This week Ken welcomes actress Molly Hagan (Herman's Head, The Nutt House) to the show.

Ken and Molly discuss the speed of television, Herman's Head, Election, cringing, auditioning in front of your rivals, Northwestern University, growing up in Indiana, coming from a big family, Johnny Quest, Clutch Cargo, being too young to negotiate, Bob Newhart Show, Mary Tyler Moore, The Carol Burnett, All In the Family, the conundrum of Archie Bunker, Homefront (the name of the show Ken and Molly can't remember), television as escape, private concerns, American obsession with pulling back the curtain, blue collar actors, High School Reunions the cost of living in LA, Some Kind of Wonderful, The Nutt House, getting starstruck at work, working with Harvey Korman, The A.L.F. Christmas Special, getting into personal arguments with carpet samples, Mr. Sunshine, Jeffrey Tambor, Alan Spencer, Mel Brooks, "Ringmaster", Jerry Springer, the glut of talk shows in the 90s, the forgotten exploitation past of Oprah's television show, why Phil Donahue was a good guy, EPKs, disengaged interviewers, watching yourself, Friends, Seinfeld, being on something you're a huge fan of, Matt LeBlanc, Episodes, how being a psychotic murder is easier than comedy, Bloopers Shows, swearing in front of children, Ken's awful commercial auditions, ER, stunt work, parental judgement, Ken's status as a futon, Yoga, not singing and dancing meaning you move to LA, Dallas: The Early Years, being recognized by the public, iZombie, Castle, Social Media, Spoilers, not having a TV, Alf's Sad fate, the female version of Herman's Head, Dream On, Dark Angel aka "I Come In Peace" as the greatest 90s action movie, Brian Benben, Wendy Malik, fact checking in the internet age, Ken's spite fuel, and the fluidity of memory.