In today's Books with Hooks, Carly and CeCe are joined by Kathy and Leila who have submitted their queries for critique.  During the segment, they discuss why it’s important to frame a memoir as ‘why does this book have to be out there for others?’; why it’s okay to not have your hook fully fleshed out in a memoir query because agents are there to help you finish the job; how, in non-fiction, the hook is what you’re delivering to the reader and so it’s something you dig to find, unlike in fiction; how your story can start in multiple places, depending on taste; how starting in story is always the best place to start, even in memoir; using first person to help yourself write third person close; watching out for characters that are too generic/cookie-cutter/cliche; and how to make readers connect with characters in dark stories by making them very human.

After which, Bianca chats with Ashley Audrain, author of The Push, and bookstagrammer, Femi Omotade, about inserting non-typical themes into a thriller; writing about things that could be triggering for an author; writing being a cathartic experience—not therapy, but therapeutic; and the process of having a book get optioned for film or TV.

Find us on our socials: 
Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra 
Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing
Facebook: @tsnotyaw
Website: www.biancamarais.com
Ashley Audrain can be found at www.ashelyaudrain.com and on Instagram at @ashleyaudrain and Twitter at @audrain
Femi Omotade can be found on Instagram at @thebookalert

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