By Amber Asay
5
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The podcast currently has 31 episodes available.
(**Trigger Warning: This episode discusses Suicide) This dual feature episode celebrates Ellen Raskin’s transformation from a prolific book designer to an award-winning author, seamlessly blending design and storytelling in works like The Westing Game. Briar Levit shares her own journey as a designer and author, using mediums like film, exhibitions, and publications to champion stories that inspire.
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About Ellen
Ellen Raskin (1928–1984) was a trailblazing designer and author who seamlessly blended her expertise in graphic design with her passion for storytelling. Born in Milwaukee during the Great Depression, Raskin pursued a fine arts degree at the University of Wisconsin before launching a prolific career in New York City, where she designed over 1,000 book covers, including the original cover for A Wrinkle in Time. Later, she transitioned to writing, creating critically acclaimed children’s books known for their intricate plots and visual clues. Her most famous work, The Westing Game, won the Newbery Medal in 1979 and remains a beloved classic. Ellen’s books, including The Mysterious Disappearance of Leon (I Mean Noel) and Figgs & Phantoms, exemplify her unique ability to combine puzzles, humor, and thoughtful storytelling, leaving an enduring legacy in children’s literature.
About Briar
Briar Levit is a graphic designer, educator, and filmmaker whose work brings underrepresented voices in design history to light. With nearly two decades of teaching at Portland State University, Briar encourages her students to explore design’s role in shaping culture and amplifying diverse perspectives. She gained widespread acclaim for her documentary Graphic Means: A History of Graphic Design Production, which chronicles the evolution of design tools and highlights women’s significant contributions during the shift from manual to digital production. Briar’s feminist advocacy is further reflected in her book Baseline Shift, which celebrates the pivotal yet often overlooked roles of women in design. A former art director at Bitch magazine, she’s dedicated her career to showing how design can be a tool for activism, history, and cultural critique.
Follow Briar:
Instagram: @briarlevit
Website: briarlevit.com
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This dual feature episode explores Eileen Gray’s journey from interior design to groundbreaking modernist architecture, including the challenges of vandalism, loss, and rediscovery, alongside Emily Farnham’s dedication to preserving architectural history and working on both Mandy Moore and Lilly Collin's Mid-Century homes.
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About Eileen
Eileen Gray (1878–1976) was a groundbreaking designer and architect whose work pioneered modernism in the 20th century. Originally born in Ireland, she spent her career in France, becoming a self-taught architect and an innovator in furniture design. She's known for blending functionality with bold, avant-garde aesthetics. Her early career began with mastering lacquer work, a craft she honed despite its physical challenges, and she became a leading figure in Art Deco. Gray’s most iconic work is the E-1027 house, a modernist masterpiece designed with meticulous attention to detail and human-centered design principles. Despite her contributions, her achievements were often overshadowed by her male contemporaries, including the controversial vandalism of her work by Le Corbusier. Gray’s designs, like the Bibendum Chair, the E-1027 table and her modular lacquer screens, continue to inspire today. Rediscovered in her later years, she is now celebrated as a trailblazer who forged her own path, proving that vision and resilience can leave a lasting mark on the world of design.
About Emily
Emily Farnham is the founder of Emily Farnham Architecture, a Los Angeles-based practice known for its innovative and holistic approach to residential design. With an impressive career that spans architecture, interiors, and custom design, Emily's projects balance aesthetics, function, and personalization. She holds a Master of Architecture degree from Harvard's Graduate School of Design and a Bachelor of Science in Architecture from the University of Virginia's School of Architecture. Before establishing her practice in 2014, Emily honed her skills at several leading design firms in Los Angeles, New York, Boston, and San Francisco. This diverse background equipped her with the expertise to tackle projects of varying scales and complexities, from residential spaces to large-scale civic and educational buildings. Emily is a licensed architect in California and a LEED-accredited professional, known for her meticulous attention to detail and deep understanding of the construction process.
