The Shakespeare Sessions

Toby Jones on playing the boisterous and fun-loving knight Falstaff. Toby Jones stars as Falstaff in our full-length version of Henry IV Part 1, which you can find in your podcast feed.

Rebellion is brewing in Britain.

King Henry must reunite his country but how when even his own family is divided?

As Henry's rule is threatened his son Hal appears unconcerned, wasting his time in the company of the comically corrupt Falstaff and common thieves, apparently more interested in play than the politics of state. Yet what kind of leadership is needed to unite the country might well be found in the taverns of Eastcheap as within the Palace of Westminster.

King Henry ..... Iain Glen

Written by William Shakespeare

Music composed by John Nicholls.

Adapted and directed by Sally Avens.

Khalid Abdalla, Matthew Needham and Cassie Layton star in Shakespeare's tragedy. This version is staged in an imagined near future, in which a power-hungry Turkish president attempts an attack on Cyprus. The western forces rush to Cyprus' defence, under the command of the fearless General Othello. But can an Arab-born, Christian convert ever be truly accepted by the people he serves?

Adapted and directed for radio by Emma Harding

You can listen to Dr Islam Issa giving us a quick rundown of events in the 1600s that influenced the character of Othello, in your podcast feed.

And don't forget to check out Looking for the Moor, also in your podcast feed, which sees Hugh Quarshie explore Othello and ask if the play is racist.

Cast

Othello.....Khalid Abdalla

The Two Noble Kinsmen is one of Shakespeare's least-performed plays, and widely considered to be his last. Generally accepted to be co-written with John Fletcher, this Jacobean tragicomedy has its roots in Chaucer's The Knight's Tale.

This audio version shares the same cast with The Two Gentlemen of Verona (Shakespeare's first play) which you can listen to in the Shakespeare Sessions feed. This striking audio realisation is recorded entirely on location to give the sense of a strolling company, making the most of the countryside. Listen to both plays, and trace the bard's progression across 40 years.

The Plot

On the day planned for his wedding to Hippolyta, Duke Theseus of Athens is petitioned by three queens to go to war against King Creon of Thebes, who has deprived their dead husbands of proper burial rites. In Thebes, the 'two noble kinsmen', Palamon and Arcite, realize that their own hatred of Creon's tyranny must be put aside while their native city is in danger, but in spite of their valour in battle it is Theseus who is victorious. Imprisoned in Athens, the cousins catch sight of Hippolyta's sister, Emilia, and both fall instantly in love with her. Arcite is set free, but disguises himself rather than return to Thebes, while Palamon escapes with the help of the Jailer's Daughter, who loves him. Meeting each other, the kinsmen agree that mortal combat between them must decide the issue, but they are discovered by Theseus who is persuaded to revoke his sentence of death and instead decrees that a tournament shall decide which cousin is to be married to the indecisive Emilia and which is to lose his head. The Jailer's Daughter has been driven mad by unrequited love, but accepts her former suitor when he pretends to be Palamon. Before the tournament Arcite makes a lengthy invocation to Mars, while Palamon prays to Venus and Emilia to Diana – for victory to go to the one who loves her best. Although Arcite triumphs, he is thrown from his horse before the death sentence on Palamon can be carried out, and with his last breath bequeaths Emilia to his friend.

JAILER'S DAUGHTER ..... Lyndsey Marshal

Adapted for Radio by Sara Davies

Music composed and performed by Tom Glenister and sung by Emma Mackey and Tom Glenister

The Two Gentlemen of Verona is considered to be one of Shakespeare’s earliest plays and is paired next week with a production of The Two Noble Kinsmen which was his last play and widely considered to have been written with the up and coming writer John Fletcher. Director Celia De Wolff was keen to present the two plays together as they share common themes of men and women falling for the same lover, cunning disguises and betrayal within friendships. She has recorded both productions entirely on location in the Sussex Countryside with the same band of actors giving a sense that they are being presented by a group of strolling players.

The Plot

Two young men, Valentine and Proteus, make their way from Verona to Milan. Valentine's father is sending him to take a position in the Duke of Milan's court, and Proteus accompanies him reluctantly, not wanting to leave his beloved Julia. While in Milan, Valentine falls for the Duke's daughter, Silvia.. Silvia is betrothed to Thurio, a wealthy courtier, although Silvia prefers Valentine. The two decide to elope, and Valentine confides in Proteus; Proteus, however, has fallen in love himself with Silvia. In order to get Valentine out of the way, Proteus tells the Duke of Valentine’s feelings and he is banished and Silvia is sent to a jail, and Proteus becomes the Duke’s confidante in matters concerning Thurio and Silvia.

Valentine joins a band of outlaws and is elected their leader. Julia disguised as a boy page enters Milan in search of Proteus, who is trying unsuccessfully to woo Silvia on the sly. Silvia, on the other hand, still longs for Valentine, and cares nothing for Proteus or Thurio. Julia, ironically now in service as a page to Proteus, becomes an intermediary between Proteus and Silvia. Silvia finally tires of the situation and escapes Milan in search of Valentine. As fate would have it, Silvia is captured by Valentine's band of outlaws.

The Duke soon learns of Silvia's escape, and he, Proteus, and Thurio all set off to rescue her. Proteus finds Silvia before the outlaws can bring her to Valentine. Valentine encounters them as Proteus makes the case for his love to Silvia; the two confront and eventually make peace with each other. In a gesture of reconciliation, Valentine even offers Silvia to Proteus, which causes Julia (who is still disguised as the page) to faint and Proteus recognizes her, much to his shame. The Duke and Thurio arrive but Thurio backs off his claim to Silvia when challenged by Valentine. As the play ends, Valentine gets Silvia with the Duke's approval, Proteus and Julia are reconciled, and the Duke grants a pardon to the band of outlaws.

JULIA ..... Lyndsey Marshal

Written by William Shakespeare

Adapted for Radio by Sara Davies

Sound design by David Thomas

Directed by Celia de Wolff

A Pier Production for BBC Radio 3, recorded on location in the Sussex Countryside.

A whistle-stop tour through Ancient Rome with writer and broadcaster Natalie Haynes.

Shakespeare's penetrating portrayal of political turmoil in a society at war with itself.

The Plot

When they get back to Rome, the patricians insist Coriolanus gains the consulship (the highest elected office). To do this, he has to make a public display of humility in front of the citizens, which he attempts, but is unable to mask his contempt for them. The citizens banish Coriolanus from Rome. In revenge, Coriolanus joins with his former enemies, the Volscians, and they march on Rome.

It is only through the intervention of Coriolanus's wife, mother and son that he halts the attack. Peace returns, but Coriolanus is killed by the Volscians.

Coriolanus . . . Trystan Gravelle

Directed by Marc Beeby

Originally aired on BBC Radio 3.

Imagine where we'd be without Shakespeare's plays. It's difficult to contemplate now. But it was thanks to another man that many of them were brought to life.

Today, Richard Burbage is a not a household name. But he should be. He's the man for whom many of the great Shakespearean roles were created. One of the founding members of the Lord Chamberlain's Men, playing at the newly built Globe in 1599, he's one of the foundations upon which British theatre was built. Andrew Dickson talks to leading actors, rummages among the archives and dissects some of the greatest parts in acting to discover Burbage's crucial role - and realises that without Richard Burbage, there could be no Shakespeare.

Producer: Penny Murphy

Gareth Malone and Margaret Drabble on strength and nature

Zoe Wanamaker on the world of play and Jim Al-Khalili on staying rational.