The Surfer's Journal presents Soundings with Jamie Brisick

Five-time world champion Carissa Moore started surfing at age 5 with her dad in the hallowed waters of Waikiki. As an amateur, she won 11 national titles. In 2008, at the age of 16, Moore became the youngest winner of the Triple Crown of Surfing. She qualified for the WCT in 2010, and won world titles in 2011, 2013, 2015, 2019, and 2021, with dozens of event wins along the way. She was the first-ever winner of the Olympic Gold Medal in women's shortboard surfing. More recently, Moore has announced that she will be walking away from competition to devote time to family, making films, and investing energy into her charitable foundation, Moore Aloha. In this episode of Soundings, Moore talks with Jamie Brisick about her decision to step away from the tour, representing Hawaii, friendship, finding community, her proudest moments, the values (and dangers) of mimicry, and overcoming self-doubt.

Mark Cunningham, aka The Human Fish, is hailed as one of the greatest bodysurfers of all time. He grew up in Hawaii, became a lifeguard in the mid-'70s, and for nearly 30 years guarded primarily at Ehukai Beach Park, with a view straight into Pipeline's barrel. Through the '70s, '80s, and '90s, Cunningham won nearly every bodysurfing event he entered. But, as Cunningham would be the first to tell you, bodysurfing is not about winning or losing. Cunningham retired from lifeguarding in 2005, at age 49. In recent years, he's become an obsessive reefcomber, finding fins, sunglasses, watches, and other valuables on the ocean floor. He's also become a visual artist, using his findings in sculptures and assemblages. In this episode of Soundings, Cunningham talks with Jamie Brisick about the multifarious duties of a lifeguard, scanning the impact zone, brushes with fate at Backdoor, playing in the shorebreak, the joys of retirement, Puerto Escondido, and the virtue of leading a simple life.

Award-winning author and The New Yorker staff writer William Finnegan came to surfing early while growing up between Hawaii and Southern California. He helped bring surf writing, as a genre, to the literary fore in 1992 with the publication of his two-part essay "Playing Doc's Games" in The New Yorker, which chronicled both his and "Doc" Renneker's pursuits at Ocean Beach, San Francisco. His 2015 memoir, Barbarian Days, which documented his surfing life, won the Pulitzer Prize. Beyond the surf, Finnegan has devoted much of his career to conflict reporting in regions ranging from Mexico to parts of Asia. In this episode, Finnegan talks with show host Jamie Brisick about the modern marriage of surfing and intellectualism, the importance of asking questions, writing, curiosity, outing himself as a surfer in the context of his career, Bali's dystopian reality, the dissemination of surf culture, and how his experience as a teacher in South Africa during apartheid shaped him as a writer.

A core member of the Momentum Generation and an 11-year veteran of the world tour, Shane Dorian is best known for his big-wave accomplishments over the past 20 years. Born and raised on the Big Island of Hawaii, Dorian received his big-wave education under Brock Little, Todd Chesser, and others after relocating to the North Shore as a teenager. Today, with multiple XXL Awards under his belt and a bag full of some of the most defining rides in history, Dorian has proven a trailblazer in the big-wave realm, helping to consistently redefine what's possible via one's own paddle power. In this episode, Dorian sits down with show host Jamie Brisick to talk about swell tracking, risk assessment, the surfing time warp, decision making in critical moments, family, bowhunting, overcoming self-doubt, and the virtue of patience.

Hailing from the Sunshine Coast, Queensland, freesurfer Jaleesa Vincent leads a life deeply immersed in explorative practices of self-expression and connection with nature. If she isn't hunting for waves, she's playing music, painting, cooking, writing poetry, and experimenting with taxidermy. Over the past few years, her output has helped define a new generation of paradigmatic Renaissance surfers in Australia through unbending fidelity to play, creativity, and staying true to oneself—in the water and out of it. In this episode, Vincent talks with show host Jamie Brisick about her robust creative sentiment, the importance of losing yourself in the things you love, rediscovering her inner child, tap dancing, her recent injury, rustic living, Indonesia, touring with her band, and cultivating her sense of what it means to be a woman.