Follow Emily:
Instagram: @emilyfarnhamarchitecture
Website: emilyfarnham.com
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This TRIPLE feature episode delves into the life of Agnes Martin, whose serene abstract expressionist art was born from a strict, meditative process and a journey of balancing inner turmoil. Michelle and Ellen, co-founders of Nature, share their layered stories of changing creative disciplines, finding balance, and embracing risks in their own design process.
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About Agnes
Agnes Martin may not be a household name, but her influence on abstract art is profound and lasting. Known for her minimalist grids and soft color bands, she crafted paintings that evoke pure calm and joy, all while living in near-total solitude in the New Mexico desert. Martin’s life is as intriguing as her art—she left the bustling New York art scene at the peak of her career to follow a deeply personal path. Though she struggled with mental health challenges, her discipline and commitment to simplicity made her a ‘desert mystic’ of the art world. Her story is one of resilience, solitude, and visionary work. Discover her life and legacy on episode 24 of the podcast.
About Michelle & Ellen
We take a curious and open-minded approach to the work that we do. We ask a lot of questions and have an affinity for both referencing the past and co-creating the future. We value our clients, their trust and their brands over everything. Relationships above all else. Our work is far beyond transactional and the connections that we create with the people we work with usually far out-live the span of the project. We have a lot of repeat clients and we take that as the highest compliment. We don’t believe that cold + pixel perfection equals luxury and we ardently swear by moments of wabi sabi and human-ness as drivers of resonance. We think that design done well and that is built from your narrative has the ability to cut through noise and stand out in vivid definition to the right people. Along with our client work we have a tightly edited resource shop for fellow designers. We believe that a rising tide lifts all boats and anything we learn the hard way on this journey we happily share with others.
Follow Nature:
Instagram: @hellowearenature
Website: by-nature.co
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67% of creative professionals reported experiencing burnout, with women more likely to report feeling overwhelmed by their work environments. Badal Patel opens up about how she struggled with creative burnout, and what she does now to prevent it from happening.
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About Badal:
Badal is the founder of Super Spicy. A small yet seasoned studio focusing on creative direction, branding, and design with extra flavor. She creates impactful brand experiences that merge style with substance through her unique perspective and design sensibilities. Her studio, Super Spicy, focuses on a variety of different areas including branding, packaging, website, campaign, print, and more. Badal’s goal with Super Spicy is to drive culture forward by sharing more nuanced stories and creating more representation.
Working remotely between NYC and LA, Badal has built up a roster of talented individuals that she collaborates with including but not limited to: strategists, designers, copywriters, illustrators, and photographers. She believes collaboration creates better work and aims to create the diverse teams of talent specific to the needs of each project.
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A dual feature episode exploring Ray Eames' transformative impact on mid-century design and Amanda Jane Jones' reflections on creativity, authorship, and the lessons we can draw from Ray's life.
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About Ray
Ray Eames was more than a design partner—she was the quiet force behind every iconic creation that bears the Eames name. From the revolutionary Lounge Chair to the vibrant, Mondrian-inspired glass walls of their Case Study House, Ray’s vision and meticulous artistry shaped modernism as we know it.
But behind the sleek lines and bold colors was a woman often mistaken for a man—'Ray,' they assumed, must surely be Charles's male counterpart. This misconception gave her an unexpected advantage, opening doors that might have otherwise stayed closed.
Yet, Ray’s journey was anything but easy. She endured a lifetime of her contributions being overshadowed, her name eclipsed by Charles’s fame, and even the painful betrayal of his infidelity. Still, she poured everything into their work, her impact far deeper than most people know.
About Amanda
NEW BOOK! Mother / Founder
Amanda Jane Jones is a graphic designer, author, and illustrator whose minimalist aesthetic has redefined modern editorial and product design. Amanda’s talent became widely recognized through her role as the founding designer of Kinfolk, where she crafted the magazine's iconic, minimalist style, inspiring countless designers and publications.
Her creative influence extends beyond editorial design; she has collaborated with major brands such as Opinel, Revival Rugs, Solly Baby, and Schoolhouse Electric, blending her clean and thoughtful aesthetic across diverse projects. In addition to brand collaborations, Amanda has illustrated children’s books, including Yum Yummy Yuck and The Hair Book, inspired by her own children and designed to engage young readers with playful simplicity.
