Miyazaki Club morphs into Ghibli Club as we discuss 1991’s “Only Yesterday,” written and directed by Isao Takahata. It’s a story of one (childless workaholic?) woman’s search for herself in the past and the present, plus, of course, a deep dive into organic farming.

"Only Yesterday" (Ghibli Club)

Jason Snell with John Siracusa, Steve Lutz, Aleen Simms, Moisés Chiullán and Lisa Schmeiser

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In honor of Thanksgiving, we review the 1987 classic “Planes, Trains and Automobiles,” featuring Steve Martin and John Candy as trapped-together travelers just trying to get home, if there’s even a home to get back to. Jason comes to the realization that this is the Odyssey in the Midwest. Ben Stein has a special sign just to troll pained travelers. And that’s what Thanksgiving is all about, Charlie Brown.

"Planes, Trains and Automobiles"

Jason Snell with Shelly Brisbin, Brian Hamilton, Brian Warren and Andy Ihnatko

The other movies we were reminded of are “Quick Change,” “After Hours,” and “The Out-of-Towners.”

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Several panelists consider Pixar’s “Inside Out” one of their favorite films. Now it’s time to process “Inside Out 2.” Some struggle with the sequel more than others. But at least Bing Bong makes a tiny cameo.

"Inside Out 2"

Lex Friedman with Brian Hamilton, David J. Loehr and Kelly Guimont

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Vin Diesel, Radha Mitchell, Keith David, and a lack of bozos… It can only be 2000’s “Pitch Black,” one of the finer entries in the always-popular “Alien” homage movie genre. We enthuse about elevated filmmaking, great decisions, and low-budget effects.

"Pitch Black"

Antony Johnston with Erika Ensign, Tony Sindelar and Todd Vaziri

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Just in time for Halloween week, Old Spooky Club returns for 1985’s “Fright Night.” It’s an entirely ’80s comedy-horror movie with zero cynicism and only a single layer of meta. Chris Sarandon is the perfect vampire, even when he’s villanously chowin’ down on a topless lady as he exchanges intense stares with the neighbor kid. If you’ve never experienced it, you don’t know what you’re missing.

"Fright Night" (1985)

Jason Snell with Steve Lutz, Annette Wierstra, Erika Ensign and Kelly Guimont

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Do you like gladiator movies, Joey? It’s 1980’s “Airplane!”—the comedy version of “Zero Hour!”—with serious actors playing ridiculous parts more or less straight. How does the comedy hold up? What’s unique about the approach? Why was it such a huge hit? We put the ZAZ boys under the microscope. Surely we’ll all have a good time! (Don’t call us Shirley.)

"Airplane!"

Jason Snell with Shelly Brisbin, Philip Michaels, Dr. Drang and Steve Lutz

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Don’t order the fish! Old Movie Club celebrates Aviatober with 1939’s “Only Angels Have Wings” and 1957’s “Zero Hour!” One bears a striking resemblance to forgettable 1980s TV series “Tales of the Gold Monkey,” and the other is undeniably the inspiration for the more notable 1980 movie “Airplane!” (That’s foreshadowing.)

"Only Angels Have Wings" and "Zero Hour!"

Jason Snell with Shelly Brisbin, Philip Michaels, Monty Ashley, David J. Loehr and Micheline Maynard

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It was the late ’80s and comic writer Grant Morrison was fast becoming Grant Morrison. Come back with us to look at his run on Animal Man, issues 1-26, in which a has-been/never-was superhero becomes an outspoken animal rights activist, witnesses the near-undoing of the Crisis on Infinite Earths, and meets his own maker—who looks strangely like Grant Morrison. Before Deadpool and She-Hulk broke the fourth wall, this was Peak Meta.

Grant Morrison's "Animal Man"

Chip Sudderth with Lisa Schmeiser and Tony Sindelar

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Dan Moren’s “The Armageddon Protocol” is now on sale. He joins Jason to discuss how to wrap up a long-running series (while leaving doors open for future adventures), juggling an increasingly complex home life with a two-book contract, the broader publishing options available to fiction writers, and (of course) sandwiches.

Dan Moren's "The Armageddon Protocol"

Jason Snell with Dan Moren

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Miyazaki Club returns to discuss 2010’s “The Secret World of Arrietty,” a Studio Ghibli production with a screenplay by Hayao Miyazaki based on a series of children’s books. Why are we so unnerved by the linear storyline and lack of weirdness? Why does Jason have Bay Leaf head canon? And why is surface tension the true star of the show?

"The Secret World of Arrietty"

Jason Snell with Steve Lutz, Moisés Chiullán, John Siracusa and Aleen Simms

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