LexG reviews some of the summer's biggest movies, including F1: The Movie, Jurassic World Rebirth, 28 Years Later, and Megan 2.0, as well as Charlize Theron in The Old Guard 2 for streaming, and a couple of smaller picks in Cronenberg's The Shrouds and Celine Song's Materialists.

LexG takes a look back at the films of the 2000s, sharing some favorites and seeing which acclaimed movies and trends of the era hold up-- and which do not.

New reviews of Ben Affleck in The Accountant 2, and Tom Hiddleston and Mark Hamill in Mike Flanagan's Stephen King adaptation, The Life of Chuck. Fair warning, the latter gets into some spoiler territory in discussing the film's themes and structure.

LexG takes a look back at John Woo's divisive 2000 entry in the beloved franchise, touching on subjects from Cruise's hair to Limp Bizkit to the excitement of master villain Sean Ambrose.

LexG's spring reviews roundup, including Ryan Coogler's Sinners, Marvel's Thunderbolts, and probably more about Cheech & Chong's Last Movie than you really need, plus a few quick words on Mission Impossible: Final Reckoning and the goofy video game horror film Until Dawn.

A look back at the 1996 Brian DePalma classic that kicked off Cruise's enduring film franchise.

LexG does a loose freeform riff on his formative favorite films of the 1970s and 1980s, looking back on his classic "list" and seeing what's held up vs. what maybe hasn't, and how our picks are sometimes maybe a notch too steeped in nostalgia and the familiar.

A pair of retro reviews, as LexG does a deep dive on John Carpenter's 1976 classic Assault on Precinct 13... and the 2005 remake with Ethan Hawke and Laurence Fishburne, with plenty of Carpenter discussion along the way.

LexG reviews Jason Statham in A Working Man, Soderbergh's Black Bag, Jonathan Majors in Magazine Dreams, and two Robert De Niros in The Alto Knights, then closes out with a few farewells to Gene Hackman, Val Kilmer, and Bruce Glover.

A freeform TV riff about being lost in the modern streaming/prestige landscape, followed by a review of the latest example of my very least favorite genre, the Hollywood satire, in Seth Rogen's new series, The Studio