Prepare yourself for bloat and bombast because we're discussing Joel Schumacher's 2004 adaptation of Andrew Lloyd Webber's The Phantom of the Opera for its 20th anniversary! Tagging in for the conversation is queer musician Bartees Strange, who provides some much needed musical insight on the film.

Join us as we try to figure out why this movie doesn't sing (sorry) the way it should. It's a constant war of style vs. substance, with a lot of visuals that look great....but mean nothing. Adding insult to injury is the perplexing decision to cast non-singer Gerard Butler as the Phantom, who makes some questionable decisions regarding the villain's characterization.

Plus: Emmy Rossum's breakout role, Patrick Wilson's Lord Farquad haircut, reprise after reprise after reprise, golden arm candelabra holders and a runaway chandelier.

***Episode Correction: During his prodcution history, Trace says that the stage production of The Phantom of the Opera premiered in 1968, but it was actually 1986.

Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners

> Trace: @tracedthurman

> Joe: @bstolemyremote

> Bartees: Twitter / Website / Spotify / "Horror" Vinyl Pre-Order

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Theme Music: Alexander Nakarada / Logo: Travis Falligant