Trey Knowles Comedy

In “Computer Malware,” Trey Knowles turns the human brain into a laptop… and temptation into a pop-up ad you definitely should not click.

With clever tech metaphors and exaggerated spiritual humor, Trey jokes that your mind works just like a computer system — and if you're not careful, the “enemy” will try to download some corrupted files.

False information? That's spam. Bad habits? That's spyware. Negative thoughts? Full-blown malware. In this fast-paced comedy short, Trey hilariously compares spiritual battles to virus attacks, warning the audience to update their mental firewall and stop clicking on suspicious links — in life and online.

It's playful, dramatic, and packed with punchlines about protecting both your computer and your consciousness from what he jokingly calls a “Satan virus.” It's not a tech seminar. It's not a sermon. It's Trey Knowles running a diagnostic scan on modern life — and finding comedy in the code. Welcome to “Computer Malware.

In “Mortal Kombat,” Trey Knowles steps into the arena for his most outrageous, over-the-top battle yet — and in the opposite corner stands the entertainment giant, The Walt Disney Company… at least in Trey's wildly exaggerated imagination.

With video-game intensity and cartoon-level drama, Trey hilariously frames his comedy special like a boss fight. He jokingly accuses the kingdom of castles and cartoons of slipping “wickedness” into children's entertainment — not as a serious claim, but as a playful, hyperbolic metaphor turned all the way up.

In true Trey fashion, the punches are verbal, the drama is theatrical, and the metaphors are bigger than life. He nicknames Disney a “tribe called quest,” claiming — purely for laughs — that they must have contracts with every witch on the planet because how else do they run the world of magic and fantasy so well?

And when Trey “exposes” them on stage? In his story, the empire doesn't send lawyers — they try to stone him like it's medieval times. It's absurd. It's animated. It's satire dialed to maximum.

This isn't a documentary. It's not an indictment. It's comedy turned into a boss-level showdown. Finish him? No. Just laugh. Welcome to “Mortal Kombat.”

In “Stay Away from Those Demons,” Trey Knowles delivers a hilarious, over-the-top warning to his audience: protect your soul… and maybe your inbox. With dramatic flair and tongue firmly planted in cheek, Trey jokes that demons aren't just hiding in horror movies anymore — they've got marketing teams.

According to Trey, Hollywood can't make a blockbuster without summoning something, and somehow “demon content” keeps winning awards. From movies to music to mysterious spam emails at 2:17 a.m., Trey hilariously suggests that “demon stuff” is everywhere. He playfully asks the crowd, “Why does every scary movie family move into the haunted house?

It's always a discount… that's how they get you!” Blending exaggerated paranoia with sharp observational humor, Trey turns pop culture, entertainment, and everyday life into one big supernatural joke. It's not a sermon — it's satire. It's not fear — it's funny. So check your inbox, double-check your streaming queue, and get ready to laugh. This is Trey Knowles' “Stay Away from Those Demons.”

In “The Democratic Congress Way,” Trey Knowles takes the stage with a fearless allegory about money, power, and the corporations that seem to love one more than the other.

With biting humor and bold metaphors, Trey compares modern American corporations to the snake in the garden — smooth-talking, persuasive, and always offering something that looks good… until the fine print kicks in. He jokes about how profit comes first, people come second, and Congress? Well, in Trey's world, they're holding the door open.

Blending biblical imagery with sharp political satire, Trey dives into the idea that the love of money isn't just a saying — it's a business model. Through clever punchlines and exaggerated storytelling, he paints a world where temptation is marketed, consequences are outsourced, and accountability is negotiable.

It's provocative. It's unapologetic. And it's Trey Knowles turning allegory into laughter.

Welcome to “The Democratic Congress Way.”

