Darlene Love was the anonymous voice behind many of Phil Spector’s earliest chart-topping teenage pop symphonies; songs like “He’s a Rebel” and “He’s the Boy I Love” bear Darlene’s uncredited but unmistakable vocal. Darlene talks about how she struggled to pull herself out of anonymity and into the spotlight, but how every attempt was thwarted by the same person behind the recording console: Phil Spector. Darlene’s story is a story about the battle for legacy in the face of a madman’s oppression. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

Darlene Love was the anonymous voice behind many of Phil Spector’s earliest chart-topping teenage pop symphonies; songs like “He’s a Rebel” and “He’s the Boy I Love” bear Darlene’s uncredited but unmistakable vocal. Darlene talks about how she struggled to pull herself out of anonymity and into the spotlight, but how every attempt was thwarted by the same person behind the recording console: Phil Spector. Darlene’s story is a story about the battle for legacy in the face of a madman’s oppression. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Darlene Love was the anonymous voice behind many of Phil Spector’s earliest chart-topping teenage pop symphonies; songs like “He’s a Rebel” and “He’s the Boy I Love” bear Darlene’s uncredited but unmistakable vocal. Darlene talks about how she struggled to pull herself out of anonymity and into the spotlight, but how every attempt was thwarted by the same person behind the recording console: Phil Spector. Darlene’s story is a story about the battle for legacy in the face of a madman’s oppression. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com" rel="noopener noreferrer">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

The Phil Spector Story, Chapter Eight: Phil Spector and Darlene Love

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album&nbsp;Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album,&nbsp;Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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The Phil Spector Story, Chapter Eight: Phil Spector and Darlene Love

The Phil Spector Story, Chapter Eight: Phil Spector and Darlene Love

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