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My understanding of USAID was my original red pill, and came as a result of reading Confessions of an Economic Hitman while working as a legal intern at a M&A law firm in Vietnam.
This is a solo episode of The Carousel discussing USAID, patronage networks, and the new Government NGO Tracker, which is being widely misinterpreted and mis-used to falsely accuse people like Richard Hanania and Christopher Rufo of being USAID recipients (certainly not defending Hanania, and I think he probably is compromised in some way, but still I’m going to be loyal to the truth).
Ultimately, I believe the greatest evil of USAID-style patronage is the vast astroturfing, and thus destruction, of art, as seen on display in this viral video involving comic Natalie Cuomo. Listen to episode for full discussion!
Also, I’ve paywalled many past episodes. Please become a paid subscriber so I can get the orange check, and also please subscribe on YouTube! You can also watch and follow me on X.
The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.
By Isaac Simpson3.7
2626 ratings
My understanding of USAID was my original red pill, and came as a result of reading Confessions of an Economic Hitman while working as a legal intern at a M&A law firm in Vietnam.
This is a solo episode of The Carousel discussing USAID, patronage networks, and the new Government NGO Tracker, which is being widely misinterpreted and mis-used to falsely accuse people like Richard Hanania and Christopher Rufo of being USAID recipients (certainly not defending Hanania, and I think he probably is compromised in some way, but still I’m going to be loyal to the truth).
Ultimately, I believe the greatest evil of USAID-style patronage is the vast astroturfing, and thus destruction, of art, as seen on display in this viral video involving comic Natalie Cuomo. Listen to episode for full discussion!
Also, I’ve paywalled many past episodes. Please become a paid subscriber so I can get the orange check, and also please subscribe on YouTube! You can also watch and follow me on X.
The Carousel is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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