The Spouter-Inn

The Spouter-Inn

By Suzanne Conklin Akbari and Chris PiumaArtsBooks
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The Spouter-Inn episodes

  • 31. Beyond a Boundary.

    I haven't the slightest doubt that the clash of race, caste and class did

    not retard but stimulated West Indian cricket. I am equally certain that in
    those years social and political passions, denied normal outlets, expressed
    themselves so fiercely in cricket (and other games) precisely because they
    were games. Here began my personal calvary. The British tradition soaked
    deep into me was that when you entered the sporting arena you left behind
    you the sordid compromises of everyday existence. Yet for us to do that we
    would have had to divest ourselves of our skins. […] The class and racial
    rivalries were too intense. […] Thus the cricket field was a stage on
    which selected individuals played representative roles which were charged
    with social significance.

    C.L.R. James’s Beyond a Boundary is part

    history of cricket, part history of the West Indies in the mid-twentieth
    century, part autobiography, part aesthetic treatise, part historiographical
    manifesto. It’s a curious book, but it’s also considered one of the best books
    of sports writing ever published. Chris and Suzanne, who know very little
    about cricket, are still excited to read it and talk about what James has to
    say about the intersections of sport, race, colonialism, and literature.

    Show Notes.

    C.L.R. James: Beyond a Boundary.

    [Bookshop.]

    Explained: Cricket, a video

    which goes over the rules of the sport (and its history since Beyond a
    Boundary was published).

    Beyond a Boundary, the 1976

    documentary for the BBC.

    Our episode on The Black Jacobins.

    Our previous episode, on Vanity Fair.

    Tom Brown’s School

    Days.

    An archive of interviews with C.L.R.

    James.

    James in conversation with Stuart

    Hall.

    A lecture by Robert A. Hill,

    James’s literary executor, at a conference for the 50th anniversary of the
    publication of Beyond a Boundary.

    Next: Virgil, Aeneid.

    [Bookshop.] (We’re linking to the
    Mandelbaum translation, but read whatever translation you like.)

    David Hadbawnik, trans.: Aeneid, Books I-VI.

    [Bookshop.]

    Enjoying our podcast? Consider supporting The Spouter-Inn on

    Patreon. (Thanks!)

    53 min
  • 30b. Bonus: Reading During Crisis, Part Two.

    I’m going to be tired for a while. But [one of the things I think is really

    important for keeping] that drive is to curate a reading diet that has some
    things for pleasure, some things for edification, some poetry if you’re into
    poetry, some nonfiction, stuff from different time periods… I find that to be
    helpful and sustaining, so you’re not just being bombarded with all the
    information about all the racism ever, right now!

    A few months ago, at the start of social isolation, we recorded a bonus

    episode, checking in with four
    interesting people to see how they were doing and how it was affecting their
    reading. We thought we might do another episode now that social restrictions
    are, in some places, starting to ease—and then there was widespread protesting
    against police violence and white supremacy, and political conversations
    changed in remarkable ways. The readers we spoke with offer their reflections
    on this complex moment, as well as a look at what they’re reading.

    Our Guests.

    Carissa Harris teaches medieval literature

    at Temple University in Philadelphia. Her research and
    writing focus on obscenity, rape and consent,
    medieval gender and sexuality, and long histories of rape culture and
    misogynoir. Her favorite medieval book is The Book of Margery
    Kempe, after whom her cat is named.

    Alison Kinney’s first book of

    cultural history, Hood, was published by
    Bloomsbury’s “Object Lessons” series in 2016. She’s written online and/or for
    print at The New Yorker, The Paris Review Daily, Harper’s, Lapham’s Quarterly,
    Longreads, The New York Times, The Guardian, The Atlantic, The Believer, and
    several other publications and has had four Notable Essays in The Best
    American Essays 2016–2019. Alison has taught nonfiction writing at The New
    School and at Catapult since 2017 and was hired in 2019 as an Assistant
    Professor of Writing at Eugene Lang College.

    Simone de Rochefort is a Senior Video

    Producer at video-games website Polygon,
    and she’s one of the hosts of the tech podcast
    Rocket on Relay FM. She’s also a notorious
    Hemingway aficionado, and you may remember when she joined us for our bonus
    episode after we read Hemingway’s A Moveable
    Feast.

    Shamma Boyarin is an Assistant

    Professor in the English Department at the University of Victoria. He is also
    the director of the Religion, Culture and Society Program. His research and
    teaching interests span medieval literature (with a specific focus on Hebrew
    and Arabic literature), religion, and pop culture.

