Words To That Effect

In one sense alternate history is a very specific kind of story - sometimes seen as a subgenre of science fiction, more often as a genre onto itself. But in a broader sense alternate history is something we are all interested in. We all think about what might have happened differently in our live and in the wider world, we all feel relief and regret. 

What if?

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In a way it’s maybe strange that the western is such a prominent genre. It's seemingly connected to a very specific time and place: the mid-to-late 19th century American west. And yet we are all so familiar with the many tropes of the western: cowboys and Indians, shootouts and saloons, cattle rustlers and sheriffs, tumbleweed and canyons? 

The western has a particular hold on the popular imagination, partly for reasons of historical and cultural influence, but ultimately because of its supreme adaptability, its capacity to mingle and merge with other genres. The weird western is a hybrid genre: space westerns, steampunk westerns, supernatural and horror westerns, time travel westerns, westerns drawing on Afrofuturism and indigenous futurism, and many, many more.

For full transcripts, notes, links, and more head to wttepodcast.com/weirdwestern

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Remix, mashup, sample, adaptation, parody, homage, knock-off. The lines between these, and so many other similar terms, are not always very clear.

In one sense, all culture is a remix, nothing exists in a vacuum. On the other hand, some people may take a dim view of lifting almost the entire text of Pride & Prejudice and republishing it with additional zombie action. Which is where Seth Grahame-Smith’s best-selling 2009 classic, Pride and Prejudice and Zombies, comes in.

For lots more details, links, transcripts, and more, head to the Words To That Effect website

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Last year Caroline Crampton (of Shedunnit) and I teamed up to create a joint live show, called Words Dunnit: a 200-year history of detective fiction in an hour. We performed the show live at the Dublin Podcast Festival in November 2019, and then again at Pod UK, in Birmingham, in Feb of this year. We had a lot of fun making and performing it, so here it is in full.

For notes, links, pictures and more head to the WTTE website

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There are countless great works of literature we have tantalizing glimpses of, works we know existed but are, as far as anyone can tell, lost to history. Huge swathes of ancient Greek literature, for example, or a lost Shakespeare play based on the story of Don Quixote. 

And then there are the works we rescue. Kate Macdonald, at Handheld Press, specialises in finding and reprinting lost classics, works that have fallen out of print but deserve another chance and a new audience. In this episode I chat to her about lost literature, the intricacies of reprinting old books, and authors who will never go out of print.

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Sasquatch. Bigfoot. The Abominable Snowman. Yeti. The Yowie, the Yeren, the Almas 

Ape-men, cave men, wild men. 

The Missing Link.

The idea of the missing link came about in the mid-19th century, with the rise of Charles Darwin’s Theory of Evolution. In 1859 Darwin published his book On the Origin of Species by Means of Natural Selection, and it was radical, revolutionary, and highly contentious. 

The problem, though, was that the mechanism by which it all worked wasn’t really understood yet, and there was a need for some hard evidence that would clinch his theory. If evolution really did work as Darwin described it; if, most controversially of all, humans, chimpanzees, gorillas and other apes all had a common ancestor, it should all be there in the fossil record. 

There was a missing link in the theory.

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