Runaway Laney Listor finds a hidden demonic bible and performs a blood ritual to summon Hellweaver, the imprisoned goddess who promises to remake her.

Laney entered Strickfield Academy under a stolen identity after murdering two students and taking their uniforms. She treats the parochial school as a temporary refuge until a book buried inside a river cave reveals a different scripture—one she can read despite its unknown language. Its pages describe Hellweaver, the Reality Sphere, the prison dimension called Perdition, and a long ritual capable of breaking the goddess free.

To prove her devotion, Laney bathes in the blood of violent classmates, consumes their hearts, and summons Hellweaver’s manifestation. The goddess demands the destruction of Laney’s last human ties, then burns and rebuilds her disciple as a supernatural daughter named Sin. Returning to the academy with new powers, Sin must harvest the corrupt heart of Sister Mary Theodore as the first piece of her mother’s escape.

Rob Fields’s “Sin” is an explicit Strickfield demon-origin story about ritual murder, occult scripture, Hellweaver, Perdition, transformation, corrupted religion, and the birth of a recurring supernatural villain. The expanded metadata replaces the vague old summary with Laney’s actual path from runaway to Hellweaver’s Advocate. Story by Rob Fields.

This episode is sponsored by HenFlix.com.

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Abandoned hospitals, deadly worms, and do a deep dive into America's Most Haunted Roads lead this Monthly Spooky crypt conversation.

The haunted-road discussion treats travel itself as the vulnerable state: drivers are isolated, landmarks repeat in darkness, and local stories attach ghosts, warnings, or unexplained figures to specific stretches of pavement. Abandoned hospitals and haunted apartments bring the same location-based fear indoors, while the killer-worm report replaces supernatural uncertainty with a small living threat.

Monthly Spooky links these subjects through the places people cannot easily avoid—roads, homes, and former institutions. The episode is for listeners seeking America’s most haunted highways, roadside ghost legends, haunted apartment stories, abandoned-hospital hauntings, parasite or worm horror, and a conversational tour through locations whose reputations travel with them.

Check out Michelle's Zombie Comic!
https://www.webtoons.com/en/ch...

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Walter Bates needs $1,500 before midnight and sees a fatal solution in the elderly boarder whose life-insurance policy could benefit his mother.

Walter returns to the struggling home of Mrs. Bates demanding money she does not have. He faces a deadline that could cost him his life, while his mother can barely meet rent and household expenses. Her boarder, Mr. Chalmers, is an old man with rheumatism and a $2,500 straight-life policy he is considering abandoning because it has no cash value.

Walter persuades Chalmers to keep the policy and change its beneficiary. A walk through the old neighborhood gives him time to consider how quickly an accidental death might put the insurance money within reach. Police stories about families disconnecting gas heaters to kill insured relatives supply a method, and every passing hour tightens the pressure to finish the plan before midnight.

Written by Robert Tallman and starring Tony Barrett as Walter Bates, “Life Ends at Midnight” combines noir crime, family desperation, insurance fraud, and a clock-driven murder scheme. The richer notes identify the actual financial stakes while preserving the final consequence Walter fails to calculate.

Featured archival program: Suspense.

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Urban Legend (1998) turns familiar campus folklore into murder methods as a parka-clad killer stalks students at Pendleton University.

"SOMEONE'S IN THE BACK SEAT!" And it's Henrique and Dave who this week are enrolling at Pendelton University as a serial killer is terrorizing the campus using urban legends to murder students and staff in 1998's "URBAN LEGEND" !

Directed by Jamie Blanks and starring Alicia Witt, Rebecca Gayheart, & Morbius himself, Jared Leto. Hear your hosts discuss how this is the perfect film to catch on late night cable, what their favorite Urban Legends are, what Scream did to the tail end of the 90s for Horror, PLUS a special announcement about June's film line up! Enjoy the longest episode yet as these enthusiasts dive deep into this 90s Horror Classic!

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A Nevada park ranger follows a missing family into an abandoned mining town and discovers that the descendants of its workers never truly left.

The ranger begins with a deserted camper near land clearly marked off-limits. Inside are clothes, blood, and signs that a man, woman, and two boys vanished suddenly. Unusual footprints lead away from the vehicle and into the decaying town, where the ranger’s radio fails and something with reflective eyes watches from the buildings.

A scream draws him deeper among the ruins. He finds a bound woman and a horde of deformed, vaguely human creatures emerging from hiding places around the settlement. Escape means entering the old church and descending into mine tunnels beneath the town, but the passage contains evidence of what happened to the missing travelers—and why the underground colony needs outsiders to survive.

This backwoods creature-horror story combines an abandoned Nevada mining camp, a missing-family investigation, cannibal mutants, underground tunnels, and a park ranger forced to decide how far he can trust the official explanation waiting outside.

“I’m a Park Ranger Who Never Believed the Stories About the Abandoned Mining Town. Until...” was written by Michael Kelso.

Find Michael Kelso’s books: https://geni.us/michaelkelsoau...
More from the author: https://www.reddit.com/user/Ho...

This episode is sponsored by HenFlix.com.

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A human skull found inside a hollow tree in wartime England inspired one of true crime’s most haunting questions: “Who put Bella in the Wych Elm?”

