Craig Murray started out writing copy for Disneyworld in the mid 70s before working for Disney's film studio as a writer in creative advertising. Then in 1986, Craig got an opportunity to work on trailers from concept to completion - thus the beginning of Craig Murray Productions, aka CMP, and later Mocean which has gone on to earn Entertainment Agency of the Year 3 times over.

Chad Misner, is well known and well loved as one of the most respected editors and creative directors of the entire trailer industry. Most recently Chad was the SVP of Creative Advertising at Focus Features and, prior to that was responsible for 2 of the greatest trailers of all time Little Children and The Social Network, among dozens, if not hundreds of other brilliant contributions. Some other favs: https://vimeo.com/82565290 https://vimeo.com/57498175 https://vimeo.com/57433705

Mike Ferman, editor/producer from Buddha Jones is absolutely prolific conquering theatrical, broadcast and streaming, working on campaigns for major studios and mini-majors, for domestic and international, for action, drama, horror and even documentaries: We’re talking about A Good Day to Die Hard | The recent McCartney 3 piece | The Walking Dead | Fearless | Birds of Prey | Glass | Ready Player One | Baby Driver | Hobbs & Shaw and on and on. 

Along with our dynamic co-host, Helen Ahn Cutler, we discuss being mentored and being a mentor; Mike's incredible mastery of the art of anticipation in trailers; how so many trailers are really a collaboration among numerous editors; and the time Mike started a call with "...it's 5am! How did you get my cell phone?"

Aimee Pitta is an award-winning writer/producer and marketing exec who’s created successful campaigns for almost every major studio from the early days of New Line, with top agencies like Trailer Park, and as a consultant with Paramount, Lionsgate and Roadside Attractions. Aimee is also a published author (having just won TaleFlick’s writers award first place for The Theory of Invisibility), the writer of a couple shows from Reel One Entertainment (Love’s Second Chance just premiered on the W network), and she is arguably the best “retitler” in the business.

Eugene Fillios is the founder and creative director of Creature Street, a trailer company that’s worked on campaigns such as Halloween, Candyman, Minions, The Hunt, The Invisible Man and many more. Something that’s also unique about Creature Street is that they’re based in Portland, Oregon. 

On this pod, we discuss everything from Eugene's days as a professional musician, starting over in the trailer industry and coming up the ranks before starting his own company. We also get pretty deep into how to stay creative, how the industry's changed and where things are going.

Kevin Abernathy started out making, as he would say, “really bad YouTube videos” with his friends until one day he randomly followed his passion for “previews” and moved to L.A. to pursue his dream. Game Grumps brought him unexpected fame in the world of video games. But his heart has always been in trailers, aka coming attractions. On this episode, along with our dynamo co-host Helen Ahn Cutler, we explore Kevin’s journey thus far from rock star in the eyes of gamers everywhere to making his way in the trailer industry.

Many in our industry know Samantha Hart from her time as a Creative Executive at Gramercy, Searchlight and Universal where her creative marketing campaigns brought prominence and Academy Awards to films such as Fargo, Dead Man Walking and Boys Don't Cry while earning cult status for indie features Dazed and Confused, Four Weddings and a Funeral and Priscilla Queen of the Desert. Sam later transitioned to build Foundation Content a shop that uniquely did both creative production and post-production under one roof. More recently, Sam and her partner and husband, director James Lipetsky rebranded and started Wild Bill creative, another disruptive creative content company. And something perhaps a lot of folks in our industry might not know, is that Samantha is an author with an upcoming book we talk on this pod about called Blind Pony: As True A Story As I Can Tell which comes out in March. samanthahart.net

For those who are blessed to call Helen Ahn Cutler friend, the four words that come to mind are heart, soul, mind and strength. Because Helen is all heart, all soul, all brilliance and so powerful in all the best ways. All the time! We discuss her work as an Editor and Creative Director at some great shops like Ant Farm, JAX and her stint at Paramount Vantage. But any introduction of Helen has to include her contribution to the people of this industry as a friend, a mentor, a champion of so many others who are just now coming into their own and in a lot of ways the glue that makes this industry a community.

Co-host Brandi Seymour, 10 year entertainment advertising industry veteran, and Corey discuss some great pieces of work from the last several weeks. Lily Lasuzzo, SVP Global Creative Advertising at LionsGate, makes a special appearance to discuss the fabulous Barb & Star. Here's what's on the docket:

Barb & Star Go to Vista Del Mar Teaser; LionsGate, Trailer Park

The United States Vs. Billie Holiday Poster; Paramount, Hulu, BLT

Cherry Trailer; Apple TV+, Rogue Planet

Boogie Poster; Focus Features, Gravillis

Coming 2 America Poster; Paramount, Amazon Prime, BLT

Malcolm & Marie Trailer; Netflix, JAX

Dave Yocum and Kelly Yocum are both great trailer editors. And, yes, they're related - Dave is Kelly's dad. Dave is a legendary editor, producer, creative director at Create Advertising Group. He’s responsible for some of the most admired trailers of all time including the 300 Trailer and the Bohemian Rhapsody Teaser. He’s also known for creating most of the Harry Potter trailers as well as campaigns for films like Benjamin Button, the Matrix and A Beautiful Mind. Kelly Yocum is a rising star editor at JAX under the banner of Rock, Paper, Scissors. She has some pretty killer finishes including the trailer for BORAT SUBSEQUENT MOVIE FILM and some really cool pieces for HBO like the teaser for The Undoing and Euphoria. We explore what it was like working on some of the projects, how trailer editing has evolved, the value of having great mentors and how they each developed their process among many other topics.