    Show Notes.

    Our previous bonus episode on Reading During

    Crisis.

    Cord Whitaker’s interview with the Institute for Advanced

    Study.

    bell hooks: Teaching Community: A Pedagogy of Hope.

    Paula Giddings: Ida: A Sword Among Lions: Ida B. Wells and the Campaign

    Against Lynching.

    Audre Lorde: A Burst of Light and Other Essays.

    Camille Acker: Training School for Negro Girls.

    Ben Jonson: The Masque of

    Blackness and The
    Irish Masque at Court.

    Queen Elizabeth’s edicts.

    Alison’s essay for How We Are.

    Alison’s website, with links to more of her

    writing.

    Colson Whitehead: Zone One.

    Ralph Ellison: Invisible Man.

    Agatha Christie: Death on the Nile, The Big

    Four, Murder Is Easy…

    Louise Penny.

    Ernest Hemingway: Pursuit as

    Happiness
    (a newly published story).

    A reading list of African-American mystery

    writers.

    Bogi Takács: The Trans Space Octopus Congregation.

    Tom King: Vision: The Complete Series.

    Robin Wall Kimmerer: Braiding Sweetgrass.

    Jakov Z. Mayer: Nehemia (an extract translated by Ilana Kurshan).

    Sabbatai Zevi, a historical

    figure mentioned in Mayer’s novel.

    Support The Spouter-Inn on Patreon and help

    us create this podcast—but also support antiracism
    activists.

    55 min
  • 30. Vanity Fair.

    “I am alone in the world,” said the friendless girl. “I have nothing to look

    for but what my own labour can bring me; and while that little pink-faced chit
    Amelia, with not half my sense, has ten thousand pounds and an establishment
    secure, poor Rebecca (and my figure is far better than hers) has only herself
    and her own wits to trust to. Well, let us see if my wits cannot provide me
    with an honourable maintenance, and if some day or the other I cannot show
    Miss Amelia my real superiority over her. Not that I dislike poor Amelia: who
    can dislike such a harmless, good-natured creature?—only it will be a fine day
    when I can take my place above her in the world, as why, indeed, should I
    not?”

    William Makepeace Thackeray’s Vanity Fair is a massive novel that follows

    the lives of two women: Amelia Sedley, who is naive and sweet and devoted, and
    Becky Sharp, who is cunning and manipulative and beautiful. But novel’s
    subtitle is “A Novel without a Hero”, and Thackeray doesn’t paint either woman
    as entirely good or entirely evil. And as their fortunes rise and fall, they
    offer a glimpse into the mercurial, ambitious, and often cruel world of Vanity
    Fair, in which everyone scrambles for money, power, and status, and for what?
    It’s a world that the narrator lampoons mercilessly while also participating
    in fully, and Chris and Suzanne start to unpack it—and talk about whether
    they’re #TeamBecky or #TeamAmelia. (Oh, come on, you know the answer to that
    one.)

    Show Notes.

    William Makepeace Thackeray: Vanity Fair.

    [Gutenberg.
    Librivox.
    Bookshop.]

    Our episode on C.L.R. James’s The Black

    Jacobins.

    John Bunyan: Pilgrim’s Progress.

    Our episode on Little Women.

    Boethius: The Consolation of Philosophy.

    Also by Thackeray: The Memoirs of Barry

    Lyndon [and its film
    adaptation] and The History of
    Henry Esmond.

    Becky Sharp (1935).

    Speaking of that spicy meal that Becky can’t

    handle…

    How a recent ITV adaptation of Vanity Fair dealt with the book’s

    racism.

    On Mira Nair’s recent adaptation of the book into a

    movie.

    Next episode: C.L.R. James: Beyond a Boundary.

    [Bookshop.]

    Support The Spouter-Inn on Patreon, if you

    can.

    55 min
  • 29b. Bonus: Lee Maracle on Great Expectations.

    The point is to express something, and to express something of yourself, so

    that you can go forward with that. You’ve armed yourself, and you’re going out
    and about in the world. And the armour is your words, and you speak so that
    words are dancing on your skin and always ready for you. You’ve got your
    weapons always ready. They’re there at hand.

