Ursa Short Fiction

In our Season Two premiere, co-hosts Deesha Philyaw and Dawnie Walton talk with the beloved ZZ Packer, author of Drinking Coffee Elsewhere, a collection first published in 2003 that went on to inspire countless writers. Packer talks about how she found her voice, style, and authenticity as a young, Black, female writer who hadn’t even planned on becoming a writer. She addresses ideas of navigating both physical and figurative spaces and learning how to find a place in the literary world.

Reading List: Authors, Stories, and Books Mentioned

Read more from Deesha Philyaw and Dawnie Walton: 

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Episode editor: Kelly Araja

Associate producer: Marina Leigh

Producer: Mark Armstrong

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On the Season One finale of Ursa Short Fiction, co-hosts Deesha Philyaw and Dawnie Walton talk to Nana Nkweti, author of the acclaimed short story collection, Walking on Cowrie Shells (Graywolf Press). 

Nkweti’s story “Dance the Fiya Dance,” performed by Enih Agwe, was featured in Episode 15. 

Read the full transcript.

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Nana Nkweti is a Cameroonian-American writer, Whiting Award winner, and AKO Caine Prize finalist whose work has garnered fellowships from MacDowell, Vermont Studio Center, Ucross, Byrdcliffe, Kimbilio, Hub City Writers, the Stadler Center for Poetry, the Wurlitzer Foundation, Virginia Center for the Creative Arts, and Clarion West Writers Workshop. Her first book, Walking on Cowrie Shells, was hailed by The New York Times review as a “raucous and thoroughly impressive debut” with "stories to get lost in again and again." The collection is also a New York Times Editor's Choice, Indie Next pick, recipient of starred reviews from Kirkus, Publishers Weekly, and BookPage; and has been featured in The New Yorker, Harper's Bazaar, Oprah Daily, The Root, NPR, Buzzfeed, and Thrillist; amongst others. The work features elements of mystery, horror, myth, and graphic novels to showcase the complexity and vibrance of African diaspora cultures and identities. She is a professor of English at the University of Alabama where she teaches creative writing courses that explore her eclectic literary interests: ranging from graphic novels to medical humanities onto exploring works by female authors in genres such as horror, Afrofuturism, and mystery.

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Deesha Philyaw and Dawnie Walton introduce their latest short story pick, Nana Nkweti’s “Dance the Fiya Dance,” from her acclaimed 2021 debut collection, Walking On Cowrie Shells, published by Graywolf Press. 

Through a series of journal entries, we meet Chambu, a DC-based linguistic anthropologist and “Halfrican” (daughter of a Cameroonian mom and African American dad) who processes a devastating loss while sparking a sexy new romance.

For content advisories, scroll to the end of the show notes.

The story is performed by Enih Agwe, with music and mixing by Alexis Adimora, and illustrations by Halimah Smith at Artpce. Ursa Executive producers are Dawnie Walton and Mark Armstrong.

You can read along at ursastory.com/dance.

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Nana Nkweti is a Cameroonian-American writer, Whiting Award winner, and AKO Caine Prize finalist whose work has garnered fellowships from MacDowell, Vermont Studio Center, Ucross, Byrdcliffe, Kimbilio, Hub City Writers, the Stadler Center for Poetry, the Wurlitzer Foundation, Virginia Center for the Creative Arts, and Clarion West Writers Workshop. Her first book, Walking on Cowrie Shells, was hailed by The New York Times review as a “raucous and thoroughly impressive debut” with "stories to get lost in again and again." The collection is also a New York Times Editor's Choice, Indie Next pick, recipient of starred reviews from Kirkus, Publishers Weekly, and BookPage; and has been featured in The New Yorker, Harper's Bazaar, Oprah Daily, The Root, NPR, Buzzfeed, and Thrillist; amongst others. The work features elements of mystery, horror, myth, and graphic novels to showcase the complexity and vibrance of African diaspora cultures and identities. She is a professor of English at the University of Alabama where she teaches creative writing courses that explore her eclectic literary interests: ranging from graphic novels to medical humanities onto exploring works by female authors in genres such as horror, Afrofuturism, and mystery.

Content advisory: Partner abuse, pregnancy loss.

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This month marked the two-year anniversary of the publication of The Secret Lives of Church Ladies, author Deesha Philyaw’s groundbreaking and award-winning debut short story collection that examined the inner lives of Black women as they navigate relationships, sex, and the church. 

On Episode 14 of Ursa Short Fiction, Dawnie Walton digs into the stories with her co-host Philyaw, and gets some hints on what might be in store for the characters as Philyaw and Tessa Thompson are adapting The Secret Lives of Church Ladies for HBO Max. 

Philyaw’s collection won the 2021 PEN/Faulkner Award for Fiction, the 2020/2021 Story Prize, and the 2020 LA Times Book Prize: The Art Seidenbaum Award for First Fiction and was a finalist for the 2020 National Book Award for Fiction. Philyaw is a Kimbilio Fiction Fellow and the 2022-2023 John and Renée Grisham Writer-in-Residence at the University of Mississippi.

Get the full transcript here.

Episode edited by Kelly Araja.

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Deesha Philyaw and Dawnie Walton are joined by Maurice Carlos Ruffin, author of the short story collection The Ones Who Don’t Say They Love You. That acclaimed 2021 book includes “Ghetto University,” the story we featured previously on the show. 

Ruffin talks about the inspiration he takes from his native New Orleans, and his journey from a “three-piece suit-wearing, BMW-driving lawyer” to putting all of his energy into becoming a writer and telling the stories he was meant to tell.