In April 1943, four boys entered Hagley Wood in Worcestershire and climbed an old wych elm while looking for bird nests. Inside the trunk they discovered the remains of a woman. Clothing, a counterfeit wedding ring, and other evidence offered few answers, and investigators could not match the victim to a missing person.

The mystery deepened when graffiti began appearing in the West Midlands asking who had put “Bella” in the tree. Terrifying & True follows the forensic reconstruction of her death and the competing identities proposed over the decades. Was she a local woman killed by someone she knew, a German agent caught in wartime espionage, or the victim of a ritual associated with the severed hand found nearby?

The episode treats the spy and witchcraft stories as theories rather than established fact and examines how the anonymous graffiti helped turn an unidentified woman into a regional legend. A 2018 facial reconstruction offered a new image of Bella, but no conclusive identification followed. Her name, killer, and path into the wych elm remain unknown.

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Astronomer Russell Adams opens a fallen meteorite and finds living gray flesh inside—an extraterrestrial visitor growing at impossible speed.

Professor Adams and his wife Diane watch an unusually active meteor shower from the countryside. When a fragment lands nearby, Russell treats it as a scientific prize and brings the stone home. Breaking it open reveals a soft nugget of tissue where only iron and rock should exist. The material expands, develops intelligence, and speaks with the confidence of something that has crossed space inside a metal shell.

The visitor’s journey was driven by hunger. It does not share humanity’s definition of civilization, and it regards the couple’s species from the perspective of a predator. More meteors continue to streak across the sky, raising the possibility that the first arrival is only one member of a much larger migration.

Arch Oboler’s “The Meteorman” turns backyard astronomy into cosmic creature horror. A professor, his skeptical wife, a meteor storm, rapidly growing alien organism, and appetite from beyond Earth create a compact invasion story about scientific curiosity opening the door to something that sees human beings as food.

Featured archival program: Lights Out.

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Edgar Allan Poe’s solitary speaker returns to a wild lake where black rocks, tall pines, and a poisoned wave make terror feel like paradise.

In “The Lake,” an unnamed place becomes the landscape of the speaker’s youth and the object of an increasingly dangerous fascination. By day, the lonely water offers refuge from an ordinary world. When night falls and darkness spreads across the lake, that solitude changes: the wind stirs, terror awakens, and the scene produces not simple fear but a trembling delight.

Poe turns the natural world into a private Gothic realm. Death seems to wait within the poisoned wave, yet the threat carries its own attraction. For a solitary soul, the haunted lake can become an Eden—a paradise precisely because it is remote, mysterious, and bound to mortality. The poem captures the emotional tension that runs throughout Poe’s writing, where beauty and dread are not opposites but inseparable parts of the same experience.

This spoken-word reading of Edgar Allan Poe’s “The Lake” invites listeners into classic Gothic nature poetry filled with isolation, nocturnal atmosphere, supernatural suggestion, and dark Romantic imagery. The richer metadata names the black-rock landscape, the poisoned water, and the poem’s central transformation of a frightening place into a personal sanctuary.

This episode is sponsored by HenFlix.com.

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A night bike ride at a Pacific Northwest beach campground sends Tom after a missing child—and into a confrontation between a black bear and Bigfoot.

Every summer, Tom camps at the coast with best friend Arturo and Arturo’s family. The trip means a stop at the Tillamook Cheese Factory, bonfires, bicycles, and a chance for the boys to reinvent themselves away from school. They befriend siblings Melissa and Ricky, whose father is trying to hold his family together after a divorce, while rumors spread about unexplained deaths in the nearby beach community.

Ricky disappears after dark. Tom follows the boy’s jacket and footprints into the woods, where an enormous black bear has driven him up a tree. A rescue attempt leaves the children separated, Arturo injured, and Tom bleeding from the metal pedals on his bike. The creature that finally steps from the trees is strong enough to lift the bear and hurl it into a trunk—but its decision about the children remains unknown.

Bruce Haney’s “Bigfoot at the Coast” combines Pacific Northwest cryptid fiction, coastal camping, childhood friendship, a night bicycle rescue, and a brutal bear encounter. The expanded description accurately positions Bigfoot as an ambiguous presence rather than claiming the creature begins the hunt. Story by Bruce Haney.

This episode is sponsored by HenFlix.com.

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The Axeman of New Orleans broke into homes, attacked families with their own tools, and sent a letter promising to spare anyone playing jazz on a designated night.

From 1918 into 1919, a series of brutal assaults spread fear through New Orleans and nearby Gretna. Many victims were Italian grocers or members of their households, including Joseph and Catherine Maggio, Louis Besumer and Harriet Lowe, Joseph Romano, the Cortimiglia family, Steve Boca, Sarah Laumann, and Mike Pepitone. Entry was often forced through a door panel, valuables were left behind, and an axe or hatchet found at the scene appeared to belong to the victim.

Terrifying & True follows the changing suspects, false accusations, survivors, and investigative failures that prevented police from proving whether one person committed every attack. The most famous episode came after a newspaper published a taunting letter signed by “The Axeman.” It claimed the writer would pass over the city and spare homes where jazz was being played. On the appointed night, music filled clubs and residences across New Orleans.

Historians debate whether the letter came from the killer, a prankster, or someone exploiting public panic. The attacks stopped after Mike Pepitone’s death, but no definitive identification followed. This is the history behind a true-crime legend in which murder, anti-Italian prejudice, sensational journalism, and jazz became inseparable.

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