Jordan and Brooke celebrate some early 2025 horror by kicking it all the way back to 1941 and discussing the original "Wolf Man." We chat our own personal Universal Monster rankings, soundstage-sized sets and practical makeup, the evolution of werewolves and werewolf transformations, plus a healthy dose of Halloween Horror Nights content.

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Jordan and Brooke are joined by Joe Reid (This Had Oscar Buzz) for Baz Luhrmann's 1997 sun-soaked adaptation that taught a whole generation how to be young and horny. We talk Leo's floppy lesbian haircut, the best and gayest Harold Perrineau performance you could ask for, why Juliet really needs her own squad, and how much we love swords as guns. The Bard, baby!

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Jordan and Brooke close out the year with Chris Columbus's unconventional holiday movie about the supposed power of collective action...or maybe just a toxic friend group! We go through which characters have been terrible people since the musical premiered, Jonathan Larson's catchy tunes and personal writing journey, the stereotypes of cheating bisexuals and tragic drag queens (eek), and our favorite questional "La Vie Bohème" lyrics.

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Jordan and Brooke are joined by editor Emma Logsdon for 2011's tense, understated, elegant spy drama that may or may not be a big hit with the Inception (2010) fandom?! We talk if we would be bad at spycraft (talkative, cries too much) or very good at spycraft (gay), the actual intelligence team this was based on, the intimacy of killing, our main squeeze Tom Hardy, and why this movie made the CIA so angry (not clickbait!).

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Jordan and Brooke go over the rainbow for this 1939 classic that changed filmmaking forever, and may or may not have inspired the modern day pride flag! We rank every main character by canonical queerness (shoutout high femme lesbian Glinda truthers), discuss the very inclusive Oz books, ignore all other movie spin-offs (Wicked, you're on thin ice...), and get a bit emotional about how much this move means both to us and to the gay community.

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HELLOOOO! Brooke and Jordan are rejoined by BJ and Harmony Colangelo (This Ends at Prom) to talk this Chris Columbus 1993 blockbuster which has aged...pretty well, actually!? There's outwardly gay supporting characters, there's a charming message about how family can look like anything, there's a nearly $500M box office take, and – oh, no, there are definitely still a few transphobic jokes. But we tackle that, 90s culture, 2020s culture, movies set in San Francisco, the loss of the family comedy, and if spin-off Broadway musicals are ever any good.

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On the weekend of its release, Jordan and Brooke bid farewell to the Venom franchise with symbiote rankings, praise for Venom's #1 fan Tom Hardy, a Symbrock A03 update, and this year's Halloween costumes.

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Jordan and Brooke are joined by writer Abby Monteil for this 1940 screwball about your wife coming back from the dead on the same day you marry someone new. Super relatable! We dive (once again) into David Canfield's VF article on the co-stars of this picture Cary Grant and Randolph Scott, the film's unique blend of comedy and melancholy, getting hot and bothered over your romantic rival (very heterosexual), and Cary Grant in another fabulous dressing gown.

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Jordan and Brooke are rejoined by filmmaker Carly Usdin for another trip to our favorite queer space – Gotham City! Despite its rep as a film that got kneecapped by the pandemic and some good ol' studio sexism, this Cathy Yan bop kinda has it all! We gush over Margot's committed performance, the canon of "kickass ladies" cinema (the highs and the very, very lows), how there really isn't a single straight person in this story, and how badly we want live-action Harlivy (watch the animated series – seriously).

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Jordan and Brooke hitch a ride to Vegas with writer Louis Peitzman for another wonderful entry in the Paul Verhoeven canon of horny queer cinema! We thrust it to the beat of a deeply misunderstood lead performance, the legitimacy of of "cult classic" status, commodifying the male gaze for your own sapphic tendencies, and how there is not one normal conversation in this whole movie (complimentary).

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