    Lee Maracle,

    OC, is a writer and a
    teacher, an artist and a performer, a siyam and an inspiration to many. She is
    one of the Sto:lo people, who are part of the Pacific Coast Salish Nation, and
    a granddaughter of Chief Dan George (band chief, actor, and writer). Lee has
    written many award-winning works of poetry, fiction, and non-fiction,
    including her wonderful book Memory
    Serves, which we featured on
    this podcast back in January. Her most
    recent books are My Conversations with
    Canadians, a non-fiction work that sets out the grounds for what a shared
    future might look like for settlers and indigenous people, and the
    collaborative book Hope Matters, written
    with her daughters Columpa Bobb and Tania Carter. Lee joins us for a
    wide-ranging conversation that begins with her experiences reading Great
    Expectations aloud to her children and
    her community.

    Show Notes.

    Lee Maracle’s books include Memory

    Serves, My Conversations with
    Canadians, Hope Matters, I Am
    Woman: A Native Perspective on Sociology and
    Feminism,
    Ravensong, and Celia’s
    Song.

    On being added to the Order of

    Canada.

    More info about water in Indigenous

    communities.

    Margaret Atwood: The Handmaid’s Tale.

    Muriel Miguel of Spiderwoman

    Theater.

    35 min
  • 29. Great Expectations.

    “If I could have settled down,” I said to Biddy, plucking up the short grass

    within reach, much as I had once upon a time pulled my feelings out of my hair
    and kicked them into the brewery wall,—“if I could have settled down and been
    but half as fond of the forge as I was when I was little, I know it would have
    been much better for me. You and I and Joe would have wanted nothing then, and
    Joe and I would perhaps have gone partners when I was out of my time, and I
    might even have grown up to keep company with you, and we might have sat on
    this very bank on a fine Sunday, quite different people. I should have been
    good enough for you; shouldn’t I, Biddy?”
        Biddy sighed as she looked at the ships sailing on, and returned for answer,
    “Yes; I am not over-particular.” It scarcely sounded flattering, but I knew
    she meant well.

    Charles Dickens’s Great Expectations is the

    tale of Philip Pirrip, better known as Pip, a young blacksmith’s apprentice
    who unexpectedly finds he has been given the means to become a gentleman of
    leisure. Who is his mysterious benefactor? Will this change of station ruin
    Pip, or will he become enough of a gentleman to win the heart of his beloved
    Estella? And why are we spending so much time around nineteenth-century
    London’s criminal class?

    Show Notes.

    Charles Dickens: Great Expectations.

    [Gutenberg.
    Librivox.
    Bookshop.]

    George Orwell: Charles Dickens.

    The Muppet Christmas Carol.

    Our episodes on Little Women,

    Frankenstein, The
    Jungle, and the
    Decameron.

    Some excellent analysis of Great Expectations from The Toast (RIP), including:

    Every Meal In Great Expectations, Ranked In Order Of How Upsetting It

    Is

    Alternate Endings To Great Expectations

    Miss Havisham: A History

    Charles Dickens’ Internet Search History

    Next: William Makepeace Thackeray: Vanity Fair.

    [Gutenberg.
    Librivox.
    Bookshop.]

    Support The Spouter-Inn on Patreon.

    59 min
  • 28b. Bonus: Jess Henderson on Emma.

    I think it’s interesting in Austen’s novels that they’re all so positive, and

    we think of them as sort of happy comforting kinds of things, because from all
    sides are pressing in these realities of disease and death… There are so many
    characters in this novel that just aren’t there or don’t have family members
    because they’ve passed away.

    Jess Henderson is a contract faculty

    member of the English and Drama Department at the University of Toronto,
    Mississauga. She teaches a wide array of texts—from Middle English through to
    the digital age—as well as a variety of skills—from how to read literature
    critically to how to write effectively. She loves reading and is delighted
    when she gets to talk with others about books. In fact, she recently hosted a
    virtual reading group on Emma which Suzanne attended, so she and Chris asked
    her on to discuss that experience and to share her thoughts on which
    characters are underrated, what other possibilities lie within the novel, how
    letters work in this world, and to debate what the novel would be called if it
    were titled like Pride and Prejudice or Sense and Sensibility.

    Show Notes.

    Jess Henderson on Twitter.

    Support The Spouter-Inn on Patreon and join

    us in a members-only Slack to talk about books (and/or Animal Crossing).

    44 min
  • 28. Emma.

    Mr. Knightley and Harriet Smith!—It was a union to distance every wonder of

    the kind….—Such an elevation on her side! Such a debasement on his! It was
    horrible to Emma to think how it must sink him in the general opinion, to
    foresee the smiles, the sneers, the merriment it would prompt at his expense;
    the mortification and disdain of his brother, the thousand inconveniences to
    himself.—Could it be?—No; it was impossible. And yet it was far, very far,
    from impossible.

