Episode 086: Death of England by Clint Dyer and Roy Williams

Host: Douglas Schatz Guest: Roy Williams

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Clint Dyer and Roy William’s trilogy of plays, Death of England, is a searing state-of-the-nation drama voiced by both black and white working-class characters. Having been performed individually at intervals at the National Theatre through Covid lockdowns, the three plays were greeted with acclaim when they were finally brought together at the Soho Place theatre in the summer of 2024.

I am delighted and honoured to welcome playwright Roy Williams to the podcast to discuss this important work.

Episode 085: The Real Thing by Tom Stoppard

Host: Douglas Schatz Guest: Mark Lawson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tom Stoppard is renowned for his intellectual wit and playful dramatic form, both of which are certainly on show in The Real Thing, but the play also explores more personal emotional territory: on what constitutes the real thing in love, politics and art.

As we record this episode, a new production of the play is on stage at the Old Vic theatre in London. My guest to help us navigate the romantic entanglements and structural twists in the play is the renowned arts journalist, Mark Lawson.

Episode 084: Abigail's Party by Mike Leigh

Host: Douglas Schatz Guest: Nadia Fall

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Mike Leigh’s 1977 ‘tragi-comedy’, Abigail’s Party, is renowned for its iconic snapshot of the material and social fabric of its time. The play’s portrait of suburban social pretensions is both hugely funny and excruciating to witness. It is not just an exercise in period kitsch, however, because underneath there are universal human truths, about aspiration and identity, as well as about honesty and generosity, or the lack thereof, in intimate relationships.

As we record this episode a vibrant new production of the play is on stage at the Theatre Royal Stratford East, directed by the theatre’s Artistic Director, Nadia Fall. I’m delighted to talk with Nadia about this classic of British theatre.

Episode 083: The Caretaker by Harold Pinter

Host: Douglas Schatz Guest: Justin Audibert

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

When it premiered in London’s West End in 1960, The Caretaker catapulted its author to fame and fortune. The play is set entirely in a single room in a dilapidated house, and presents the territorial battle between three men living on the margins of society. The pschological manoeuvrings of the men are dramatised in what we now recognise as Pinter’s cryptic mix of comedy and menace, along with his characteristic relish in the precision and panache of language.

As we record this episode a new production of the play is playing in the Minerva theatre in Chichester, and I am delighted to welcome its director, Justin Audibert, to the podcast to help us explore Pinter’s enigmatic work.

Episode 082: People, Places & Things by Duncan Macmillan

Host: Douglas Schatz Guests: Duncan Macmillan and Jeremy Herrin

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Duncan Macmillan’s People, Places & Things is a blisteringly frank and funny portrait of addiction and invented identity. When the play premiered at the National Theatre in 2015, Denise Gough won awards for her electrifying performance, and as we record this episode she revives her role in London’s West End.

It is a fascinating and challenging play, and an exhilarating piece of theatre. I am delighted to talk in this episode with its author, Duncan Macmillan, and the production’s director, Jeremy Herrin.

Episode 081: The Government Inspector by Nikolay Gogol

Host: Douglas Schatz Guest: Patrick Myles

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Vladimir Nabokov described The Government Inspector as the “greatest play in the Russian language”. Gogol’s comedy of mistaken identity is an unexpected mix of fantastical farce and serious social satire. that has survived as a paradigm of political corruption and social hypocrisy in any age or place.

As we record this episode a new adaptation of the play written and directed by Patrick Myles arrives on the London stage, and I’m delighted to talk with Patrick about this classic play and its enigmatic author.

Episode 080: Long Day's Journey into Night by Eugene O'Neill

Host: Douglas Schatz Guest: Jeremy Herrin

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Eugene O’Neill wrote his autobiographical magnum opus, Long Day’s Journey into Night, in 1941, but because of the personal revelations it contained he gave explicit instructions that it was not to be published until 25 years after his death and that it should never be staged. In the event his widow allowed both to occur in 1956, only three years after his death, when the play won O’Neill his fourth Pulitzer prize.

As we record this episode, a powerful new production of the play is playing in London, with Brian Cox and Patricia Clarkson heading the cast. I am delighted and privileged to talk with the production’s director, Jeremy Herrin, about O’Neill’s monumental play.

Episode 079: The Hills of California by Jez Butterworth

Host: Douglas Schatz Guest: Sean McEvoy

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A new Jez Butterworth play is a theatrical event. The Hills of California is currently running at the Harold Pinter theare in London’s West End, directed by Sam Mendes. Do not be misled by the title, however, we are not in sunny California, but in the back streets of Blackpool, where four daughters come together to say goodbye to their dying mother. The play is a portrait of lost dreams, of deeply ingrained patterns of love and hurt within a family, and of suppressed and mutable memories.

I’m joined to explore this major new work by Sean McEvoy, author of Class, Culture and Tragedy in the Plays of Jez Butterworth.

Episode 078: The Lover and The Collection by Harold Pinter

Host: Douglas Schatz Guest: Lindsay Posner

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

We have a double-bill in this episode of two short plays written by Harold Pinter in the early 1960s: The Lover and The Collection, both of which explore sexual compulsion and the manipulation of truth within marriage or partnerships. As we record this episode a new production of both plays is playing at the Theatre Royal in Bath, directed by Lindsay Posner.

I’m delighted to welcome Lindsay back to the podcast to talk about these two Pinter gems.

Episode 077: An Enemy of the People by Henrik Ibsen

Host: Douglas Schatz Guest: Kirsten Shepherd-Barr

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Henrik Ibsen’s play An Enemy of the People is a fable of truth and lies, politics and power, and the challenge and costs of pursuing an unpopular crusade to speak truth to power. It’s a story of ‘fake news’, manipulation of the media, the dangers of populism, and the environmental cost of capitalism. No wonder it strikes a chord in our time, for as we record this episode there are two major new productions of An Enemy of the People on the world stage.

I’m delighted to welcome back to the podcast, Ibsen expert, Professor Kirsten Shepherd-Barr, who I was privileged to talk with in episode 74 on Ibsen’s play Ghosts.