With Francine Stock

Director Jacques Audiard reveals why he cast a former Tamil Tiger to star in his drama Dheepan, which won the prestigious Palme D'Or at last year's Cannes festival.

Composer Neil Brand unravels the mysteries of the score to one of the greatest openings in cinema history, Citizen Kane.

Location scout Philip Lobban explains how a key scene in a recent James Bond film was set in Surrey and Scotland simultaneously, with the help of some digital trickery.

Couple In a Hole director Tom Geens on his debut movie, which took five years to get financed and was abandoned after two days when his lead actor broke his leg, and why this turned out to be a happy accident.

With Antonia Quirke.

Ex-Arab Strap front man Aidan Moffat talks about his controversial attempts to re-write traditional Scottish folk songs, as documented in the new film Where You're Meant To Be

Terence Davies, the director of Distant Voices, Still Lives, talks about his love for Doris Day as a sing-a-long version of Calamity Jane is about to released in cinemas

Sebastian Schipper describes how exactly he made Victoria, a heist movie that sprawls across Berlin and was shot in just one take.

With Antonia Quirke

Ben Affleck discusses the parallels between Bruce Wayne and Donald Trump in his super-hero movie Batman V Superman.

Antonia visits one of the few remaining video shops in this country, 20th Century Flicks in Bristol, which has an eleven seater cinema where you can watch one of their 19,000 films.

Alan Clarke, the controversial director of Scum, The Firm and Rita, Sue and Bob Too, is remembered by writer David Leland and actor Phil Davis who explains why he is a cult hero of British cinema and television.

Director Pablo Larrain discusses his award-winning drama The Club about a safe-house for disgraced priests, where neighbours are unaware of their crimes, until one of their victims turns up.

With Antonia Quirke.

Director Ben Wheatley discusses his adaptation of J.G. Ballard's dystopian satire High-Rise and why he's literally terrified of the 70s. Producer Jeremy Thomas explains why it's taken him 40 years to get the novel to the screen.

Special effects pioneer Roy Pace explains how he made the world turn backwards in Superman using a globe he bought in Woolworths.

Antonia attends the Into Film awards ceremony for young film-makers and hears from judge Michael Sheen.

With Antonia Quirke.

Charlie Kaufman and Duke Johnson discuss their stop-motion comedy Anomalisa, how they made a love scene with puppets and why it took 6 months.

Cinematographer Billy Williams recalls the tensions behind the scenes of the notorious naked wrestling bout between Oliver Reed and Alan Bates in Women In Love.

Director Robert Eggers reveals the difficulties of working with a goat on his supernatural horror The Witch, and why ravens are better actors.

The Coen Brothers talk to Antonia Quirke about Hail Caesar, a parody of Hollywood in the early 50s and explain why they believe there were Reds under the beds in the film industry at the time.

With Antonia Quirke.

Clare Binns and Tim Robey assess the runners and riders in this year's Academy Awards

Antonia talks to Nikolene, an Inuit in Greenland, about why her local video shop is still popular, especially in Winter, and hears from Simon Brzeskwinski, whose decision to close his video shop, Video City, in Notting Hill led to very public displays of grief.

The Film Programme this week explores the work of American animator and film maker John Lasseter.

Presenter Francine Stock talks to John about his moving making techniques and films including Toy Story, Frozen and his latest release Zootropolis.

John also shares his experiences of working for both Pixar Animations and for Disney.

Presenter: Francine Stock

With Francine Stock.

Film-maker Sarah Gavron talks about Suffragette and the marked reactions to the film since it was released in cinemas.

Director Mark Jenkin shows Francine how to develop film in instant coffee.

Debut director Stephen Fingleton discusses the unexpected challenges of making his low budget feature, The Survivalist, a post-apocalyptic drama set almost entirely in a small hut.

With Francine Stock.

Toby Jones reveals why he was in two minds about playing Captain Mainwaring in the new film version of Dad's Army.

Director Grímur Hákonarson tells Francine why casting the sheep was as important as casting the actors in his Icelandic drama Rams

Adam Rutherford assesses Matt Damon's portrayal of a botanist in The Martian.