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This series is cross-posted with the permission of Book of Mormon Central
from their website at Pearl of Great Price Central
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In a previous Essay,[1] we discussed similarities and differences between heavenly ascent, an actual encounter with Deity within the heavenly temple,[2] and ritual ascent, a figurative journey into the presence of God such as the one experienced in earthly temples.
In this Essay, we will introduce the general two-part narrative pattern of departure and return used in ancient and modern literature. We then illustrate how narratives of heavenly and ritual ascent often conform to a similar two-part structure of descent and ascent—a down-road followed by an up-road. Recognizing this pattern can help us better identify the intended narrative structure of the Book of Moses. In particular, it allows us to see Moses 2–8 as a sequence of illustrative stories that relate to ritual descent and ascent in the temple, and also to see analogous elements in Moses 1, which offers an account of literal heavenly descent and ascent.
The Two-Part Narrative Pattern of Departure and Return
The story of Adam and Eve’s departure from and return to the Garden of Eden parallels a common three-part pattern in ancient Near Eastern writings: departure from home, mission abroad, and happy homecoming.[3] The pattern is at least as old as the Egyptian story of Sinuhe from 1800 BCE[4] and can be seen again in scriptural accounts of Israel’s apostasy and return[5] as well as in the lives of biblical characters such as Jacob.[6] The theme appears in modern literature as often as it did in those times.[7]
To the ancients, however, it was more than a mere storytelling convention, since it reflected a sequence of events common in widespread ritual practices for priests and kings.[8] More generally, it is the story of the plan of salvation in miniature, as seen from the personal perspective. This pattern can be found in the Savior’s parables of the Prodigal Son[9] and the Good Samaritan.[10] The life of Jesus Christ Himself also followed this two-part pattern perfectly, though, unlike ordinary mortals, He was without sin: “I came forth from the Father, and am come into the world: again, I leave the world, and go to the Father.”[11]
No poem expresses the theme of mankind’s mortal passage and return to a celestial home more movingly than Eliza R. Snow’s O My Father.