The calls didn't stop in 1974. In this special bonus episode of Cinema Shock, we’re stepping out of the attic to examine the controversial, neon-soaked, and often misunderstood legacy of the BLACK CHRISTMAS remakes.

We start by tearing into the 2006 remake—a film defined by its vibrant "Giallo" color palette, cannibalistic origin stories, and the heavy-handed studio interference that changed the movie’s DNA. Then, we pivot to the 2019 Blumhouse reimagining, a divisive entry that traded mystery for a supernatural take on campus culture and systemic power.

Finally, we pay tribute to the fans who kept the spirit of the original alive. We dive into the world of fan films, specifically the acclaimed It's Me, Billy (Parts 1 & 2), to discuss how indie creators managed to recapture the atmospheric dread that Hollywood struggled to replicate.

We're joined in this episode by special guest John Ferrer, co-founder of the underground 24-hour Christmas movie extravaganza McArathon!

Whether you’re a 2006 gore-hound or a 1974 purist, join us as we unwrap the sequels and spin-offs that refuse to stay dead.

In this episode:

The Weinstein influence and the "missing" scenes of 2006.

Why the 2019 version shifted from a slasher to a supernatural thriller.

How IT'S ME, BILLY serves as the spiritual successor fans waited decades for.

Follow McArathon on Instagram at https://www.instagram.com/mcarathon_/ or on Twitch at twitch.tv/McArathon

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster, asotirov, Benjamin Yates, courtland ashley, curtcake5k, Elton Novara, Interzone78, Jackson_Baker, Jvance325, KDurden, LillymckY, Lucy Lawson, MagicBloat, mcdudely, Nate Izod, Nathan Kelley, Robert, Robert Stinson, Spacemonkey73

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net