Neal Spector has 3 distinct chapters in his career: starting out as one of the "Mad Men" of mainstream advertising; then paved the way and dominated home entertainment advertising; and more recently has re-made himself again as the owner of Ammo Creative, that is playing at the highest levels in all the areas that define our culture from brand to digital, movies and television, design, writing, editorial and post production. Neal Spector is crushing it.

Tina Hsu and Casmir Jordan of Rogue Planet break down what it's like working as POC women in the industry. Listen to them chat about rhythmic cutting styles, their breakthrough franchise finishes such as MORTAL KOMBAT and BUMBLEBEE, as well as a special conversation about unicorns . Featuring special guest Helen Ahn Cutler!

Tommy "Pitt" Malatesta, Editor/Producer at AV Squad, is doing some of the most ground-breaking work being done today. You'll notice he's very quick to talk about all the other incredibly creative people that are part of the collaborations that result in all of his work including the most renowned pieces he's known for such as The Witch trailer, Hereditary trailer and The Green Knight teaser among so many others.

Craig Murray started out writing copy for Disneyworld in the mid 70s before working for Disney's film studio as a writer in creative advertising. Then in 1986, Craig got an opportunity to work on trailers from concept to completion - thus the beginning of Craig Murray Productions, aka CMP, and later Mocean which has gone on to earn Entertainment Agency of the Year 3 times over.

Chad Misner, is well known and well loved as one of the most respected editors and creative directors of the entire trailer industry. Most recently Chad was the SVP of Creative Advertising at Focus Features and, prior to that was responsible for 2 of the greatest trailers of all time Little Children and The Social Network, among dozens, if not hundreds of other brilliant contributions. Some other favs: https://vimeo.com/82565290 https://vimeo.com/57498175 https://vimeo.com/57433705

Mike Ferman, editor/producer from Buddha Jones is absolutely prolific conquering theatrical, broadcast and streaming, working on campaigns for major studios and mini-majors, for domestic and international, for action, drama, horror and even documentaries: We're talking about A Good Day to Die Hard | The recent McCartney 3 piece | The Walking Dead | Fearless | Birds of Prey | Glass | Ready Player One | Baby Driver | Hobbs & Shaw and on and on.

Along with our dynamic co-host, Helen Ahn Cutler, we discuss being mentored and being a mentor; Mike's incredible mastery of the art of anticipation in trailers; how so many trailers are really a collaboration among numerous editors; and the time Mike started a call with "...it's 5am! How did you get my cell phone?"

Aimee Pitta is an award-winning writer/producer and marketing exec who's created successful campaigns for almost every major studio from the early days of New Line, with top agencies like Trailer Park, and as a consultant with Paramount, Lionsgate and Roadside Attractions. Aimee is also a published author (having just won TaleFlick's writers award first place for The Theory of Invisibility), the writer of a couple shows from Reel One Entertainment (Love's Second Chance just premiered on the W network), and she is arguably the best "retitler" in the business.

Eugene Fillios is the founder and creative director of Creature Street, a trailer company that's worked on campaigns such as Halloween, Candyman, Minions, The Hunt, The Invisible Man and many more. Something that's also unique about Creature Street is that they're based in Portland, Oregon.

On this pod, we discuss everything from Eugene's days as a professional musician, starting over in the trailer industry and coming up the ranks before starting his own company. We also get pretty deep into how to stay creative, how the industry's changed and where things are going.

Kevin Abernathy started out making, as he would say, "really bad YouTube videos" with his friends until one day he randomly followed his passion for "previews" and moved to L.A. to pursue his dream. Game Grumps brought him unexpected fame in the world of video games. But his heart has always been in trailers, aka coming attractions. On this episode, along with our dynamo co-host Helen Ahn Cutler, we explore Kevin's journey thus far from rock star in the eyes of gamers everywhere to making his way in the trailer industry.

Many in our industry know Samantha Hart from her time as a Creative Executive at Gramercy, Searchlight and Universal where her creative marketing campaigns brought prominence and Academy Awards to films such as Fargo, Dead Man Walking and Boys Don't Cry while earning cult status for indie features Dazed and Confused, Four Weddings and a Funeral and Priscilla Queen of the Desert. Sam later transitioned to build Foundation Content a shop that uniquely did both creative production and post-production under one roof. More recently, Sam and her partner and husband, director James Lipetsky rebranded and started Wild Bill creative, another disruptive creative content company. And something perhaps a lot of folks in our industry might not know, is that Samantha is an author with an upcoming book we talk on this pod about called Blind Pony: As True A Story As I Can Tell which comes out in March. samanthahart.net