John Fischer was making "Jesus Music" in the mid-1960s - before it was even a "thing." At a recent live event in Fullerton California, JJT invited Fischer to join the conversation and talk about those early countercultural days and how it all came together. Before there was an industry, a genre, or even a movement, there were kids with guitars and a desire to experience God in a meaningful, tangible way. Fischer went on to become one of the accidental innovators of a new style of music. But when the counterculture became a subculture - and a movement became a market - he never lost that fire in his belly. What might the counterculture of the 60s have to tell us about our troubled times today - and what might a new Jesus Movement look - and sound - like if it was to break out now? 

Find John Fischer's website HERE. 

For full Show Notes (include a list of the songs featured on this episode) visit TrueTunes.com/Fischer or click HERE.

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We've loved Robert Deeble for a long time around here. His brand of thoughtful alternative folk fit right in with artists like Over The Rhine, Vigilantes of Love, Innocence Mission, and Victoria Williams - and his side gig as a graphic artist lent a gorgeous visual perspective to all of his releases. His output has slowed over the last couple of decades as he became a successful psychologist and built a thriving practice in Oregon. So it was very good news indeed when we heard that he was about to release a new album - produced by Ric Hordinski no less! With many of us feeling more than a little on edge these days, we thought a touch-base with our favorite songsmith-turned-therapist was long overdue.

In this special @45RPM episode of the show we focus on clips of JJT's full conversation with Robert. These bits focus on his new album - the beautiful collection entitled The Space Between Us that is currently seeking support via Kickstarter for a vinyl and CD release. And if you dig this, you can head over to OUR PATREON PAGE to hear the REST OF THE STORY! Patreon now allows a "free membership" - and it would be awesome if you would take a minute to sign up (for free) and take a listen. We will be posting more special content exclusively on that page (and even more on the paid side) from now on!

And don't forget to head over to Kickstarter and back Robert's awesome project! 

For full show notes visit TrueTunes.com/deeble

Chris Taylor is a lifer. His first bands, (Windows and Love Coma,) were covered by True Tunes when we were just getting started back in the early 90s. While his bandmate Matt Slocum went on to form the alternative pop group Sixpence None The Richer, Taylor continued to release projects as Love Coma and as a solo artist. He also became an accomplished painter along the way. Now, almost 35 years later, Taylor continues to break new artistic ground. His most recent Love Coma project (which included contributions by Slocum) was a stunner, and his brand new solo project - "I Carry The Flame" may be his best work yet. You may have heard Taylor when he appeared on our Bruce Cockburn episode, but this time it's all about him, his longevity, and how he keeps the flame burning after all these years. PLUS we spin the new EP "Rosemary Hill" by Sixpence None The Richer on the Jukebox! 

For more info visit the full show notes page at TrueTunes.com/TaylorFlame. 

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!

Derri Daugherty, Steve Hindalong, and Dan Michaels surprised all of us when THE CHOIR dropped a fully-realized, manufactured, and ready-to-ship ambient instrumental project called Translucent in late 2024. Although the band has been incorporating ambient elements in their music since the 80s, this was a first for them. Join us as we discuss how Translucent came together, how the band approaches this element of their sound, and more. Find the show notes for this episode HERE. (Or go to truetunes.com/translucent) 

If you missed our in-depth, career-spanning conversation with The Choir, find it HERE. We also did a deep dive into their classic album CHASE THE KANGAROO!

For more about ambient music, don't miss our conversation with Marc Byrd of Hammock.

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!

True Tunes Podcast host John J. Thompson recently celebrated the "soft-release" of his new novel, "The Ballad of the Lost Dogs of East Nashville," with live events at Vinyl Tap in East Nashville and The Wheaton Public Library in the Chicago area. This special edition features clips from both events as JJT takes questions from Fr. Preston Sharpe of Sacrament Church (and guests) in Nashville, and Jeff Elbel (Chicago Sun-Times, Illinois Entertainer) in Wheaton. 

The episode also features a chapter from the fully produced audiobook and a bit of the original song "Sweet Marianne" by JJT featuring Phil Keaggy and Jeff Taylor. 

The book is available in print, digital, and audio form at most East Nashville record stores and bookstores and at LostPerros.com. 

For more info, full show notes, and photos from these events, visit TrueTunes.com/BalladLive

There’s a new “melancholy Christmas musical” to add to your list of indie film favorites, and when we had a chance to see an advance screening, we immediately knew that this story was YOUR kind of story. A hard-working, veteran singer-songwriter is trying to make it through to the end of another long year, wondering if it is time to lay down the dream. Boy does this one strike close to home.

Long December marks the acting debut of Stephen Williams of the band Jude Moses and sideman for the John Mark McMillan band. (McMillan also has a very convincing role in the film.) The film co-stars Charley Koontz (“Community,” “The Boys”), Emily Althaus (“Orange is the New Black,” “Handmaid’s Tale”), and Maximiliano Hernandez (“Avengers: Endgame,” “Sicario”). The soundtrack is available on all streaming platforms right now, and the film premiers on VOD platforms on November 12th.

Join JJT as he sits down with writer/director Thomas Torrey to hear about the origin of the story, the music, and the production. (And thanks to friend of the show, Chris White of Electric Jesus fame for the tip-off on this one.)

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!

            6-time Grammy winner Russ Taff’s voice has defined the emotional potential of Gospel music for over half a century. His perfectly raspy tenor transcends genre and era, first as the lead vocalist for Gospel legends The Imperials, then as a phenomenally successful solo artist. That legacy now takes on a whole new depth as Taff unveils Cover Story, a collection of rock, soul, and Americana songs that resonate deeply with the struggles he has privately endured throughout his life onstage. Longtime fans may be surprised to find the Gospel singer interpreting tunes by The National, Prince, Blind Willie Johnson, Bob Dylan, U2, Duran Duran, Bill Withers, Paul Simon, and others. However, students of Roots Gospel, Americana, Soul, and Blues will immediately see the thread. These are songs of spiritual survival. (Don't miss executive producer Steve Taylor’s Kickstarter campaign to release the project on vinyl and raise funds to promote it to a wide audience.)