Amanda’s latest project, Mother / Founder, celebrates the journeys of 68 women balancing the challenges of entrepreneurship and motherhood. Her work has been featured by Architectural Digest, The New York Times, Martha Stewart Living, and online platforms such as Mother Mag, Cup of Jo, and Domino. Now based in the Wasatch Mountains of Utah, Amanda continues to shape the design world with her distinctive vision, seamlessly blending elegance, versatility, and purpose into each project
Follow Amanda:
Instagram
Website: amandajanejones.com
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Learn the untold story of architect and furniture designer, Charlotte Perriand, whose innovative designs and fearless independence reshaped modern interiors and how she escaped Le Corbusier's shadow, with insights from special guest Adi Goodrich, spatial designer, who reflects on how Charlotte's legacy continues to inspire today's designers.
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About Charlotte
Charlotte Perriand was a visionary French designer and architect whose contributions to modernist design reshaped how we think about furniture and interior spaces. In 1927, after famously being dismissed by Le Corbusier with the remark, "We don’t embroider cushions here," she eventually joined his studio and co-designed iconic pieces like the LC4 Chaise Longue and LC2 armchair.
Though these collaborations are what she is most known for, Perriand’s career extended far beyond them. She designed the modular Nuage Bookshelf and minimalist Tokyo Bench, blending functionality with clean, modernist aesthetics. Perriand was also integral to larger architectural projects like the Unité d'Habitation, where she introduced multifunctional interiors, and the Les Arcs Ski Resort, where her modular furniture designs embraced the natural environment.
About Adi
Adi Goodrich is a Los Angeles-based multidisciplinary designer known for her vibrant and imaginative approach to Environmental design, Interiors, and furniture. Growing up in Chicago, she was heavily influenced by her father’s work in architectural and furniture restoration, which fostered her love for craftsmanship from a young age. Adi studied at the School of the Art Institute of Chicago and La Sorbonne in Paris, where she explored various disciplines including painting and art history.
Goodrich first gained attention working on window displays for Barneys New York and Anthropologie, which led to a flourishing career in set design for films, commercials, and photoshoots. Adi is Co-founder of Sing-Sing Studio, a creative practice she shares with her partner, filmmaker, Sean Pecknold where they have worked with major brands such as Apple, Google, Nike, Target, and more, bringing a unique blend of storytelling and design to each project. Adi also launched her own furniture line, in 2022 called "Sing-Thing." Her work is characterized by a bold use of color, materials, and a focus on creating spaces that are narratively driven. Learn more about Adi's design approach and career on Episode 22 of the podcast.
Follow Adi
adigoodrich.com
@adigoodrich
sing-sing.co
@singsingstudio
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Hear how Susan Skarsgard built her career from calligraphy to founding the GM Design Archive, blending art, design, and education to leave her mark on both the art and automotive worlds.
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About Susan
Susan Skarsgard (b. 1954) is a designer, artist, and author whose career bridges the worlds of fine art and industrial design. With roots in Detroit, Susan’s passion for calligraphy led her to study under Austrian master calligrapher Friedrich Neugebauer and to apprentice with legendary Detroit lettering master Jerry Campbell. Under Campbells' tutelage, she designed logos and lettering for advertising and automotive clients before ultimately joining General Motors Design in 1995. She earned her MFA from the University of Michigan in 2004.
At GM, she initially applied her skills to emblem and nameplate design for cars and trucks, but her most lasting legacy was founding the department GM Design Archive & Special Collections, which is the official repository for the history of design at General Motors. Susan is also the author of Where Today Meets Tomorrow, the definitive book on the history of the iconic GM Technical Center designed by Eero Saarinen.
Her journey as a woman navigating a male-dominated industry, along with her stunning work in calligraphy and book arts, is truly inspiring.
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This dual feature episode highlights Elaine Lustig Cohen’s self-taught rise to modernist graphic design and fine art, alongside Steven Heller’s efforts to rewrite design history by amplifying the contributions of women like Elaine.
