Richard started as guitarist in the folk-rock staple Fairport Convention in 1967 but left in 1970 after five albums. He then recorded his debut solo album, six as Richard and Linda Thompson, and has since recorded 20 more solo albums of lyrically inventive, stylistically varied tunes that nearly always feature very skilled guitar work.

We discuss "Freeze," the first single from his new album Ship to Shore, "The Ghost of You Walks" from You? Me? Us? (1996), and "Don't Take It Lying Down" from Still/Variations EP (2015). End song: "When I Get to the Border" by Richard and Linda Thompson from I Want to See the Bright Lights Tonight (1974). Intro: "1952 Vincent Black Lightning" from Rumor and Sigh (1991). More at richardthompson-music.com.

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On selections from the Enneads (270 C.E.), as presented by Elmer O'Brien as the first four essays in The Essential Plotinus: "Beauty," "The Intelligence, Ideas and Being," "The Descent of the Soul," and "The Good or The One." Featuring Mark, Wes, Dylan, Seth, and guest Chris Sunami.

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Learn about our new book at partiallyexaminedlife.com/book (which Chris edited).

The philosopher and entertainment journalist direct from Mark's Pretty Much Pop podcast joins PvI for an hour of merriment. We talk parenthood, philosophy of race, the RULES of improv (or the singular answer to a philosophy question), old 9th graders, one black Peggy, using racy improv in a classroom setting, and more.

Mark philosophizes at partiallyexaminedlife.com. Bill improvises (and teaches) at chicagoimprovstudio.com.

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Wes & Erin continue their discussion of "Rime of the Ancient Mariner."

We're concluding our treatment of the Daoist sage, focusing on the relation between metaphysics and ethics. Is a "wu wei" (non-action) philosophy compatible with fighting for justice? Does it even necessitate kindness?

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Listen to Mark's new band, including the ending song to this episode, "I Insist," at marklint.bandcamp.com.

Mark, Lawrence, Sarahlyn and Al discuss the new Amazon TV show based on on the video game series that launched in 1997. How does one best adapt a sandbox game? How dark is too dark for comedy? We talk world-building and exposition dumps, narrative structure and character revelation, and morality in a ruined world.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

More on the Zhuangzi, books 1-6 and 17-19 with guest Theo Brooks.

We discuss epistemology (Can we know the mind of someone else? How can virtue make truth more accessible?), metaphysics (Is the world constantly changing such that we can't actually refer to anything? Does each thing somehow contain its opposite in virtue of being defined by its contrast with all that it is not?), and ethics (What constitutes the Utmost Person, i.e. the sage?).

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Learn about our new book at partiallyexaminedlife.com/book.

Kim has recorded about ten meticulously recorded country-evolving-to Americana albums out of Nashville since 1995. We discuss "Joy Rider" (and listen at the end to "Floating on the Surface") from Every New Beginning (2024), "A Place Called Home" from Rise (2002), and "I’m Alright" from Bitter Sweet (1997), which is also the home of the intro, "Every River." More at kimrichey.com.

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Mark and Wes read through and discuss the first couple of pages of ch. 19, "Fathoming Life," following up on ep. 341.

How does Daoism compare to Stoicism, Aristotelianism, and Existentialism? How can being a Daoist sage keep one from harm? How is a really effective cicada catcher such a sage?

Get more on Zhuangzi at partiallyexaminedlife.com. Sign up for the new Closereads public feed at evergreen.com/closereadsphilosophy, and check out Evergreen's other cool shows. For an ad-free experience with many extra episodes, sign up to support Closereads at patreon.com/closereadsphilosophy, or combine your support for PEL and Closereads at patreon.com/partiallyexaminedlife.

Learn about our new book at partiallyexaminedlife.com/book.

The ancient Mariner kills his Albatross with a carelessness that stands in stark contrast to his impulse for confession. For several days he and his shipmates feed the albatross, play with it, and treat it as if it were inhabited by a “Christian soul.” The mariner never tells the wedding guest why it is that he kills the bird, but the casual and seemingly unmotivated act is followed by a psychedelic nightmare that gives us some clues. Why do we rebel against our position within the natural world, even to the point of self-destruction? What is required to restore us? Today we discuss Samuel Taylor Coleridge’s classic poem, “The Rime of the Ancient Mariner.”