            In a surprising – and risky – move for a Gospel singer, Taff decided to go public with his long struggle with addiction, recovery, relapse, and ultimate inner healing via the revealing 2018 documentary Russ Taff: I Still Believe. Instead of ending his career singing in churches and at Bill Gaither’s Homecoming events, audiences responded with deep appreciation for his candor and humility. A recent conversation on the recovery-themed Soft White Underbelly YouTube channel is currently generating similar enthusiasm. Taff, now 18 years sober and free of the need to hide anything, is more excited than ever to share music – and his story – with audiences around the country and the world.

      Taylor, (the artist, professor, songwriter, producer, and filmmaker connected to projects by Sixpence None The Richer, Newsboys, Chevelle, and others) had pulled his critically acclaimed but ill-fated mainstream rock band Chagall Guevara (MCA) together for a one-time reunion show at Nashville’s historic Ryman Auditorium. A special post-show afterparty at Jack White’s Blue Room included an on-stage jam with several musical luminaries, including Taff (who had worked with Chagall members Lynn Nichols and Dave Perkins on several projects.) Taff’s impromptu jam on Charlie Peacock’s “Down In The Lowlands” thrilled the small crowd. Hearing Taff slay those songs, Taylor remembered an idea his longtime friend, bandmate, and musical collaborator John Mark Painter had suggested much earlier. What if they took their old friend into a recording studio with a slate of great songs and captured that raw, guttural energy and emotional honesty? They have now done just that. We are thrilled to sit down with Taff, Taylor, and Painter on this very special episode of the podcast, and to give our audience a first listen to Cover Story.

BACK the Kickstarter Campaign HERE (closes September 9th, 2024)

For the full list of songs, links, and a video of the infamous "Down In The Lowlands" jam at Jack White's Blue room, see the full Show Notes at TrueTunes.com/Russ

Get all of the info about host John J Thompson’s new novel “The Ballad of the Lost Dogs of East Nashville” at TrueTunes.com/ballad.

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

There’s nothing like a relaxed, sit-down conversation – especially when discussing complicated things like faith, love, and art. True Tunes is committed to long-form dialogue in a world that is increasingly (and tragically) defined and governed by social media metrics and pithy one-liners. This conversation with Grammy-nominated singer-songwriter Jennifer Knapp may be our longest yet – but we wouldn’t have it any other way.

Knapp has come a long way since her debut LP, Kansas, was certified Gold 25 years ago. She followed that with two more critically acclaimed and commercially successful LPs in the Christian music market and earned increased respect and opportunities to share her craft on mainstream stages. She gathered two Grammy nominations and sold a million albums in three years, but things were not well behind the scenes. In 2002, after fulfilling her contractual obligations, Jennifer dropped out of the scene, disconnected from the industry, and moved to Australia. After an eight-year hiatus and coming out as gay, Knapp returned in 2010.

Jennifer recently revisited her debut, re-recording Kansas with producer Steve Hindalong to celebrate its 25th anniversary. On this episode of the podcast, Knapp visits John and Michelle Thompson in their East Nashville home to talk about her journey, her faith, and what it has been like to go back to Kansas. We’ll also hear a bit from Hindalong about how the project came together.

Find the full song list and more at TrueTunes.com/Knapp

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

On this “Extended Play” 45RPM episode of the show, our good friend Chris White, writer and director of the romantic comedy/road picture Electric Jesus, takes us to the set where he recently directed a short film for the song “Come And Save Me” starring actor and musician Fred Armisen (SNL, Portlandia) and our favorite outsider folk-pop band, Danielson. The song started as an unpublished lyric originally composed by the late Jesus Rock icon Larry Norman. It was then set to music, with the blessing of Larry’s estate, by Daniel Smith (of Danielson.) The resulting song is a complete departure from the tongue-in-cheek hair-metal Smith composed for the fictional metal band 316 in Electric Jesus. While “Come and Save Me” was not used in the film, it did appear on the soundtrack. Now, however, White has written and directed a special short film for the song, with Fred Armisen as the starring actor.

So, come with us to a film studio in Greenville, South Carolina, and hear from Chris White, Daniel Smith, Fred Armisen, and Mike Norman (Larry Norman's son) about how this fantastic project came together and how each of them approaches and interprets the meaning of “Come And Save Me.”

If you missed these previous episodes, be sure to go back and find our conversation with Daniel Smith on the topic of outsider art, join us on the set of Electric Jesus (which includes our conversation with actor Brian Baumgartner of The Office), and find our conversation with Chris White and Andy Erwin about the different ways faith is approached in film. We also released a very special “From The Vault” episode that included a previously unheard conversation with Larry Norman and a then-recent conversation with Michael about their complicated relationship. And if you would like more info on the Electric Jesus story, seek out and devour BOTH seasons of their excellent podcast. (You’ll find us all over them.)

We could not have presented this episode to you without the help of Chris and Emily White. Electric Jesus is available to stream now. If you have not seen it – please do!

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!

On this "impossibly short version of the ongoing conversation you'll find at TrueTunes.com" we revisit our conversation with the pioneering LA-based alternative rock band The Prayer Chain back in 2018. 

About The True Tunes Microdose Episodes: As we look back on our first 100 episodes we have gathered some of these "greatest hits" - never more than 5 minutes long - to remind long-time listeners of where we've been and give new folks a chance to check us out. 

If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our NEW MERCH!