With Francine Stock

Fashion designer and movie director Tom Ford discusses his film-within-a-film Nocturnal Animals, and explains why he doesn't like to mix his two professions.

As The Light Between Oceans has audiences weeping in the aisles, director Derek Cianfrance talks tear-jerkers and tragedy.

Critics Larushka Ivan-Zadeh and Tim Robey reveal the films that have made them blub like babies.

With Francine Stock.

Jacqueline Bisset looks back at Day For Night, Francois Truffaut's Oscar-winning movie about movie-making. She reveals why she refuses "to whinge" about the roles offered to older women.

Critics Tim Robey and Larushka Ivan-Zadeh enter the strange world of the film within a film, from Singin' In The Rain to Hail Caesar.

FanGirl Quest, aka Tiia Ohman and Satu Walden, explain why they have travelled the globe from their native Finland to seek out famous locations and practice something they call "scene framing".

With Francine Stock.

Actor and producer David Oyelowo outlines his plans to revolutionize the British film industry and to make films that are genuinely diverse and reflective of the United Kingdom. Oyelowo argues that industry orthodoxies about what audiences want are "lies". And he explains why his son assumed that he would be playing the best friend, and not the male lead, in his new film The Queen Of Katwe.

Francine visits Mouth That Roars, an organisation based in Hackney which trains teenagers in film production, many of whom are from communities that are under-represented in British Cinema. Denise Rose explains how her company is trying to redress the balance.

The result of the BFI poll to find the best loved performance by a black star is announced exclusively on the programme.

With Francine Stock.

British director Andrea Arnold discusses her own trip across the United States that inspired her road movie American Honey, and reveals how she discovered her star, Sasha Lane, on a beach in Miami.

Critics Tim Robey and Larushka Ivan-Zadeh get their motors running and head out on the highway as they chart the progress of the American road movie.

Producer Rebecca O'Brien discusses her collaboration with Ken Loach that has spanned a quarter of a century and is marked by a new, typically hard-hitting and award-winning drama I, Daniel Blake.

With Francine Stock.

The Film Programme has teamed up with the BFI on a poll to decide the best performance by a black actor of all time. Among the nominees is Earl Cameron in Pool Of London, the first British movie to star a Caribbean actor. Francine hears from Earl about a career that has spanned over six decades and includes a Bond pic.

Neil Brand reveals how modern technology helps him score a silent version of Robin Hood from 1922.

Four translators discuss the subtle art of sub-titling.

Francine Stock enters Miss Peregrine's Home for Peculiar Children with Tim Burton. The director reveals why he loves Blackpool so much and why its pleasure beach reflects his state of mind.

Director Babak Anvari reveals how much his horror movie, Under The Shadow, set in the Iran-Iraq war, is autobiographical.

The director of When Marnie Was There discusses the popularity of British children's literature in Japan.

Larushka Ivan-Zadeh and Tim Robey takes us through the history of peculiar children in cinema.

With Francine Stock

A soundtrack special with David Arnold's notes on Independence Day, which has more saluting than any other movie, according to the composer. Adrian Utley of Portishead and Will Gregory of Goldfrapp discuss their new score for Carl Dreyer's silent masterpiece The Passion Of Joan Of Arc. Neil Brand reveals how John Williams put the magic into Harry Potter.

Colin Firth and Francine Stock indulge in some Bridget Jones's Baby talk, and the actor admits that he is partly to blame for the out-dated stereotype of the reticent Englishman.

Ralph Fiennes explains why he spent two months learning Russian for his role in Two Women.

Francine follows the continuing adventures of Alastair Till and Suzie Sinclair who left the Big Smoke for the sea air of Cornwall, and built their own cinema, without any previous knowledge of the film business. The Newlyn Filmhouse has been open for six months, so is it still a dream factory or waking nightmare ?

With Francine Stock.

The spirit of Ray Harryhausen is invoked in a new stop-motion animation Kubo And The Two Strings, which boasts the largest stop-motion puppet in animation history, standing 16 feet tall. The director Travis Knight explains why the film took five years to make.

Scottish director David Mackenzie reveals how he came to make an all-American crime thriller set deep in the heart of Texas, Hell Or High Water. Larushka Ivan-Zadeh and Tim Robey follow the trail of the film's antecedents.

Screenwriter Paul Mayersberg explains why the film studio pulled out of The Man Who Fell To Earth when they discovered David Bowie wasn't going to sing on the soundtrack.

With Antonia Quirke.

Antonia meets London Voices, the choir that supply the voices to the soundtracks of blockbusters such as The Lord Of The Rings, Spectre and Iron Man 2.

Poet Don Paterson concludes his series on great movie speeches with James Stewart drunkenly telling Katherine Hepburn that she has "fires banked down inside" in The Philadelphia Story.

Andy Mitchell nominates his father Andrew as an unsung hero of British cinema - he was in charge of Elstree Studios in the 1980s when six of the top ten grossing moves of all time were made in Borehamwood.