
Sign up to save your podcasts
Or


On today’s date in 1953, thousands crowded the route to and from London’s Westminster Abbey for the coronation of Queen Elizabeth II and, at the Queen’s own request, the event was televised live by the BBC.
British composer William Walton was asked to write two new pieces. The first was Coronation Te Deum, a work that he had begun almost a decade earlier for a quite different occasion, namely the opening night of the 1944 London Proms. The piece got shifted to a back-burner when Walton was asked to work on Lawrence Olivier’s wartime film of Shakespeare’s Henry V.
For the new Queen’s Coronation, Walton returned to his abandoned score, writing to friends, “I’ve got cracking on the Te Deum. Lots of counter-tenors and little boys Holy-holy-ing, not to mention all the Queen’s Trumpeters and a side drum. You will like it, I think, and I hope He will too.” “He” was capitalized, so presumably Walton was referring to either the Deity — or Winston Churchill, perhaps.
Walton was also asked to compose a Coronation March, which he called Orb and Scepter after a line, coincidentally, from Shakespeare’s Henry V. His march may have seemed a bit jazzy to the more conservative audiences of the day, but one critic, slipping into Cockney slang, gushed, “It sounds like a right royal knees-up!”
William Walton (1902-1983): Coronation Te Deum; Andrew Lumsden, organ; Finzi Singers; Paul Spicer, conductor; Chandos 9222
William Walton (1902-1983): Orb And Sceptre March; English Northern Philharmonia; Paul Daniel, conductor; Naxos 8.553981
By American Public Media4.7
176176 ratings
On today’s date in 1953, thousands crowded the route to and from London’s Westminster Abbey for the coronation of Queen Elizabeth II and, at the Queen’s own request, the event was televised live by the BBC.
British composer William Walton was asked to write two new pieces. The first was Coronation Te Deum, a work that he had begun almost a decade earlier for a quite different occasion, namely the opening night of the 1944 London Proms. The piece got shifted to a back-burner when Walton was asked to work on Lawrence Olivier’s wartime film of Shakespeare’s Henry V.
For the new Queen’s Coronation, Walton returned to his abandoned score, writing to friends, “I’ve got cracking on the Te Deum. Lots of counter-tenors and little boys Holy-holy-ing, not to mention all the Queen’s Trumpeters and a side drum. You will like it, I think, and I hope He will too.” “He” was capitalized, so presumably Walton was referring to either the Deity — or Winston Churchill, perhaps.
Walton was also asked to compose a Coronation March, which he called Orb and Scepter after a line, coincidentally, from Shakespeare’s Henry V. His march may have seemed a bit jazzy to the more conservative audiences of the day, but one critic, slipping into Cockney slang, gushed, “It sounds like a right royal knees-up!”
William Walton (1902-1983): Coronation Te Deum; Andrew Lumsden, organ; Finzi Singers; Paul Spicer, conductor; Chandos 9222
William Walton (1902-1983): Orb And Sceptre March; English Northern Philharmonia; Paul Daniel, conductor; Naxos 8.553981

6,836 Listeners

38,846 Listeners

8,785 Listeners

9,242 Listeners

5,805 Listeners

930 Listeners

1,388 Listeners

1,290 Listeners

3,148 Listeners

1,976 Listeners

528 Listeners

182 Listeners

13,752 Listeners

3,069 Listeners

246 Listeners

28,189 Listeners

434 Listeners

5,494 Listeners

2,188 Listeners

14,130 Listeners

6,426 Listeners

2,514 Listeners

4,839 Listeners

578 Listeners

254 Listeners