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There are many Americas. Nowadays they barely speak to each other. But during the most perilous years of the last century, one young composer went in search of a sound that melded many of the nation's strains into something singular and new. He was a man of the left, though of no political party: gay, but neither closeted nor out; Jewish, but agnostic, unless you count music as a religion. His name was Aaron Copland. On this July 4th weekend, WNYC’s Sara Fishko tells his story.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
By WNYC Studios4.6
88578,857 ratings
There are many Americas. Nowadays they barely speak to each other. But during the most perilous years of the last century, one young composer went in search of a sound that melded many of the nation's strains into something singular and new. He was a man of the left, though of no political party: gay, but neither closeted nor out; Jewish, but agnostic, unless you count music as a religion. His name was Aaron Copland. On this July 4th weekend, WNYC’s Sara Fishko tells his story.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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