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'When I read biographies of famous people, I only get interested when they escape from their family and spend the rest of their life getting over them.' (extract from Swimming Home) Deborah Levy's new novel, Swimming Home, is a subversive thriller about the footprints the past leaves on the everyday of a sun-drenched family holiday. Its witty and beguiling exploration of the complexities and mysteries of family life have enthralled readers and critics in equal measure. Levy will read from her book and discuss its connecting conversation with Louise Bourgeois’s life-long artistic preoccupation with the strange drama of being a wife, mother and daughter. Deborah Levy is a playwright and novelist. She recently dramatised two of Freud's case histories, The Wolfman and Dora for BBC Radio 4. She was AHRC Fellow in Creative and Performing Arts at The Royal College of Art from 2006-9. A new fiction exploring the ways in which everyday objects might conceal and reveal our anxieties, Weeping Machines is published in Issue 4 of The White Review. An interview with Levy about her writing can be found here.
4.8
2525 ratings
'When I read biographies of famous people, I only get interested when they escape from their family and spend the rest of their life getting over them.' (extract from Swimming Home) Deborah Levy's new novel, Swimming Home, is a subversive thriller about the footprints the past leaves on the everyday of a sun-drenched family holiday. Its witty and beguiling exploration of the complexities and mysteries of family life have enthralled readers and critics in equal measure. Levy will read from her book and discuss its connecting conversation with Louise Bourgeois’s life-long artistic preoccupation with the strange drama of being a wife, mother and daughter. Deborah Levy is a playwright and novelist. She recently dramatised two of Freud's case histories, The Wolfman and Dora for BBC Radio 4. She was AHRC Fellow in Creative and Performing Arts at The Royal College of Art from 2006-9. A new fiction exploring the ways in which everyday objects might conceal and reveal our anxieties, Weeping Machines is published in Issue 4 of The White Review. An interview with Levy about her writing can be found here.
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