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About Elaine
Elaine Lustig Cohen (1927–2016) was a pioneering modernist designer and artist, known for her bold, abstract book covers and museum catalogs that helped shape mid-century American graphic design.
After the sudden passing of her husband, renowned designer Alvin Lustig, Elaine—without any formal training—took over his studio in the 1950s, working with high-profile clients like Philip Johnson, Richard Meier, General Motors, and the Jewish Museum.
What set her design style apart was her ability to merge avant-garde European influences, like Constructivism and Bauhaus principles, with the clean, functionalist aesthetics of American modernism. She brought typography to the forefront, often treating it as a visual and emotional narrative element, while incorporating geometric abstraction to create a sense of movement and rhythm. Her work is now part of the permanent collections at MoMA, LACMA, and Cooper Hewitt.
About Steven
Steven Heller is one of the most prolific design historians and writers in the field, having authored, co-authored, or edited over 200 books on design, illustration, and popular culture. He is best known for his long-running column, The Daily Heller, published by Print magazine, which offers daily insights on visual culture, design history, and current events. In addition to his writing, Heller is the co-chair of the School of Visual Arts MFA Design/Designer as Author + Entrepreneur program, where he continues to shape future generations of designers.
Throughout his career, Heller has been a steadfast advocate for women in design. His work has consistently featured and celebrated the contributions of women who have been overlooked in design history. He has worked to bring attention to underrepresented figures in the industry, often calling for a rewriting of design history to include more women. As early as the 1990s, Heller began amplifying the work of female designers, championing their influence on design movements across modernism, typography, and visual communication. He has been vocal about the importance of gender equality in the design industry and has pushed for more inclusive recognition of the women whose innovations have shaped the field.
In 2011, Heller was awarded the AIGA Medal for his outstanding contributions to design journalism, education, and history. His ongoing commitment to uncovering the stories of women in design has made him not only a key figure in documenting design history but also an advocate for equity in the industry. Through his work, he has inspired a more inclusive and accurate portrayal of the design world, one that reflects the achievements of all its contributors.
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Uncover the fascinating story of Zelda Wynn Valdes, whose mastery of the mermaid silhouette led to her creation of the iconic Playboy Bunny costume, with insights from special guest Tobi Ashiru.
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About Zelda Wynn Valdes:
Zelda Wynn Valdes (1901 – 2001) is often overlooked in design history even though she was one of the most influential fashion designers known for her hourglass silhouette dresses, and helping popularize the mermaid dress.
In fact, the femininity of her work caught the eye of Hugh Hefner who commissioned her to design the iconic and patented playboy bunny costume in 1960.
But before that, In 1948, Valdes became the first black person to open her own boutique on Broadway in Manhattan.
Zelda’s alluring yet sophisticated dresses were embraced by prominent figures such as Joyce Bryant, Ella Fitzgerald, Aretha Franklin, Eartha Kitt, Josephine Baker, Diahann Carroll, Dorothy Dandridge, and Mae West. She even designed Maria Cole’s gown for her wedding to Nat King Cole in 1948.
Zelda continued her impactful career until her passing in 2001, contributing to over 80 ballet productions at the Dance Theatre of Harlem.
She made it her mission to leave the door wide open for all the black women designers following in her footsteps. She led a fashion coalition that was founded with the sole purpose of promoting black designers.
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(**Trigger Warning: This episode discusses an explicit Murder) A brutal massacre at Frank Lloyd Wright’s Taliesin estate, where love, scandal, racism, paranoia, and murder intersect in a story that few have heard, involving the murder of his mistress, Martha Borthwick Cheney, at his beloved home he designed for their love.
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Sources:
PBS.org — Wright at the Time
History.com — The Massacre at Frank Lloyd Wright’s ‘Love Cottage’ by Christopher Klein
All That's Interesting — The Life and Death of Mamah Borthwick, Frank Lloyd Wright’s Controversial Lover by Jessica OConnor
Solved Murders Podcast Part 1 & Part 2 (2021)
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The podcast currently has 31 episodes available.
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