This week Ken welcomes esteemed, accomplished director and author of the field guide/memoir "Adventures in the B-Movie Trade", Brian Trenchard-Smith to the show.

Ken and Brian discuss the weather in Portland, Brian's travels around the world, his appreciation for everything he's gotten to do, visiting Soviet Russian in 1968, falling in love with cinema after seeing a Hitchcock film, how you should see a local movie in the native language in every country you visit, developing your taste in film, how the world is smaller, but not as substantive in many ways, forgetting your Italian accent, strange double features, taking acting classes with Barry Manilow, being only able to play a British Army Officer, knowing from age 13 you want to make movies, the closed show that was the British Film Industry, Australian television, editing Hammer Horror films, working for the ABC, editing sex and violence filled TV promos, sort of forging a recommendation letter, Raymond Burr, Ironsides, Number 96, Prisoner in Cell Block H, learning how cinema production worked, Beauty pageants for girls AND cars, Concourse Del Ellgance', stunts, making documentaries, Bruce Lee, Man from Hong King, Stunt Rock, why every young filmmaker needs a calling card, Hong Kong Cinema, cannibalizing your own films, World of Kung Fu (which no longer exists), Kung Fu Killers, editing news film and the pressure of it going down to the wire, news directors wanting to kill you, Japanese Cinema, Seven Samurai, Rashomon, being OBSESSED with trailers growing up, The Legend of the Seven Golden Vampires, visiting the set of Shatter, Roy Ward Baker, finding financing, hopping on a trend too late, the Bruce Lee clones, being bored by love scenes in films, parody, being subversive, hang gliders, Dead End Drive In, having to watch three hours of Once Upon a Time in the West so you can cut the trailer, Leprechaun in Space, enjoying the days when you physically handled film, enjoying your films with an audience, the 1988 Mission Impossible, Sahara with Jim Belushi, directing Flipper, being proud of different films for different reasons, Seconds to Spare, diehard on a train, replacing Dolph Lundgren with Antonio Sabato Jr, Happy Face Murders with Ann-Margaret, and the awe of making and watching Omega Code 2.