Trve. Cvlt. Pop!

Welcome back to Trve. Cvlt. Pop! an actual music podcast. On this weeks show Steve and Gaz catch up with all of the music they listened to over the month of September and tell you what they thought of it. There's chat on new tunes from Joey Valence & Brae, The National, The Armed, Killer Mike, Harms Way, Diddy, Ash, Cannibal Corpse, Mahalia, Snow Wife, Hundred Reasons, Corrine Bailey Rae, Blood Command, Harms Way, Baroness, Steven Wilson, Grrrl Gang and RJ Archer and the Painful Memories.

Plus we talk about the new U2 song, not exciting, and their Vegas residency at the amazing new Sphere venue, quite exciting. 

Welcome back to Trve. Cvlt. Pop! a very nice podcast about music. This week Steve and Gaz begin a journey into musical excellence as we make a Mount Rushmore of TCP for as many musical genres as we possibly can. It's a simple concept; each hosts picks five artists they think define said musical genre and we discuss to the death until only four remain and take their place on the coveted Trve. Cvlt. Pop! Mount Rushmore. 

We're going to do it with ALL the genres, but start this week with three; Prog, Funk and Punk. Who makes it? Come listen to find out!

Welcome back to another Trve. Cvlt. Pop! Reviews, where we take one recently released album and review it. Simple.

On this Episode Steve is joined by Sam to look at the new album from Pittsburgh hardcore turned metal band Code Orange, The Above. After we all went mad for 2017's Forever and 2020's Underneath, there is a lot of pressure on Code Orange to keep their hot streak going. Does their fifth album manage to do so? We'll tell you here won't we.

Welcome to another episode of Trve. Cvlt. Pop! Reviews, where we hyper focus on one new album that we think is worth your time and talk about it... and about British radio presenters from the 1980's... although not always that second bit. 

On this podcast we look at the brand new, and 16th, album from Australian pop legend Kylie Minogue, Tension. Kylie has been having a pretty decent time of it recently, in the aftermath of her 2020 lockdown album Disco she moved backed to her native Melbourne, and wrote this collection of songs that were meant to represent true classic Kylie anthemic disco pop. The lead single Padam Padam became her biggest hit in the US since the halcyon days of Can't Get You Out of My Head, perfectly setting up Tension's release. An album full of 80's synth pop, classy disco strutting, throbbing, deep house and glam campness all over the gaff. But... do Steve and Gaz like it? UH... YAH!

Welcome back to another Trve. Crvp. Pop!, the spin off podcast where we search for the worst album ever made. This week Steve and Sam are looking at Live it Up, the third album from US folk-rock supergroup Crosby, Stills and Nash, released on the 26th of June 1990.

We actually don't know much about CSN, as will become apparent throughout this podcast, but what we do know is that David Crosby was a loveable loony, and his jail time, disregard for authority, drug addiction, lack of wanting to partake in music videos and passive aggressive album titles make what would be a utterly pointless and boring mid-period album from an established band into something pretty funny. 

Hello everyone, welcome to Trve. Cvlt. Pop. Here is an old podcast from the past that was originally released as part of our exclusive content at patreon.com/trve.cvltpop on Take That's 2010 album Progress. You can sign up there to suggest an album and we will do our best to accommodate that, or you can just listen to the many exclusive podcasts we have there. 

Welcome back to Trve. Cvlt. Pop! a music podcast that is about to celebrate its first bloody birthday! Aah! That's nice innit!

It's at this time that we, that's Steve, Sam and Gaz, all get together and tackle your questions, each, every and all of them, in a full "Ask me anything!" episode. Steve even does some actual editing out this week too!

Welcome to another episode of Trve. Cvlt. Pop! a podcast about music. This week, in the direct aftermath of the 22nd anniversary of the 9/11 terror attacks, Steve and Gaz look at issue 871 of Kerrang! magazine, the first issue to be released after the event, and take a look back at what the immediate reaction from the music world was. We look at the cancelled tours, the songs dropped from radio and TV, the changes artists had to make to upcoming releases, the songs that were inspired by the event and see what the long term effects it had on the world of music.

It's not all heavy, we also review new music from Nation of Language, The Chemical Brothers, Olivia Rodrigo, Angel Du$t and Kvelertak and there is a live report from Trivium's final show on the In the Court of the Dragon touring cycle.

Hey there, yes indeed, it's Trve. Cvlt. Pop! a podcast about a load of musical things. This week Steve and Gaz listen to, talk about and review some new music from Slowdive, Empire State Bastard, Ashnikko and... well, it's actually not new music from Grandaddy, but one of thought it was was ages... we review their B-sides collection.

There's also chat about Steel Panther popping up on America's Got Talent, internet scamps pretending to be in Sleep Token and we pay our respects to Smash Mouth frontman Steve Harwell, who sadly passed away at the age of 56 this week. 

Plus there are a pair of bangers in our heads this week, one from Little Mix and one from Lieu. 

It's another look at the world of the worst albums ever made, as we present another Trve. Crvp. Pop!, searching for the most awful moment in the history of music. This week, Steve and Sam are rating and ranking Fly on the Wall, the 10th studio album from hard rock legends Ac/DC, released on the 28th of June 1985. 

The 80's had been kind to AC/DC initially, their 7th album Back in Black was one of the biggest albums ever made, shifting 25 millions copies in the US alone. But as the decade wore on, so the profile of the band began to wane somewhat. 25 million sales became 4 million, which then became "only" 1 million as they continued to release album in the first half of the decade. By 1985, with glam metal on the rise, AC/DC were considered by many to have peaked, the band themselves wanted nothing to do with MTV ready pop-metal and decided to self produce their next record. The result was an album in Fly on the Wall that is usually cited as their weakest moment... but is it really that bad? Or did a link to a serial killer, the ire of the PMRC and a bunch of confusing videos starring the band, a bunch of goofy actors and a cartoon fly all combine to kill it?