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Chloe Zhao’s new feature NOMADLAND presents a “houseless” life on the road as a choice born half out of desperation and half out of curiosity about life outside the American mainstream, which called to mind the yuppie adventurers looking to “drop out of society” in Albert Brooks’ 1985 comedy LOST IN AMERICA. This week, Brooks’ film serves as the catalyst for another Scott-Tasha showdown, as we dig into the nuances of both Brooks’ comedic style and the satirical premise he sets up in LOST IN AMERICA. Plus, we respond to some feedback on our recent episodes on AMERICAN PSYCHO and PROMISING YOUNG WOMAN.
Please share your comments, thoughts, and questions about LOST IN AMERICA, NOMADLAND, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support the show: https://www.patreon.com/join/NextPictureShow
See omnystudio.com/listener for privacy information.
By Filmspotting4.6
786786 ratings
Chloe Zhao’s new feature NOMADLAND presents a “houseless” life on the road as a choice born half out of desperation and half out of curiosity about life outside the American mainstream, which called to mind the yuppie adventurers looking to “drop out of society” in Albert Brooks’ 1985 comedy LOST IN AMERICA. This week, Brooks’ film serves as the catalyst for another Scott-Tasha showdown, as we dig into the nuances of both Brooks’ comedic style and the satirical premise he sets up in LOST IN AMERICA. Plus, we respond to some feedback on our recent episodes on AMERICAN PSYCHO and PROMISING YOUNG WOMAN.
Please share your comments, thoughts, and questions about LOST IN AMERICA, NOMADLAND, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support the show: https://www.patreon.com/join/NextPictureShow
See omnystudio.com/listener for privacy information.

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