Born and raised in Central California, Nate Tyler eschewed the world of competitive surfing in favor of pursuing the path less trodden as a teenager, building a free surfing career defined by a steadfast dedication to filming, traveling, and artistic exploration. His profile rose through the aughts and 2010's, due in no small part to his performances in some of the most cult-classic surf films of the era: Creepy Fingers (2006), BS! (2009), Year Zero (2011), Strange Rumblings in Shangri La (2014), and Psychic Migrations (2015), among others. Alongside surfing, Tyler has cultivated an art practice, producing kinetic sculptures that interrogate the relationship between materiality and movement. In this episode, Tyler sits down with Jamie Brisick to talk about life and love off-the-grid, the California crowd factor, surfing in the elements, the Central Coast, how fatherhood has changed him, and the importance of stepping away from the world you know.

A preeminent figure in surf filmmaking, Jack McCoy started surfing when his family moved from Los Angeles to Hawaii in 1954. In the 1970s, he began experimenting with film and photography and, in 1976, released his first film, Tubular Swells, produced and directed with Australian photographer Dick Hoole. What followed was a four-decade run filming, directing, and producing classics of the surf genre—including Storm Riders (1982), Kong's Island (1983), Bunyip Dreaming (1990), The Green Iguana (1992), Sabotaj (1998), The Occumentary (1999), Blue Horizon (2004), Free as a Dog (2006), and A Deeper Shade of Blue (2012)—defined via McCoy's unparalleled water cinematography. In this episode, host Jamie Brisick talks to McCoy about the evolution of surf filmmaking, capturing emotion, mindsurfing his way through hepatitis, traveling, music, and working with a Beatle.

Jack and Mark Occhilupo are hitting the east coast of Australia this May to celebrate the 25th anniversaries of The Occumentary and Occy's 1999 World Title. Jack has remastered the film and it'll be shown on the big screen for the first time ever. You can purchase tickets at jackmccoy.com.

A three-time Maverick's champion and a central figure in Santa Cruz's explosion onto surfing's main stage in the late '90s and early '00s, Darryl Virostko learned to ride big, heavy surf as a kid at Steamer Lane. His introduction to Maverick's, the wave that defined his career, came when it was still considered a myth in surfing circles. His fast success and notoriety within surfing, and the big-wave community especially, engendered a degree of risk-taking, adrenaline-chasing behavior that eventually pushed Virostko into addiction. Clean since 2008, Virostko is now an advocate for the sober community, providing support for people with addiction through his rehabilitation program, FleaHab. In this episode, show host Jamie Brisick travels to Virostko's home in Santa Cruz to talk about how Maverick's changed the big-wave landscape, the power of commitment, lessons learned from his youth, getting clean, death and love, and surfing with range.

Born in Japan to a mother with a profound passion for classical music and a father whose singing and guitar resounded throughout her early childhood, Aska Matsumiya was playing music before she could talk. Allured by her family's player piano as a child, she became a proficient classical pianist by age 3. But after a move to Orange County, California, at 12, Matsuyima was introduced to the haywire world of punk rock. Matsumiya played in punk bands until her early twenties, when she began experimenting with writing her own songs and scoring clips for friends in the fashion industry. Since then, she's composed over 20 films and television soundtracks for directors like Julia Hart and Spike Jonze, networks like HBO, major brands like Audi, as well as collaborated with prolific composers such as Ryuichi Sakamoto. In this episode, Matsumiya and show host Jamie Brisick discuss her creative process, composing for film and television versus the self, her proudest pieces, working with others, her musical inspirations, and the similarities between surfing and making music.

The mastermind behind large-scale production of the surfboard blank, Gordon "Grubby" Clark's pioneering of polyurethane foam in constructing the modern surfboard enabled the progression of surfing as a culture. Enthralled by materials from a young age, Clark received a combined degree in math and physics from Pomona College before working as a glasser at Hobie Surfboards and as an apprentice to Tom Blake, inventor of the surfboard fin, while splitting time between Hawaii and California. When demand for foam boards proliferated across Southern California in the late 1950s, Clark was quick to employ his background toward industrializing and streamlining the production of polyurethane foam blanks, becoming the defining blank maker from the early '60s until Clark Foam's sudden and shocking closure in 2005. Since then, "Grubby" has lived and worked on a sprawling cattle ranch in Oregon, which is where host Jamie Brisick sat down and talked with Clark about the adaptation of modern surfboard design, the intricacies of foam and fiberglass, the value of an education in science, the emergence of computer programming, the shortboard revolution, and why he closed shop.