Ricky Strauss has worked at the highest levels of both Entertainment Marketing AND is a prolific film producer. He’s also had a significant impact on our culture. Ricky's work as President of Participant Media brought groundbreaking, conversation-starting films that have had lasting impact on the way we think about important issues in our world. More recently in his role as President of Content and Marketing at Disney+, a key figure in its immensely successful launch, he helped us as audiences adapt to what’s possible in terms of excellence in content and navigating through these uncertain times. You could say Ricky’s helped to shape how we experience content, has helped to raise our expectations for how good of an experience it can be and how profound of an impact on our culture content can have.

An Inconvenient Truth (Exec. Prod.)

Fast Food Nation (Exec. Prod.)

The Best Exotic Marigold Hotel (Exec. Prod.)

Contagion (Exec. Prod.)

This is part 2 of our conversation with Brent "B Rock" Rockswold, Senior Editor/Producer best known for such seminal pieces including ROGUE ONE, THE LAST JEDI, and FURIOUS 7. In this part of the conversation we do a deeper dive on the work itself. In addition to the above, we discuss a :60 he did for JURASSIC WORLD, his STAR TREK: INTO DARKNESS trailer and THE FORCE AWAKENS trailer he co-edited with Josh Dunn among a number of his other great projects.

We start today's episode with the Director of Music at Aspect, Alison Sieh, who shares about a great fundraiser for Leukemia & Lymphoma Society. Then we get into Part 1 of our 2 part conversation with Brent "B Rock" Rockswold, Senior Editor/Producer best known for such seminal pieces including ROGUE ONE, THE LAST JEDI, and FURIOUS 7. Today we discuss how B Rock got into the industry; the dedication it took for him to rise up the ranks; the heroes in the industry who mentored and inspired him; and how being a stand-up guy can be hard in the moment but is well-worth it in the long run.

Neal Spector has 3 distinct chapters in his career: starting out as one of the “Mad Men” of mainstream advertising; then paved the way and dominated home entertainment advertising; and more recently has re-made himself again as the owner of Ammo Creative, that is playing at the highest levels in all the areas that define our culture from brand to digital, movies and television, design, writing, editorial and post production. Neal Spector is crushing it.

Tina Hsu and Casmir Jordan of Rogue Planet break down what it’s like working as POC women in the industry. Listen to them chat about rhythmic cutting styles, their breakthrough franchise finishes such as MORTAL KOMBAT and BUMBLEBEE, as well as a special conversation about unicorns . Featuring special guest Helen Ahn Cutler!

Tommy "Pitt" Malatesta, Editor/Producer at AV Squad, is doing some of the most ground-breaking work being done today. You'll notice he's very quick to talk about all the other incredibly creative people that are part of the collaborations that result in all of his work including the most renowned pieces he's known for such as The Witch trailer, Hereditary trailer and The Green Knight teaser among so many others.

Craig Murray started out writing copy for Disneyworld in the mid 70s before working for Disney's film studio as a writer in creative advertising. Then in 1986, Craig got an opportunity to work on trailers from concept to completion - thus the beginning of Craig Murray Productions, aka CMP, and later Mocean which has gone on to earn Entertainment Agency of the Year 3 times over.

Chad Misner, is well known and well loved as one of the most respected editors and creative directors of the entire trailer industry. Most recently Chad was the SVP of Creative Advertising at Focus Features and, prior to that was responsible for 2 of the greatest trailers of all time Little Children and The Social Network, among dozens, if not hundreds of other brilliant contributions. Some other favs: https://vimeo.com/82565290 https://vimeo.com/57498175 https://vimeo.com/57433705

Mike Ferman, editor/producer from Buddha Jones is absolutely prolific conquering theatrical, broadcast and streaming, working on campaigns for major studios and mini-majors, for domestic and international, for action, drama, horror and even documentaries: We’re talking about A Good Day to Die Hard | The recent McCartney 3 piece | The Walking Dead | Fearless | Birds of Prey | Glass | Ready Player One | Baby Driver | Hobbs & Shaw and on and on. 

Along with our dynamic co-host, Helen Ahn Cutler, we discuss being mentored and being a mentor; Mike's incredible mastery of the art of anticipation in trailers; how so many trailers are really a collaboration among numerous editors; and the time Mike started a call with "...it's 5am! How did you get my cell phone?"

Aimee Pitta is an award-winning writer/producer and marketing exec who’s created successful campaigns for almost every major studio from the early days of New Line, with top agencies like Trailer Park, and as a consultant with Paramount, Lionsgate and Roadside Attractions. Aimee is also a published author (having just won TaleFlick’s writers award first place for The Theory of Invisibility), the writer of a couple shows from Reel One Entertainment (Love’s Second Chance just premiered on the W network), and she is arguably the best “retitler” in the business.