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This episode, we take another stab at our failed attempt to talk about Žižek and film. Earlier in the week we spoke to Dr. Matthew Flisfeder, the author of the 2012 book The Symbolic, the Sublime, and Slavoj Žižek's Theory of Film— but we did not record the conversation. So, in our second attempt to tackle this crucial topic in Žižek's work, we talk about Matthew's book, as well as "The Pervert's Guide to Cinema", the choice between reality and illusion, the third pill, Hitchcock's MacGuffin, the parallax object, and wonder why film?
Music at the close ("Stromboli") is by Matteo Ciambella https://matteociambella.bandcamp.com/
Dr. Matthew Flisfeder: @MattFlisfeder on twitter, https://matthewflisfeder.com/
https://www.patreon.com/zizekandsoon : @zizekand : https://www.facebook.com/Zizek-and-So-On-126096985581365
By …and so on.4.8
5656 ratings
This episode, we take another stab at our failed attempt to talk about Žižek and film. Earlier in the week we spoke to Dr. Matthew Flisfeder, the author of the 2012 book The Symbolic, the Sublime, and Slavoj Žižek's Theory of Film— but we did not record the conversation. So, in our second attempt to tackle this crucial topic in Žižek's work, we talk about Matthew's book, as well as "The Pervert's Guide to Cinema", the choice between reality and illusion, the third pill, Hitchcock's MacGuffin, the parallax object, and wonder why film?
Music at the close ("Stromboli") is by Matteo Ciambella https://matteociambella.bandcamp.com/
Dr. Matthew Flisfeder: @MattFlisfeder on twitter, https://matthewflisfeder.com/
https://www.patreon.com/zizekandsoon : @zizekand : https://www.facebook.com/Zizek-and-So-On-126096985581365

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