Trey Knowles is asking the question nobody wants to ask — and everybody is secretly thinking: What if pharmaceuticals… is just witchcraft with a lab coat? In this bold, laugh-out-loud comedy special, Trey takes the stage to unpack the spellbook of modern medicine — the commercials, the side effects they whisper at the end, the smiling actors dancing in a field while the narrator casually lists things like “may cause sudden death.” He asks the question:

Why do we clap for the potion maker? With sharp wit and fearless humor, Trey dives into the “merchants of this world” — the corporations that convince you your sadness needs a subscription plan. He jokes about brainwashing, government indifference, and how society gets slowly desensitized to things that would've terrified our grandparents.

This isn't a lecture. It's not a conspiracy seminar. It's comedy with teeth. Trey Knowles' “Pharmaceuticals” is a wild, thought-provoking ride through modern life — where the pills are colorful, the warnings are longer than the benefits, and the spell might already be working. Get ready to laugh… and maybe check the label on your prescription when you get home.

In his bold and thought-provoking comedy routine, “Reprobate Minds Say No,” Trey Knowles delivers laughter with a sharp spiritual edge. Blending humor with biblical insight, Trey challenges what he calls the “reprobate mind” to finally say no to ungodliness.

With animated storytelling and playful exaggeration, he explains that the real power over any enemy begins with self-control. If you can say no to destructive desires, you take back authority; if you cannot, you hand your strength over without a fight.

Through witty punchlines and relatable examples, Trey jokingly suggests that sometimes your greatest enemy isn't out there—it's attached to you. The very members of your own body, when left unchecked, can work against you. Packed with laughs and layered meaning, “Reprobate Minds Say No” reminds audiences that discipline isn't just spiritual—it's powerful.

Trey Knowles' comedy script, "White Devils and Black Demons," satirically unveils the hidden powers that govern the world. The "White Devil," driven by lust and deception, disguises himself as Santa Claus while spreading his corrupt way of life—lying, stealing, and killing to gain control. Meanwhile, the "Black Demons" chase after worldly success, unknowingly serving the White Devil's agenda. Through their art and labor, they fuel his power, all while drifting further from the spirit of God.

Trey Knowles' “Hate Chicago 60606” is a comedic routine in which he humorously explains his dislike for Chicago, focusing on what he sees as the city's sinfulness. He jokingly portrays the 60606 zip code as “the devil's zip code,” claiming it's a place where much wrongdoing occurs. Throughout the performance, Knowles highlights his frustrations with the city and even praises Donald Trump as someone who could help “clean up” the devil's work in Chicago. His “hate” is less about the city itself and more about what it represents—systems that exploit people while pretending to be the center of progress.

In The Difference Between Love and Hate, Trey Knowles delivers a sharp, high-impact comedy set that challenges one of America's biggest emotional mix-ups. With quick wit and unapologetic punchlines, Trey argues that many people don't actually know the difference between being loved and being left alone.

Through clever storytelling, he flips the script: the one who corrects you is labeled a hater, while the one who lets you self-destruct is called loving and supportive.

Trey humorously calls this an “easy kill” in today's culture—just give people what they want, avoid correction, and watch the chaos unfold. Blending satire with cultural commentary, Trey explores the idea that real love challenges, refines, and sometimes rebukes.

Hate, on the other hand, shrugs and says, “Do whatever you want.” With bold comparisons and exaggerated humor, he questions whether modern ideas of freedom have blurred the line between accountability and affection. This is comedy with a message—provocative, playful, and designed to make you laugh first… and reflect right after.

In his stand-up comedy routine "Why Do You See So Many Feminine Black Men," Trey Knowles explores the cultural and social dynamics that, in his view, contribute to the rise of effeminate behavior among Black men.

Blending humor with social commentary, Knowles suggests that many Black boys grow up mimicking their mothers due to the absence of father figures—a result, he argues, of systemic economic hardship and historical oppression.

He jokingly frames this dynamic as "sorcery" brought on by the white man, using satire to highlight deeper issues within Black communities. Through comedy, Knowles critiques both the societal structures and cultural shifts impacting Black masculinity.