Izzy and Grace talk about inherited wealth off the back of Emerald Fennell's BAFTAs sweep, do a deep-dive on Chris Kraus' 1997 classic 'I Love Dick', and unpack the Hollywood Reporter's bombshell exposè on Hollywood mega-producer Scott Rudin (think the Harvey Weinstein of emotional abuse). Then it's onto Chet Hanks' 'White Boy Summer'—AKA why Tom Hanks' white rapper son is literally the only thing we can think about. Finally, we chat about The Cut's episode on pandemic-fuelled burnout—including Esther Perel's insights on how the last 12 months of lockdown has seen us attach more meaning than ever to our work.

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