    We finally cover a Jane Austen novel! Emma , a young woman of high social

    standing, is a curious mix of observant and clueless, intelligent and
    clueless, capable and clueless… and, having secured a good marriage for her
    former governess, she’s determined to use her powers of matchmaking for good
    once again—this time on the innocent (and clueless) Harriet Smith. Will her
    meddling be successful? Or will she make something of a fool of herself for
    our amusement, and learn a lesson or two along the way, and maybe, just maybe,
    accidentally find herself married by the end? I think you can guess the answer
    to that, but there’s still a lot to enjoy in seeing it all unfold. Chris and
    Suzanne launch a cluster on the nineteenth-century English novel—and therefore
    a cluster on class—with this classic.

    Show Notes.

    Emma.

    [Gutenberg.
    LibriVox.
    Bookshop.]

    Some adaptations: Emma. and

    Clueless.

    Ian Balfour: Free Indirect Filmmaking: Jane Austen and the Renditions (On

    Emma among Its Others) (PDF
    provided with permission of the author and publisher).

    Janeites.

    Austenolatry.

    Virginia Woolf on Jane

    Austen.

    Recognizing the Enduring Whiteness of Jane

    Austen.

    Next episode: Charles Dickens: Great Expectations.

    [Gutenberg.
    Librivox.
    Bookshop.]

    Support The Spouter-Inn and join us on a

    friendly, chatty Slack!

    54 min
  • 27b. Bonus: Reading During Crisis.

    In late March 2020, in the first few weeks of the social distancing brought

    about by the COVID-19 pandemic, Chris and Suzanne checked in with a few
    friends about how they’re handling this new stress and isolation, and what (if
    anything) they’re reading right now.

    We hope you’re all doing well. We would love to

    know what you’re reading.

    Our Guests.

    Irina Dumitrescu is a professor of medieval

    literature at the University of Bonn, but she also has a secret life as a
    writer of creative non-fiction, especially essays—including one published last
    year in a volume called How We Read: Tales, Fury, Nothing,
    Sound,
    co-edited by Suzanne along with Kaitlin Heller. Most recently, she had an
    article in the Times Literary Supplement titled “How to Write Well: Rules,
    Style and the ‘Well-made Sentence’”.

    Cord J. Whitaker is a Philadelphia native

    whose lifelong relationship with the African Methodist Episcopal Church led
    him to fall in love with Chaucer and medieval literature. Today an associate
    professor at Wellesley and an internationally known
    speaker, Whitaker regularly writes and lectures on
    blackness and the Middle Ages, on white supremacist deployments of the Middle
    Ages, and on African American political medievalism. His most recent book is
    Black Metaphors: How Modern Race Emerged from Medieval Race-Thinking.

    Oriana Schwindt is a freelance

    writer based in New York, with bylines in New
    York Magazine, Vice, and Vox, and she co-hosts By-The-Bywater, a Tolkien podcast right here on
    Megaphonic FM. She is thinking about restarting her own podcast about grift in
    America (it’s called American
    Grift). In
    2017, she experienced this grift firsthand on a crowdfunded reporting trip to
    the geographic center of every state in
    America. Yep, she did all 50. No, your
    state isn’t her favorite.

    Karla Mallette is a professor of Italian

    and Middle East Studies at the University of Michigan, Ann Arbor. Her work
    focuses on the relationship between literary traditions in the medieval
    Mediterranean, especially Arabic, Latin, and Romance vernaculars. Her earlier
    books include The Kingdom of Sicily, 1100–1250, and
    European Modernity and the Arab Mediterranean, and
    she is just finishing a new one called Lives of the Great Languages:
    Cosmopolitan Languages in the Medieval Mediterranean.

    Show Notes.

    Irina Dumitrescu, ed.: Rumba Under

    Fire. [Free PDF!]

    Our friend Nadia is the host of The Opposite Of

    Lonely.

    L. Frank Baum: The Wizard of Oz.

    Dave Gibbons and Alan Moore: Watchmen.

    Walter Mosely: Futureland.

    The Wizard of Oz and the gold

    standard.

    J.R.R. Tolkien: The Fellowship of the Ring.

    Robin Wall Kimmerer: Braiding Sweetgrass.

    Octavia Butler: Seed to Harvest.

    Polygon’s video on Animal Crossing (and translating its fake

    language).

    Dante: Inferno, trans. Allan Mandelbaum.

    Dante: Purgatorio and

    Paradiso, trans. Ronald L. Martinez and Robert M.
    Durling.

    Kengo Hanazawa: I Am a Hero.

