About Emily Haworth-Booth:

About Mare:

When an opportunity to lease a mare part-time comes her way, it seems like the ideal arrangement and the fulfillment of a childhood wish—perhaps even something to fill the emptiness, diagnosable and otherwise, that she has begun to feel. She has no problem sharing; she shares a garden with the children next door and chores with her husband. The horse will be something to care for, just two days a week, without getting in too deep.

But as she takes up riding lessons, faces mounting medical bills, and walks and brushes and dreams of the horse, her affection starts to become all-consuming. Time spent with the mare casts a light on the rest of her responsibilities and relationships, ultimately forcing her to confront what it means to love a being who does not belong to her. With tender humor and insight, Emily Haworth-Booth’s Mare radiates life and feeling—and introduces an irresistible literary voice.

About Strange Girls:

A decade has passed since Ava spoke to Aliya. During the years of silence, Ava's life has remained at a standstill, while Aliya got the one thing they both wanted more than anything: a book deal. Forced back together at a mutual friend’s bachelorette in London, Ava returns to Aliya’s doorstep, desperate to unpack the truth of their shared history—and what they meant to each other.

When the two first met in the halls of their historic campus, their connection was electric. Aliya and Ava created a world of their own through the stories they wrote, influencing and borrowing from each other’s work. But when the end of college loomed, the real world began to pull them in opposite directions. Was their bond ever truly as strong as Aliya thought? And what would become of the stories they told themselves about each other?

Weaving together the friends’ past and present, Strange Girls is an ingenious portrait of a fraught friendship, and an exploration of the ties forged in the intensity of the college experience, and the scars left when they break.

About Sarvat Hasin:

Sarvat Hasin is a novelist and dramaturg from Pakistan. She has a masters in creative writing from the University of Oxford. Her first novel, This Wide Night, was published by Penguin Random House India and longlisted for the DSC Prize for South Asian Literature. Her second book, You Can’t Go Home Again, was published in 2018 and featured in Vogue India's and The Hindu's best of the year lists. Her third novel, The Giant Dark, was a runaway critical success, won the Mo Siewcharran Prize, and was shortlisted for the Royal Society of Literature Encore Award. Strange Girls is her US debut. She lives in London.

About Yann Martel:

About Son of Nobody:

In the depths of the Bodleian Library, Harlow discovers a lost account of the Trojan War, a glimpse into the founding of Western civilization itself. He names the epic poem The Psoad, after its protagonist, a Greek commoner identified as Psoas of Midea, but known to all as son of nobody.

As sole translator and interpreter of The Psoad, Harlow dedicates the poem and its footnotes to his daughter, Helen. Under his gaze, the text unlocks echoes of Ancient Greece into the present day, and a personal message to his beloved child appears. Despite the two-thousand-year gap between the two, a thread hasn’t frayed: the universal song of homesickness and regret, of ambition, love, and grief.

In this masterpiece of myth, history, and domesticity, Son of Nobody explores how stories become facts, the price we pay to share them, and how we live—then, now, and always.

About Andrew Martin:

About Down Time

Cass and Aaron, like the other neurotic, ambivalent intellectuals in their orbit, are getting older. There’s Malcolm, with his own alcoholism and marginally more successful writing career; his partner, Violet, a doctor with little patience for both; Antonia, a teaching fellow whose book about ecocide may get her tenure at a prestigious university near Harvard Square—yes, that one. When Sam, a charming trust-fund punk at the center of this loose network, dies suddenly, and a global pandemic takes hold, all five must contend with the lives they’ve made: their desires and disappointments, habits and hang-ups, pathologies and addictions, and the possibilities of making art and being good as the earth whirls to its end.

Down Time marks the delightful return of Andrew Martin, the author of the pitch-perfect slacker classics Early Work and Cool for America. Compulsively readable and contagiously intelligent, this is a wryly comic social novel of settling down, selling out, growing up, and getting out that turns a terribly funny and hyper-literate eye on our most desperately guarded ambitions: to love and be loved, to know and be known, to stay sane, if only just.

About Daniyal Mueenuddin:

About This is Where the Serpent Lives:

In matters of power and money and the heart, Mueenuddin’s characters struggle to choose between paths that are moral and just and more worldly choices that allow them to survive in the systems of caste, capital, and social power that so tightly grip their culture. Intimate and epic, elegiac and profoundly moving, This Is Where the Serpent Lives is a tour de force destined to become a classic of contemporary literature.

About Lauren Rothery:

About Television:

Told in their alternating, intricately linked perspectives, Television is a funny, philosophically astute novel about phenomenal luck, whether windfall or chance encounter. Like Joan Didion’s classic Play It as It Lays, but speaking to a since irrevocably changed Hollywood, it portrays a culture in crisis and the disparities in wealth, beauty, talent, gender, and youth at the heart of contemporary American life. In this glittering but strange new world, lit up by social media and streaming services—what, if not love, can be counted in your favor?

With plays in chronology, bright, nimble dialogue, and a profoundly modern style, Lauren Rothery’s debut novel is an arresting feat of literary impressionism, and marks the arrival of a significant new talent to the landscape of American fiction.

SOUVANKHAM THAMMAVONGSA is the author of four poetry books and the short story collection How to Pronounce Knife, winner of the 2020 Giller Prize and 2021 Trillium Book Award and finalist for the National Book Critics Circle Award and PEN America Open Book Award. Her stories have won an O. Henry Award and appeared in The New Yorker, Harper's Magazine, The Paris Review, The Atlantic, Granta, and NOON. She has also written book reviews for The New York Times, and edited the anthologies Best Canadian Poetry (2021) and The Griffin Poetry Prize (2021). Born in the Lao refugee camp in Nong Khai, Thailand, she was raised and educated in Toronto.

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound depth. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complicated power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange.

As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning.

Told over a single day, with razor-sharp precision and wit, Pick a Colour confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

About Alan Light:

About Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours:

On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time.

Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don’t Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac’s monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album’s transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today’s rapidly changing music scene.

Drawing on in-depth interviews with current artists inspired by Fleetwood Mac, as well as fans who have only recently discovered the album, Light investigates what keep Rumours at the forefront of popular culture, from Glee to Saturday Night Live to Daisy Jones & the Six. Through insightful analysis and storytelling, Don’t Stop celebrates the album’s trail blazing sound and diverse voices, and the emotional depth that continues to fascinate audiences. From the incredible soap opera behind the album’s creation to its embrace in the age of TikTok, this book presents a kaleidoscopic view of a landmark work that has transcended its time.

About Zadie Smith:

About Dead and Alive:

In the past two decades, few writers have been able to master the craft and art of the essay in the way that Zadie Smith has. Her discerning eye and singularly intimate perspective emblazon Smith as a preeminent critic of our generation, society, and culture. In her inimitable honesty and poignant voice, Smith studies the fault lines that divide us and consistently finds within them grounds for solidarity and compassion.

This eagerly awaited new collection brings Zadie Smith’s unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools personal dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk when researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to look at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again in Dead and Alive her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

A master of perception always in search of a lesser-known reality, Smith continually assesses, and reassesses, what it means to identify with the contemporary world, and how we choose to remember the history that brought us here.

About Erin Somers:

About The Ten Year Affair:

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist.

As reality splits, the everyday details of Cora’s life—her depressing marketing job, her daughter’s new fascination with the afterlife, her husband’s obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters.

The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately asks: do we really want our fantasies to come true?