About Ocean Vuong:

About The Emperor of Gladness:

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink.

Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.

About Curtis McRae:

About Quietly, Loving Everyone:

About Adelaide Faith:

About Happiness Forever:

Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure.

Outside therapy Sylvie has what she considers to be a small life: a job as a veterinary nurse, companionship from her tattoo artist friend via text, and seaside walks with her brain-damaged dog, Curtains. But maybe therapy is making a difference, inviting her to imagine possibilities—possibilities that include a new friend she meets on the beach.

When the therapist starts to prepare Sylvie for the terrible fact that all treatment has to come to an end, Sylvie can’t stop herself from imagining sleeping in her car parked outside the therapist’s house. That won’t work. She has to be brave. Be brave, Sylvie! We love you.

In this wonderful, hilarious, stunning debut, Adelaide Faith captures the vulnerability, difficulty and joy of personhood, of being a person, of being alive.

About Adam Ross:

About Playworld:

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.

Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

About Amanda Leduc:

About Wild Life:

In 19th-century Scotland, young Josiah is banished by his father for seeing the divine in the animals around him and sent to Siberia with a small Christian mission to purge such nonsense from his soul. Miserably scrubbing the chapel floor one night, Josiah is visited by what he thinks is God in animal form. When his saviours, a hyena and her mate, rescue him from a natural disaster that kills the other missionaries and then bring him safely home, he founds a religion based on his belief that God granted speech to the hyenas as part of a divine plan to heal and exalt the human race.

The hyena pair, Barbara and Kendrith, aren't so sure that Josiah has it right. But with their beautiful strangeness, they utterly transform the people they encounter over succeeding generations. As Josiah's church gathers adherents, more and more animals start to speak to humans—from signing baby gorillas to seductive alligators. At first one or two rebellious pets make a break for freedom, but then comes a mass exodus of all animals held captive, forcing people to contend with a wildness in themselves they have spent millennia denying. The end of this remarkable fairytale is both joyful and devastating, completely dissolving the boundary between what's "human" and what's "animal."

About Katie Kitamura:

Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University.

About Audition:

One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.

Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

About Kevin Nguyen:

About My Documents:

Cut off entirely from the outside world, forced to work jobs they hate, Jen and Duncan try to withstand long, dusty days in camp and acclimate to life without the internet. That is, until Jen discovers a way to get messages to the outside. Her first instinct is to reach out to Ursula, who sees this connection as a chance to tell the world about the horrors of camp—and as an opportunity to bolster her own reporting career in the process.

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

About Laurie Woolever:

Laurie Woolever is a writer and editor. She spent nearly a decade assisting Anthony Bourdain, with whom she coauthored the cookbook Appetites and World Travel. She’s written about food and travel for the New York Times, GQ, Food & Wine, Lucky Peach, Saveur, Dissent, Roads & Kingdoms, and others, and has worked as an editor at Art Culinaire and Wine Spectator. She is also the New York Times bestselling author of Bourdain: The Definitive Oral Biography.

About Care and Feeding:

A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy

In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.

Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all—from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli—while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood.

As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.

About Andrew Lipstein:

About Something Rotten:

Cecilie is a fed-up New York Times reporter. Her husband, Reuben, is a disgraced former NPR host and grudging stay-at-home dad. Neither can wait to flee New York and spend the summer in Copenhagen, Denmark, Cecilie’s hometown. But their vacation begins to turn inside out as soon as they land: Cecilie’s first love, Jonas, has been diagnosed with a rare, fatal illness. All of Cecilie’s friends are desperate to get him help—that is, except for Mikkel, a high-powered journalist who happens to be the only one Jonas will listen to.

Mikkel’s influence quickly extends to Reuben, who’s not only intoxicated by Mikkel’s charm, but discovers in him a new model of masculinity—one he found hopelessly absent in America. As Mikkel indoctrinates Reuben with ever more depraved stunts, Reuben senses something is seriously amiss. Cecilie, too, begins to question who to trust—even herself. Drawn in by the gravity of the past, she can’t help but stray onto the road not taken.

A twisting, thrilling tale of loyalty and deceit, lovers and fools, Andrew Lipstein's Something Rotten proves that sometimes to be kind you have to be cruel beyond belief.

About Haley Mlotek:

About No Fault:

Deftly combining her personal story with wry, searching social and literary exploration, No Fault is a brilliant account of 21st century divorce—its remarkably common yet seemingly singular impact, and what it reveals about our society and our desires for family, love, and friendship. Mlotek asks profound questions about what divorce should be, who it is for, and why the institution of marriage maintains its power, all while charting a poignant and cathartic journey away from her own marriage and towards an unknown future.

Brilliant, funny, and unflinchingly honest, No Fault is a kaleidoscopic look at marriage, secrets, ambitions, and what it truly means to love and live with uncertainty, betrayal, and hope.