    Ed Brubaker and Steve Epting: Velvet.

    Isabel Greenberg: Glass Town: The Imaginary World of the

    Brontës.

    Mary Szybist: Incarnadine.

    Giovanni Boccaccio: The Decameron 6.10: Friar

    Cipolla shows off relics.

    Support The Spouter-Inn on Patreon.

    1 hr
  • 27. The Decameron.

    “Let us therefore do as I suggest… We can move from place to place, spending

    one day here and another there, pursuing whatever pleasures and entertainment
    the present times will afford. In this way of life we shall continue until
    such time as we discover (provided we are spared from early death) the end
    decreed by heaven for these terrible events.”

    It’s 1348, and plague has broken out in Florence. Ten affluent people decide

    to escape the city for a bit, and over the course of two weeks they travel
    from one villa to another, trying to have a nice time of it. Amongst the
    singing, dancing, and feasting, every day includes a round of story-telling.
    Ten storytellers, ten days of storytelling: The
    Decameron of Giovanni Boccaccio is a collection of
    one hundred stories told by people trying to get their minds off the
    disruption of disease.

    Chris and Suzanne look at the frame tale and five of their favourite stories,

    picking out some of the more interesting features of the book, enjoying how
    funny or sexy or strange the stories can be, and considering the work stories
    might do in a pandemic.

    Show Notes.

    Giovanni Boccaccio: The Decameron.

    [Bookshop.
    Gutenberg.]

    We’re using the G.H. McWilliam translation, and we’re looking at these

    stories:

    • 2.7 Alatiel marries the King of Algarve, eventually

    • 3.1 Masetto tends to the gardens of a nunnery

    • 3.10 Alibech sends the Devil back to Hell

    • 10.9 Messer Torello shows hospitality to Saladin

    • 10.10 Griselda suffers her husband, the Marquis of Saluzzo

      Kalila wa-Dimna.

      Decameron Web

      has lots of useful information, including some details about the Decameron
      manuscripts.

      The autograph manuscript of the Decameron (i.e., in Boccaccio’s

      own handwriting).

      A fully digitized Decameron manuscript from around

      1400.

      Some projects turning to the Decameron right now:

      The Decameron Project.

      The Modern Decameron Project.

      100 Days of Decameron.

      Next: Jane Austen, Emma.

      [Gutenberg.
      LibriVox.
      Bookshop.]

      Support The Spouter-Inn on Patreon if you

      can, and tell us what you’re reading!

      53 min
    • 26b. Bonus: Mohamad Tavakoli-Targhi on Persepolis.

      The Iranians of the post-Revolutionary generation are the probably the most

      secular of not only Iranians—I would dare to say, the most secular of their
      contemporaries worldwide.

      Born and raised in Tehran, Iran, Mohamad Tavakoli-Targhi

      is Professor of History and Near and
      Middle Eastern Civilizations at the University of Toronto. He is the Editor of
      the academic journal Comparative Studies of South Asia, Africa and the Middle
      East, and he has written two books: Refashioning Iran: Orientalism,
      Occidentalism and Nationalist Historiography (Palgrave, 2001) and Tajaddud-i
      Bumi [Vernacular Modernity] (in Persian, Nashr-i Tarikh, 2003). He is
      currently working on Pathologizing Iran, which explores the medicalization of
      historical narratives and political discourses.

      Mohamad joins Chris and Suzanne to help put Persepolis into further context.

      How idiosyncratic is its portrayal of the 1979 revolution and where does
      Satrapi’s graphic novel fit into traditions Iranian diasporic writing? They
      also reflect on the celebration of Nowruz (Persian New Year) in a time of
      crisis.

      Show Notes.

      Mohamad’s website, which offers a free pdf of his

      book Refashioning Iran.

      Leila Abu Lughod: Remaking Women: Feminism and Modernity in the Middle

      East.

      Women Writing Novels Emerge as Stars in

      Iran.

      Mystical poets Rumi, Hafez, and

      Saadi.

      Nowruz and haft

      sin.

      The 2500 year celebration at the tomb of Cyrus the Great at

      Persepolis.

      The 1953 overthrow of Prime Minister Mohammad

      Mosaddegh.

      Some images from the children’s newsmagazine Keyhan

      Bacheha.

      Support The Spouter-Inn on Patreon.

      (Thanks!)

      40 min

    About The Spouter-Inn

    From the publisher's feed

    Chris (a poet) and Suzanne (a professor) spent six years talking about “great books” (whatever that means), and are now talking about reading (and all the things that means).

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