Federico Marcon, associate professor of East Asian studies and history and director of graduate studies, Princeton University Artworks representing animals—real or imaginary, religious or secular—span the full breadth and splendor of Japanese artistic production. As the first exhibition devoted to the subject, The Life of Animals in Japanese Art covers 17 centuries (from the fifth century to the present day) and a wide variety of media. At the symposium held on June 7, 2019, in conjunction with the exhibition, Federico Marcon discussed the fascination with animals that was characteristic of early modern Japan. Animals were the main attractions of street shows, theatrical performances, and illustrated fictions and were collected as pets and specimens. According to Marcon, scholars engaged in the study of birds, insects, fish, and beasts, and illustrations played a fundamental role in documenting research, conveying information, and aiding taxonomical precision.