Stick to the plan. Anticipate, don’t improvise. Trust no one. Never yield an advantage. Fight only the battle you’re paid to fight… and if you can do all that while listening to The Smiths, even better. That’s the mantra of the eponymous assassin at the heart of The Killer, directed by David Fincher and written by our guest today  – the fantastic Andrew Kevin Walker. 

The Killer is a movie that deconstructs the hitman movie genre like Michael Fassbender’s glassy-eyed gun-for-hire deconstructing a McDonald’s sandwich on a park bench in Paris. It opens with a blaze of images that tease the explosive action typical of these films then swerves in a different direction. The result is a defiantly meditative two hours in which the violence of the movie’s revenge plot is almost incidental to the character’s meticulous ways and detached observations about the world.

It’s an absolutely riveting watch but then again, what did we expect? Unlike The Killer himself – who misses his target early on in the film, sparking the film’s descent into chaos – Andrew and Fincher rarely miss their mark whenever they work together. The pair first teamed up on 1995’s Se7en, which began life as a spec script that Andrew wrote after moving to New York from suburban Pennsylvania. Since then, Andrew’s taken passes at Fight Club and The Game for Fincher, on top of his solo adventures in Hollywood, penning films like Sleepy Hollow and 2022’s excellent Windfall.

In the spoiler conversation you’re about to hear, Andy answers our questions about the subtle commentary on materialist culture woven into the film. We get into the influence of the novelist Somerset Maugham on Andy’s work and break some of the film’s most intriguing moments, including its enigmatic ending – in which a life is spared but existential questions loom.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

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