Hedy Yang is a sophomore at the University of Michigan. Her interest in ceramics began in her senior year of high school where she was afforded an amazing space to work in and a creative teacher to provide inspiration. When she’s not in class, she spends her days in the studio trying new techniques and styles of work.

While most of Brooke Millecchia's work begins on the wheel, the majority of her time is spent altering the form and manipulating the surface with texture. She further works the surfaces by applying a bold, but warm color palate. Brooke allows her work to evolve while working in the studio. She has never kept a sketchbook.

The SkandiHus brand is inspired by a love for Scandinavian design in which beauty is radiated through light colours, the ample use of natural materials, minimalism and functionality. Like many Scandinavian designers before her, Stine believes that quality design should be affordable, stylish and relevant to the modern human being by providing minimal distraction and maximum functionality and beauty. Stine both throws and hand-builds her pieces. It is very important to her to minimise her impact on the world in which she lives, so she reuses materials whenever possible and many of her pieces are made from reclaimed waste clay from her students and fellow studio members. Before becoming a full time ceramic artist, Stine worked in London, England as a lawyer, never quite feeling fulfilled or happy. She says that quitting her job to follow her dreams was the best decision that she ever made.

This is a recap of my visit to NCECA. I brought my mic along with me and did the man-on-the-street style of meeting the people of NCECA. In this second installment I talked with:

Troy BungartNikki JohnsonKwok Pong "Bobby" TsoIan ThomasJonah AmadeusJoel CherricoJess & Jamie WadeShannon Garson

Osa Atoe started taking community pottery classes in New Orleans in the fall of 2012. Osa quickly became obsessed with the medium so she made a small in-home studio for herself in the spring of 2015 and Pottery by Osa was born! Osa makes handmade terracotta pottery inspired by her love of simplicity and geometric patterns. Osa is influenced by African and Native American ceramic traditions, folk art of all mediums, and the work of other contemporary artists and craft people. Osa makes functional ware for everyday use, including drinkware, dishware and household items such as planters and vases. Osa's goal is to bring the creativity and intentionality of handmade crafts to everyday rituals. She loves expressing herself creatively through practical, functional forms. Osa also makes all of her glazes.

This is a recap of my visit to NCECA. I brought my mic along with me and did the man-on-the-street style of meeting the people of NCECA. In this first installment I talked with:

Mark ShiperoHayne BaylessHannah NiswongerMike CarlsonDenise JoyalNicholas MeyerPreston TalbertJohn CummingsRay BrownHerrick Smith

Daniel Johnston digs most of the materials he use to make and glaze his pots. Daniel's pots are fired in a large 850 cubic ft wood kiln. Daniel enjoys the hard work and it leaves no part of the process separated from him. He does not try to control his materials, rather Daniel tries to understand them. From digging the clay to firing the kiln, Daniel puts all his efforts into creating pots that have a powerful presence. It is important to Daniel to create pots that are timeless, but reflect the culture and times in which he lives.

Kate Johnston opened her pottery studio in Seagrove, North Carolina in 2010. Kate’s pots are made with local materials, boldly carved with organic patterns inspired by Art Deco design, and fired in a large wood-burning kiln. Kate shows her pots throughout North Carolina and has lectured and taught in North Carolina, Tennessee, and New Jersey.

Robin Hopper | Episode 195

Robin Hopper is an internationally known potter, teacher, author, garden designer and arts activist. He has taught throughout Canada, and in England, U.S.A., Australia, New Zealand, China, Korea, Japan and Israel. His ceramic work is in public, corporate and private collections throughout the world.

Originally from Illinois, Debra Oliva earned a BFA from Northern Illinois University. After a decade working in the printing industry Debra began exploring ceramics. She has worked as a full time artist for 24 years. She creates utilitarian ware and vessel forms from unglazed colored clays, celebrating form and surface through the use of color, texture and pattern.