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This week, after contemplating which philosopher f's the most, the fellas approach the elusive concept of Interpassivity. We locate the origin of the term somewhere in-between the thought of Žižek’s and Robert Pfaller. Referring to texts of each, we define interpassivity within the scope of Althussier’s influence in the 90s, as the immanent response/critique to the prevailing ideology of “interactivity”. We discuss a few infamous examples of interpassivity from Žižek’s texts like “canned laughter” and “TiVo”, and consider how interpassivity structures the subject’s relating to the Other as the subject supposed to know, believe, and enjoy. We also try to think through the constitutive role interpassivity plays in the subject/object relation, and how this might furnish an anti-ideological position – or, a secondary ideology that does not rest on becoming a subject, and liberates us from the injunction to “enjoy!”
https://www.patreon.com/zizekandsoon
Robert Pfaller's Interpassivity: The Aesthetics of Delegated Enjoyment
By …and so on.4.8
5656 ratings
This week, after contemplating which philosopher f's the most, the fellas approach the elusive concept of Interpassivity. We locate the origin of the term somewhere in-between the thought of Žižek’s and Robert Pfaller. Referring to texts of each, we define interpassivity within the scope of Althussier’s influence in the 90s, as the immanent response/critique to the prevailing ideology of “interactivity”. We discuss a few infamous examples of interpassivity from Žižek’s texts like “canned laughter” and “TiVo”, and consider how interpassivity structures the subject’s relating to the Other as the subject supposed to know, believe, and enjoy. We also try to think through the constitutive role interpassivity plays in the subject/object relation, and how this might furnish an anti-ideological position – or, a secondary ideology that does not rest on becoming a subject, and liberates us from the injunction to “enjoy!”
https://www.patreon.com/zizekandsoon
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