This week on the show – an animated tale that puts the “panda” in “pandemonium.” Julia Cho is the co-writer of Pixar’s incredible Turning Red. The film follows a 13-year-old Chinese-Canadian girl called Mei, who transforms into a giant red panda whenever she experiences strong emotion. What at first seems like a curse quickly becomes an opportunity for Mei and her friends, who are able to secretly raise money for tickets to see their favourite boy band, 4*Town, live in concert. That is, if the teenager can find a way to deal with her loving but protective mother, Ming.

Being a Pixar movie, it kinda goes without saying that Turning Red is packed with laughter, emotion, spectacle and sublime animation. But Julia and director/co-writer Domee Shi’s film broke new ground too, not just for Pixar but for Hollywood at large. It took a subject matter seldom addressed in mainstream movies – female puberty – and approached it with a cultural specificity that was utterly joyous to watch.

I had the pleasure of chatting with Julia about the difficulties and opportunities for change presented in the writing process on Turning Red. We talk about why the question “what if?” is such a vital storytelling tool, the significance of the film’s early 2000s backdrop, and why Julia and Domee refused to hide behind metaphor when it came to talking about periods in the movie. 

This is a very spoiler-filled conversation covering every plot point in the film all the way up to its exciting ending so if you’re yet to watch Turning Red, it’s probably best to do so before listening on. 

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

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