The artist Spyros Aggelopoulos talks to Julia Secklehner about the importance of the folk hero Karagiozis in his work.

Laura Robson explains to Ozan Ozavci how international refugee policies of the early 1920s put the “enterprise” in “humanitarian enterprise.”

Olga Lafazani uses the contrasts between 1922-4 and 2015 to ask hard questions about whose interests are behind the conceptualization and management of "refugee crises".

Stefan Slater and David Macfadyen talk to Julia Secklehner about the how they are reviving interest in Aloïs Derso and Emery Kelèn, whose career as caricaturists to the League and United Nations was launched by a chance meeting at Lausanne.

Ilkim Büke Okyar and Konstantinos Travlos talk to Julia Secklehner about Greek and Turkish caricatures, a neglected resource for historians of identity and conflict in the decades around the Great War.

Kristina Gedgaudaite talks to Julia Secklehner about her research on cultural memory, migration, and graphic novels in contemporary Greek culture.

Enno Maessen takes Jonathan Conlin on a tour of Beyoğlus past, present and future, from the Deutsche Schule to Emek Sineması.

Aslı Iğsız and Jonathan Conlin discuss how a concept of civilisation has been represented and exploited, from the age of Ismet and Toynbee to that of Erdoğan, Samuel Huntington and Krishan Kumar.

Isaac Hand talks to Jonathan Conlin about his current research into inter-war Turkish urbanism, particularly the contested role of the muhtar.

Mari Firkatian tells Ozan Ozavci how she discovered the lost archives of the Stancioff family, uncovering the secrets of Nadejda Stancioff, the only woman diplomat at Lausanne.