Jess Gillam is joined by the Mumbai-born pianist Shivank Menon to talk about the records that they love. Their playlist includes Rostropovich playing Bach, Sviatoslav Richter playing Chopin, songs by Ravel, Fanny Mendelssohn and Donny Hathaway, and a recording of Bill Evans duetting with himself.

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MORELENBAUM2 & RYUICHI SAKAMOTO: Sabia

Jess Gillam swaps favourite music with singer, rock sitarist and composer Bishi. Together they journey through evocations of space from Meredith Monk, Holst and Roger Webb back home to different shades of the human voice in music - from sacred vocal music from the 15th century, via a Ravi Shankar and Philip Glass collaboration, the unique voice of Beverly Glenn-Copeland and singer Cosmo Sheldrake's wake-up call from the cuckoo.

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RAVI SHANKAR/PHILIP GLASS: Prashanti

Jess is joined by violinist Ionel Manciu to chat about some of their favourite records and share their lives in music. Including a revelation of Ionel's past life as a Moldovan pop star, John Adams conjuring raindrops from the piano, a classic by Amy Winehouse and a piece by Arno Babadjanian that stopped Jess in her tracks.

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Jess is joined this week by the Jordanian-Palestinian pianist Iyad Sughayer. They're in the studio to share some of their favourite tracks with each other, and some new musical discoveries - including a joyful piano concerto by Haydn, terrifying music by Bartok, a mesmerising song by Caroline Shaw and classic Bob Dylan.

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Jess Gillam and Scottish composer C Duncan share the tracks they love, with music by Charles Ives, Broadcast, Lili Boulanger Messiaen and Mahler.

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Jess Gillam is joined by violinist Ellie Consta to share some of the music they love the most. Ellie is the founder of Her Ensemble which champions the work of female composers and strives to present classical music in new diverse ways, and her music choices reflect that - from Florence Price's dreamy Clouds to Little Simz Mercury-winning homage to women everywhere, Woman.

Jess brings along the majesty of Mozart's Requiem, some lunar insanity on the theremin and a cracker of a song by Bettye Swann.

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Jess brings out the fizz and party poppers for a New Year's Eve listening party with the organist and conductor Anna Lapwood, as they introduce each other to their favourite music for this time of year. Their choices take them through the night, from classic Ella Fitzgerald, to pumping base from Vivaldi and Bonobo, reflective choral music by Silvestrov, mysterious organ sounds for the early hours from Saint-Saens, and a New Year message from Otis Redding.

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Jess meets up with Love Ssega to swap some of their favourite music. A founding songwriter and vocalist of Clean Bandit, Love Ssega is hugely in demand for his collaborative work across genres from pop to visual art. He is currently the Philharmonia's artist in residence.

Ssega came with some truly epic Elgar played by Sheku Kanneh Mason, a serious ear worm of an opera chorus by Verdi, and introduced Jess to the incredible voice of Alice Smith (she's been listening to her on loop since). Meanwhile Jess played Ssega Vivaldi arranged by Max Richter, some 12th century vocal music by Hildegard von Bingen, and an elegy to the environment by Marvin Gaye.

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MAX RICHTER/VIVALDI: Spring 1 – from the Four Seasons Recomposed [Daniel Hope (violin), Zurich Chamber Orchestra]

Jess Gillam dons her Christmas jumper to throw a This Classical Life Christmas Party. She's joined by The King's Singers, a fairy light bedecked studio, several packets of party rings and plenty of good tidings as they all share their favourite Christmas music and talk about their festive traditions.

From Nick's love of the 'Daniel Craig of the choral classics' Bach's Christmas Oratorio, to Pat's championing of the backing group in an Ella Fitzgerald Christmas tune. Jess, of course, manages to find a David Bowie track even at Christmas and Johnny shares a Beach Boys hit that encapsulates the Christmases of touring musicians.

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ELLA FITZGERALD: Santa Claus is Coming to Town

Jess Gillam and composer Caroline Shaw share their favourite music, with tracks by wordsmith Kae Tempest, a concert waltz by Scott Joplin, the incredible voice of Sarah Vaughan and an unfinished piece by Schubert (but not the one you're thinking!).

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