This series is cross-posted with the permission of Book of Mormon Central from their website at Pearl of Great Price Central
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Pictured on his deathbed, Adam is supported by Eve and surrounded by a daughter and two sons. In the background, Seth converses with an angel. The scene of the Death of Adam is part of a cycle of frescoes in the church of San Francesco in Arezzo, Italy illustrating the Legend of the True Cross. In this cycle, the classical forms of the quattrocento appear against a “sparse, often surrealist landscape—the pictorial equivalent of silence. To the modern eye, Piero’s paintings show a subdued emotion, where rational theory appears to have overwhelmed naturalism.”[1]
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From the story of Lamech in Moses 5, Umberto Cassuto draws the lesson:
that material progress did not go hand in hand with moral advancement. Not only did violence prevail in the world, but it was precisely in deeds of violence that these generations gloried. The very qualities that are ethically reprehensible, and are hateful in the sight of the Lord, were esteemed in the eyes of men. In such circumstances, the Judge of the whole earth could not but execute judgment. All the achievements of material civilization are not worth anything without moral virtues, and cannot protect man from retribution. We have here a kind of prelude to the decree of the Flood.[2]
Mercifully postponing judgment, however, God first launched successive waves of what Hugh Nibley called a “crash program” to gather any that would hearken to the call of repentance—first to Adam-ondi-Ahman, and later to Enoch’s city.[3] The absolute failure of the final pre-diluvian ministry of the long-suffering Noah[4] definitively confirmed that there were none but his immediate family who would listen and demonstrated the inevitability of the sweeping destruction of the Flood.
The first part of Moses 6 and Genesis 5 describes the final events in the life of Adam as a patriarch to the righteous branch of his posterity (compare Abraham 1:26). The focus of the account is on the birth of the righteous Seth and the beginning of the patriarchal line that will culminate, in the seventh generation from Adam, with the call of Enoch.
The Patriarchal Priesthood and the Line of Seth
Moses 6:2 announces the first theme of the chapter: despite the death of Abel, a righteous posterity to Adam will be raised up through Seth, ensuring the continuity of a covenant people. Joseph Fielding McConkie writes:
Seth means “the appointed” or “substitute,” he being effectually the second Abel. As such he becomes a natural type for Christ,