The real depth of a super power is determined by the creativity and the wit behind it. No superman is all that difficult to overcome if he always does the same predictable things and has no new ideas. Paul and Lawry are certainly men of their own ideas, however, and the two split up to pursue completely separate goals.

Any kind of breaking-and-entering, even if it's technically legal, is going to be fraught with perils. It's something that requires being in and out with all the sneakiness of the Grinch on Christmas, and when a person gets caught, it takes quick thinking and buttery lies. Super powers also help quite a lot.

If you can run faster than a speeding bullet, then you can bet society is going to insist that you follow a lot of rules about when and where you can run. Crime-fighting super heroes have to get warrants and talk to lawyers, or else the whole system would be a chaotic mess of autocratic heroes - and look, society has spent a lot of time trying that. It works sometimes, but not always, and when it doesn't work it can really not work!

You can't just wait for crime to happen and then go punch it down. If any crime of that caliber happened off, no city would survive. Instead, there's a lot of concern about budget, the amount of work being done, and who's doing it.

Good police work is rarely done from the barrel of a gun - that sort of thing is for emergencies. Ergo, good super hero work follows the same rules. Just because it's possible to use laser vision or throw a car into the sun, that doesn't mean you can really stop crime by doing so. Good super hero work means identifying the crime, gathering evidence, and following the rules. Usually.

Unstoppable Industries moves to officially declare a new head of the superhero field crew, and naturally it's politics from top to bottom. Freeze Frame is the company's favorite, as the other candidates are too new, or have way too many open files with the HR department. Though the company logic is there, one has to wonder if an ego the size of Kimon's can really be okay with it.

The team signs on with the government to learn what they can about the weapon which ends all super heroes, and it provides an important lead on who they should be talking to in order to catch Mercury. Meanwhile, one major advantage to reformed villainy is being in contact with current villains, who can keep you in touch with the ongoing developments of the underground.

Even with Captain Momentum lost to the world, villainy and crime still happens, and it's up to the Unstoppable Force to intervene. Unfortunately, without a man impervious to bullets and physical harm to back the effort, the whole thing requires a lot of finesse that our heroes may not be quite in the practice of using.

Grieving comes in steps, so they say, but it also takes various forms and elevates certain priorities above others. When the death of a friend occurs at a company, the company kind wind up impacting what sorts of grieving are most acceptable or most prioritized.

Every man is mortal, and no man is truly an unstoppable force. Whether by old age, a secret weakness, or the copyright expiring on their public appearance, at some point a hero must die. This is the night that bell tolls for Captain Momentum, and with him follows the death of an entire era.