his informal crime trilogy of Goodfellas, Casino, and The Wolf of Wall Street by exploring the symbolism of Leonardo DiCaprio's Jordan Belfort and his acolytes.

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Send requests, questions, and thoughts to our email: [email protected]
Please rate and review us on your podcast platform!
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⁠⁠Follow our Letterboxd: ⁠The Extra Credits⁠
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The Martin Scorsese Movie Draft is here! In preparation for 'Killers of the Flower Moon' we're joined by some of our favorite film commentators Mia Vicino and Mitchell Beaupre of The Letterboxd Show to talk Martin Scorsese!

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⁠⁠You can listen to The Letterboxd Show here

Mia's Letterboxd

Mia's Conversation with Celine Song

Mitchell's Letterboxd

Mitchell's Conversation with Franz Rogowski of Passages

Kelsi and Trey explore Denis Villeneuve's Prisoners (2013) for its 10-year anniversary and dive into the symbolism-filled story. Prisoners is one of the best psychological thrillers of the 21st Century with two incredibly memorable performances from Hugh Jackman and Jake Gyllenhaal.

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Kelsi and Trey talk the complicated history of Roald Dahl, the politics of Wes Anderson, and why we think Fantastic Mr. Fox is one of the best animated films ever made!

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Is this an optimistic or tragic coming-of-age movie? A little of both! We talk about why Moonrise Kingdom is our favorite Wes Anderson movie.

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Send requests, questions, and thoughts to our email: [email protected]

Become a member of The Extra Credits+ on Patreon here and then vote for our October Patreon Horror Movie in the Spotify poll below!

Patreon link: https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link

Send requests, questions, and thoughts to our email: [email protected]