Zachary Hart from hit play Stereophonic - about a 70s rock band recording their second album - tells Nancy what it's like to play a drug-addicted, alcoholic bass player while also performing live music with the onstage band. He also talks about working with Cate Blanchett in The Seagull.

The gang review the adaptation of Malorie Blackman's seminal book Noughts and Crosses at Regent's Park Open Air Theatre, and the transfer of Beth Steel's play Til The Stars Come Down at the Theatre Royal Haymarket.

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Star of His Dark Materials, Luther and so much other stuff, the incredible Ruth Wilson, talks to Nick Curtis about starring in a very little-revived Eugene O'Neill play A Moon For the Misbegotten. She also talks faith, creativity and roles for older women.

Nancy is very excited because the show she saw and adored on Broadway, Stereophonic, has just transferred to the West End. For legal reasons it is very much NOT about Fleetwood Mac making Rumours...but the band members are packing up, shacking up and falling out - it's written by David Adjmi with songs by Arcade Fire's Will Butler.

And 25 years after its original production, Sarah Kane's play 4.48 Psychosis is being revived at the Royal Court in London in exactly the same space, with the same director and cast.

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Profane rockstars, metaphorical elephants and childish innuendoes - don't say we don't bring the variety on LTR. This week, with Mr Clark away, producer Tim steps in to review Just For One Day the Live Aid musical at the Shaftesbury Theatre alongside Nick and Nancy, as well as Miss Myrtle's Garden at the Bush Theatre. Nick also chats to the very multi-talented Anoushka Lucas - blowaway star of 'sexy' Oklahoma! and Jesus Christ Superstar - whose debut play Elephant is back on the London stage at the Menier Chocolate Factory after two sellout runs at the Bush Theatre.

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For the last time ever, it's a brand new musical from Stephen Sondheim. Here We Are has just opened at the National Theatre, the show Sondheim was working on for almost a decade, and which he finished with writer David Ives and director Joe Mantello just before he died in 2021. Nick, Nick and Nancy give their verdict on the absurdist plight of rich Americans trying to get brunch. Plus, Nick Clark has a chat with Sondheim's biographer David Benedict about who Sondheim was, and why he matters.

The brilliant Beverley Knight natters to Nick Curtis about playing the godmother of rock and roll Sister Rosetta Tharpe in new play Marie and Rosetta.

And the gang review Ava Pickett's debut play 1536 at the Almeida Theatre in which three ordinary Tudor women find out about the death of Anne Boleyn.

Plus we have five questions for Stella Powell-Jones, artistic director of Jermyn Street Theatre.

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After a lovely break, thanks for asking, the gang have taken their seats in the stalls once again to bring you the best (and sometimes the less than best) that London theatre has to offer.

To kick off the new season, it's a Roald Dahl special as Nick, Nick and Nancy review Giant in the West End, an award-winning play starring John Lithgow as Dahl which looks at the fallout of an antisemitic book review written by the children's author. The play's writer Mark Rosenblatt also talks to Nick Curtis about why he chose this highly charged subject, and what it's been like to win so many awards for his first ever play.

And Ewan McGregor returns to the stage for the first time in 17 years in a new play called My Master Builder, based on Ibsen's The Master Builder, by Lila Raicek. He's made his name playing louche Parisian artists, drug addicts and Jedi Knights. How does he fare in his toughest role yet: arrogant architect?

Tell us what you've been seeing by emailing [email protected] or following us on Insta @thelondontheatrereview.

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