Read the full transcript.

Maurice Carlos Ruffin is the author of The Ones Who Don’t Say They Love You, a New York Times Editor’s Choice that was also longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. Ruffin is the winner of several literary prizes, including the Iowa Review Award in fiction. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi.

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A professor in New Orleans loses his job and resorts to a new line of work – mugging tourists in the French Quarter. 

“Ghetto University” is a short story by Maurice Carlos Ruffin, featured in his 2021 collection, The Ones Who Don’t Say They Love You.

Listen to the story here, and read along at ursastory.com/ghetto-university 

Then come back next week for Ruffin’s in-depth conversation with Ursa Short Fiction co-hosts Deesha Philyaw and Dawnie Walton. 

Maurice Carlos Ruffin is the author of The Ones Who Don’t Say They Love You, a New York Times Editor’s Choice that was also longlisted for the Story Prize. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. Ruffin is the winner of several literary prizes, including the Iowa Review Award in fiction. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi.

“Ghetto University”

Written by Maurice Carlos Ruffin

Performed by Allan Thomas

Directed by Adetola Abdulkadir

Sound Design and Mixing by Alicia Qian

Illustrations by Anthony Santagati

Music: “Zizu de Calp,” Blue Dot Studios

Executive Producers: Dawnie Walton & Mark Armstrong

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Deesha Philyaw and Dawnie Walton welcome writer Michael A. Gonzales for part two of our deep dive into the life and work of Diane Oliver, who published six short stories before her death at age 22. (Part one of our series is here.)

Gonzales published an essay about Diane Oliver in The Bitter Southerner earlier this year, and he talks about his work digging into the archives to put a spotlight on Black authors who never got the recognition they deserved. His column for Catapult, The Blacklist, has shared stories about authors including Charlotte Carter, Julian Mayfield, Henry Dumas, and Darius James. 

Get the full transcript.

Harlem native Michael A. Gonzales is a cultural critic/short story scribe who has written for The Hopkins Review, The Paris Review, Longreads, Wax Poetics and Soulhead.com. Gonzales writes true crime articles for Crimereads.com and wrote the series The Blacklist about out-of-print Black authors for Catapult. His fiction has appeared in Under the Thumb: Stories of Police Oppression edited by S.A. Cosby, Killens Review of Arts & Letters, Dead-End Jobs: A Hit Man Anthology edited by Andrew J. Rausch, Black Pulp edited by Gary Phillips and The Root. His latest short story "Really Gone" was published in the Summer 2022 issue of the Oxford American. 

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Content advisory: This episode contains a mention of a racist slur.

Deesha Philyaw and Dawnie Walton's two-part book club discussion on the life and work of Diane Oliver, who published six short stories before her life was tragically cut short in May 1966 at the age of 22. 

Oliver was just a month away from graduating from the Iowa Writers’ Workshop when she was killed in a motorcycle accident in Iowa City, Iowa. 

Philyaw and Walton first discovered Oliver’s stories from writer Michael A. Gonzales, who wrote an essay about Oliver for The Bitter Southerner. In part one of Ursa’s book club episode, they go in-depth on four of Oliver’s short stories: “Key to the City,” “Health Service,” “Traffic Jam,” and “Neighbors.”  

Full episode transcript.

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Deesha Philyaw and Dawnie Walton chat with author Cleyvis Natera, author of the new Ursa Original short story, “Fog,” and the recently published debut novel Neruda on the Park.

Read the full transcript.

Cleyvis Natera is the author of the debut novel Neruda on the Park. She was born in the Dominican Republic and raised in New York City. She holds a Bachelor of Arts from Skidmore College and a Master of Fine Arts in Fiction from New York University. She’s received honors from PEN America, Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts and Voices of Our Nation Arts Foundation (VONA). Her fiction, essays and criticism have appeared in The New York Times Review of Books, The Brooklyn Rail, The Rumpus, Alien Nation: 36 True Tales of Immigration, TIME, Gagosian Quarterly, The Washington Post, The Kenyon Review, Aster(ix) and Kweli Journal, among other publications. Cleyvis teaches creative writing to undergraduate and graduate students in New York City. She lives with her husband and two young children in Montclair, New Jersey.

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Content warning: explicit language, sex, depiction of violence.

Author Cleyvis Natera debuts her original short story “Fog.” It’s the story of a worker at a Dominican resort who caters to high-end clients and must confront the choices he’s made to elevate his status and seek a different life for himself. 

Listen to the story in your favorite podcast app, and read along at ursastory.com/fog. 

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“Fog” is edited by Dawnie Walton and performed by Alberto “Mojo” Peña, with music and sound design by Alexis Adimora, illustrations by Bex Glendining, and audio engineering by Deon Vozov (LA Voiceover). Ursa executive producers are Dawnie Walton and Mark Armstrong.  

Cleyvis Natera is the author of the debut novel Neruda on the Park. She was born in the Dominican Republic and raised in New York City. She holds a Bachelor of Arts from Skidmore College and a Master of Fine Arts in Fiction from New York University. She’s received honors from PEN America, Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts and Voices of Our Nation Arts Foundation (VONA). Her fiction, essays and criticism have appeared in The New York Times Review of Books, The Brooklyn Rail, The Rumpus, Alien Nation: 36 True Tales of Immigration, TIME, Gagosian Quarterly, The Washington Post, The Kenyon Review, Aster(ix) and Kweli Journal, among other publications. Cleyvis teaches creative writing to undergraduate and graduate students in New York City. She lives with her husband and two young children in Montclair, New Jersey.

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