Weird Studies

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams.

REFERENCES

Pierre Hadot, What is Ancient Philosophy?

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American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable.

REFERENCES

American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen"

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M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction.

To accompany this episode, Phil recorded a full reading of the story. Listen to it here.

REFERENCES

M.R. James, "The Mezzotint"

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M. R. James has been hailed as the unrivalled maser of the classic ghost tale, and his powers are at their zenith in "The Mezzotint," a story that first appeared in his 1904 collection, Ghost Stories of an Antiquary. In it, James reimagines the Gothic trope of the haunted picture in a weird new light. The text, read here by co-host Phil Ford, serves as a springboard for Weird Studies episode 11, where we discuss the enduring power of the art object in the age of mechanical reproduction.

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In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece."

REFERENCES

Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others”

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The plan was to discuss the introduction to Aleister Crowley's classic work, Magick in Theory and Practice (1924), a powerful text on the nature and purpose of magical practice. JF and Phil stick to the plan for the first part of the show, and then veer off into a dialogue on the basic idea of magic. Along the way, they share some of the intriguing results of their own occult experiments.

REFERENCES

Photo of JF's "large sum" cheque

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JF and Phil discuss Graham Harman's "The Third Table," a short and accessible introduction to "object-oriented ontology." Phil takes us on a tour of his closet, we discover that JF's kids are better at this weird studies stuff than their old man, and the conversation veers through Harman's Lovecraftian "weird realism," Zen's "just sit" meditation, panpsychism, Martin Buber's I and Thou, experimental filmmaking, and more.

WORKS AND IDEAS CITED IN THIS EPISODE

Graham Harman, "The Third Table"

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For as long as they've been pounding the crap out of each other for good reasons, humans have also been pounding the crap out of each other for fun. Everywhere, in ever age, elaborate systems, rituals, and traditions have arisen to ring in the practice of violence and thereby offer the rough beast that lurks in every soul a chance to come out for a stretch in the sun. In this episode, Phil and JF delve into one of the most scandalous affairs of all: the illicit dalliance of Aphrodite and Ares, beauty and violence.

WORKS & IDEAS DISCUSSED IN THIS EPISODE:

Ernest Hemingway, Death in the Afternoon

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The Dutch historian Johan Huizinga was one of the first thinkers to define games as exercises in world-making. Every game, he wrote, occurs within a magic circle where the rules of ordinary life are suspended and new laws come into play. No game illustrates this better than Gary Gygax's tabletop RPG, Dungeons & Dragons. In this episode, Phil and JF use D&D as the focus of a conversation about the weird interdependence of reality and fantasy.

Header image: Gaetan Bahl (Wikimedia Commons)

WORKS CITED OR DISCUSSED IN THIS EPISODE

Official homepage of the Dungeons & Dragons roleplaying game

Critical Role web series

Demetrious Johnson’s Twitch site

Game Over: Kasparov and the Machine (documentary)

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Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers?

WORKS DISCUSSED IN THIS EPISODE

Lisa Ruddick, "When Nothing is Cool"

Elizabeth Gilbert, "Your Elusive Creative Genius"

Judith Halberstam, "Skinflick: Posthuman Gender in Jonathan Demme's The Silence of the Lambs"

Daniel Chua (the musicologist whose name Phil couldn't remember)

Brett Easton Ellis, American Psycho

Mary Harron, American Psycho (film)

David Lynch, Twin Peaks: The Return

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